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Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1000577171
Category : Performing Arts
Languages : en
Pages : 125
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Book Description
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1000577171
Category : Performing Arts
Languages : en
Pages : 125
Get Book Here
Book Description
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1317290747
Category : Social Science
Languages : en
Pages : 308
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Book Description
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1351254243
Category : Performing Arts
Languages : en
Pages : 403
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Book Description
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1317290739
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Author: Omar Ahmed
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Author: Bhaskar Sarkar
Publisher: Duke University Press
ISBN: 0822392216
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
Author: Ashish Rajadhyaksha
Publisher: Oxford University Press
ISBN: 0198723091
Category : Art
Languages : en
Pages : 161
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Book Description
The Indian cinema sells 2.9 billion movie tickets annually, the largest in the world. Yet, as an economic entity, the Indian movie industry remains small, with an annual revenue that is 5% of Hollywood's. This volume throws light on the history of Indian cinema and the circumstances that saw the birth of one of the world's great countercultures.
Author: Anuradha Needham
Publisher: Routledge
ISBN: 1135021341
Category : History
Languages : en
Pages : 238
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Book Description
Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.
Author: Sakti Sengupta
Publisher: CreateSpace
ISBN: 9781511675192
Category :
Languages : en
Pages : 298
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Book Description
For over four decades, Girish Kasaravalli has been fulfilling Satyajit Ray's prediction that "the future lies in Kannada cinema." Kasaravalli first emerged as a major force of the Indian New Wave in 1977 with Ghatashraddha (The Ritual), which won Best Feature Film, among other awards, in his home state of Karnataka, India; it was the only Indian film included in a list of 100 important world films compiled by the Cinémathèque Française. Like other filmmakers of his generation working outside the Bollywood mainstream, Kasaravalli has focused on injustices and inequality perpetrated by the caste system, Brahmin orthodoxy, and patriarchy, as well as by chronic corruption, a ruinous push for gentrification, and unprecedented, disruptive global forces in the "new India." Yet his films can never be reduced to "protest art." Rather, his extraordinarily diverse body of work is marked by a consistent attitude toward cinema's need to raise questions rather than provide answers. In films that range from experimentalism to lush historical drama to an inventive cinéma vérité, Kasaravalli allows viewers to explore on their own terms the singular worlds he creates. This book introduces Kasaravalli's groundbreaking career with an in-depth look at eight of his most important films, all available with English subtitles."Kasaravalli thinks globally and works locally." U.R. ANANTHAMURTHY"Kasaravalli has been one of the most underestimated filmmakers of our time." MAITHILI RAO"Kasaravalli has . . . extended the very range of conventional social realism by bringing into his framework various aspects of dynamic living cultural traditions. The 'culturing' of social realism has been Girish's most outstanding contribution to Indian cinema." N. MANU CHAKRAVARTHY
Author: Devapriya Sanyal
Publisher: Routledge
ISBN: 1000509192
Category : Social Science
Languages : en
Pages : 187
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Book Description
This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.
