Author: Reginald Massey
Publisher: Abhinav Publications
ISBN: 8170173744
Category : Dance
Languages : en
Pages : 184
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Book Description
All The Major Dance Styles Of The Indian Subcontinent Share A Common Root System Of Ethical And Aesthetic Values. Hence No Single Style Can Claim To Be Purer Or Older Than Any Other. Kathak- The Style That Grew, Took Shape And Flourished In The Northern Regions Of The Subcontinent-Has Been Misunderstood And Misinterpreted On Account Of Ignorance And Prejudice From Various Quarters. This Book Sets Out, Therefore, To Rectify Incorrect Perceptions By Presenting Historical Facts And Placing Kathak Dance In Its Proper Cultural Context. The Background Of The Dance Is Explained In Detail; The Religious, Social And Political Influences Over The Centuries Are Recounted; Myth, Theory And Reality Are Expounded Upon; Current Trends Are Described And Future Possibilities Examine; And, Not Least, The Sheer Beauty Of Kathak Is Exposed To Both The Eye And The Intellect. This Book Provides Not Only Information On Technique And Training But Also Tells The Dance Lover What To Look For In A Typical Kathak Performance. It Will, Indeed, Assist The Reader Better To Appreciate And Understand A Great Dance Style. The Names And Addresses Of Recognised Dance Schools And Teachers, Both In India And Abroad, Will Prove Useful, As Will The Glossary And Bibliography. India S Kathak Dance: Past, Present, Future Is Essential Reading For All Those Who Wish To Be Acquainted With India S Immense Cultural And Artistic Achievements.
Author: Roxanne Kamayani Gupta
Publisher: Simon and Schuster
ISBN: 1594775273
Category : Body, Mind & Spirit
Languages : en
Pages : 625
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Book Description
The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.
Author: Margaret E. Walker
Publisher: Routledge
ISBN: 1317117379
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Author: Susan Manning
Publisher: University of Wisconsin Press
ISBN: 0299322408
Category : Performing Arts
Languages : en
Pages : 589
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Book Description
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts—onstage, on screen, in the studio, and on the street—and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.
Author: Shovana Narayan
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
India is the perhaps the only country with eight recognized classical dance forms and these have captured the imagination of people all over the world. This book provides abundant information combined with a study of the magnificence of techniques, presentations, incorporating details on costume and music in each of the eight classical forms.
Author: Subhash Chandra Gahlawat
Publisher: MyARSu
ISBN: 1649514298
Category : Social Science
Languages : en
Pages : 348
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Book Description
From the time of 19th century, British employed people passing out from Oxford and Cambridge University to study the thousands of year old Sanskrit texts of India and interpret them in a way that the Indian people never become one. Inspired by the new set of values and might of British Empire these people, also considered as Orientalist, started the work of reading Sanskrit texts and present them in a way which makes people feel that British ways are better than those scriptures. While the prime aim of these interpretations was to hide the robbery of Indian resources, some considered it as reality and helped the British. This help became so vital for the British that a nation which was considered as the golden bird (सोने की चिड़िया) on earth and even after centuries of invasions and loot still contributing 20-24% of world GDP became one of the poorest nations of the world contributing 1-2% of world GDP with frequent incidents of riots, famine etc. Somewhere one orientalist identified it and in his old age realized that he wasted all his life and knowledge in just showing that the 3,000 year-old Indian Scriptures (as per his idea on the date though they are even older) are inferior to present British knowledge system. The name of this orientalist was Max Muller and he tried to reverse the damage by sharing the need of Indian Knowledge system in those texts to make our inner life perfect, more comprehensive and universal. But the damage was already done and in the last 150 years, many Muller’s of a young age are produced by our education system instead of Muller’s who turned wise. Therefore, to throw better light on Indian Society which was missed by Orientalist and present-day young Muller’s, this book is developed by using the philosophy of Jagadguru Adi Shankracharya, i.e. philosophy of Advaita Vedanta, which forces us to look for knowledge which is inside human rather than what knowledge a man possesses. It is considered as the true form of Vidya and under present circumstances, it is the most vital need of Indian Society, especially our Administrators who are supposed to serve the people of India as an Iron Pillar. It is vital that they know about the past, present and future of Indian Society and serves it with excellence, as Krishna said, “योगः कर्मसु कौशलम्”, i.e. Unity (or Yoga) is excellence in Action. Based on it, the book contains relevant information on the topics under Society portion of GS Paper-I such as- Salient features of Indian Society, Diversity of India; Role of women and women’s organization, population and associated issues, poverty and developmental issues, urbanization, their problems and their remedies; Effects of globalization on Indian society; Social empowerment, communalism, regionalism & secularism along with approach and solutions on previous year Questions.
Author: Royona Mitra
Publisher: Springer
ISBN: 1137393661
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Through seven key case studies from Khan's oeuvre, this book demonstrates how Akram Khan's 'new interculturalism' is a challenge to the 1980s western 'intercultural theatre' project, as a more nuanced and embodied approach to representing Othernesses, from his own position of the Other.
Author: Alison Donnell
Publisher: Routledge
ISBN: 1134700253
Category : Reference
Languages : en
Pages : 385
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Book Description
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.
Author: Sitara Thobani
Publisher: Taylor & Francis
ISBN: 1315387336
Category : Art
Languages : en
Pages : 203
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Book Description
Previous studies have analysed Indian classical dance as an expression of Indian religious and nationalist culture, examining the art form solely in the context of Indian history and culture. In investigating performances of Indian classical dance in the UK it is possible to argue that classical Indian dance has become a key aspect of the mutual constitution of not only postcolonial Indian and South Asia diasporic identities, but also of British multicultural and transnational identity. This book explores what happens when national cultural production is reproduced outside the immediate social, political and cultural context of its construction.
Author: Dr. Chetana Desai
Publisher: Lulu.com
ISBN: 0359859674
Category : Education
Languages : en
Pages : 222
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Book Description
Human being is distinct from other groups of species in many respects. Human being doesn't live by bread alone. He is a social animal and socialization, communication and integration is what makes him social. It has become possible due to culture, which is produced by human beings. It is in the human society alone that culture in its multiple forms has got evolved. The cultural development in human society could be possible because human beings have certain natural, inherent abilities and capacities, which are necessary for its creation. It has been noted by the scientists that the human being in general is far more intelligent and creative than the other animals. He has distinct capacities necessary to reproduce, remember, imagine and to conceptualise.
