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Author: V. K. Cherian
Publisher: Sage Publications Pvt. Limited
ISBN: 9789353288297
Category :
Languages : en
Pages : 264
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Book Description
First comprehensive account of the seven-decade long journey of the Film Society Movement in India, and how it helped Indian cinema come into its own.Till 1950s, 80 % of the films screened in India were from Hollywood. Today, only 10 % films shown in India are of foreign origin. One of the main factors that aided in bringing about this massive transformation was the formation of Film Societies in India. They soon became a catalyst to a new film culture, impacting quality of Indian films, both in technology and content. This book studies this historic Film Society movement, from its origin, to the crisis of its identity in the 80s and 90s to its revival in 2000s. It not only narrates the history, the heroes, the institutions, crises, technological changes and the transformation of the Film Society Movement but also debates on the future of this movement.
Author: V. K. Cherian
Publisher: Sage Publications Pvt. Limited
ISBN: 9789353288297
Category :
Languages : en
Pages : 264
Get Book Here
Book Description
First comprehensive account of the seven-decade long journey of the Film Society Movement in India, and how it helped Indian cinema come into its own.Till 1950s, 80 % of the films screened in India were from Hollywood. Today, only 10 % films shown in India are of foreign origin. One of the main factors that aided in bringing about this massive transformation was the formation of Film Societies in India. They soon became a catalyst to a new film culture, impacting quality of Indian films, both in technology and content. This book studies this historic Film Society movement, from its origin, to the crisis of its identity in the 80s and 90s to its revival in 2000s. It not only narrates the history, the heroes, the institutions, crises, technological changes and the transformation of the Film Society Movement but also debates on the future of this movement.
Author: Rochona Majumdar
Publisher: Columbia University Press
ISBN: 0231553900
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Author: Scott MacKenzie
Publisher: University of California Press
ISBN: 0520377478
Category : Performing Arts
Languages : en
Pages : 674
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Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR), New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 68
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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 28 FEBRUARY, 1965 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXX, No. 9 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1. India’s 3rd International Film Festival 2. Parliament and Press 3. Standards In Industrial Progress 4. The Art of Conversation 5. Arrest of Left Communists: Why ? AUTHOR: 1. Amita Malik 2. C. K. Bhattacharya 3. Edvard Albert Wegelius 4. Prof. T. Aguiar 5. B. K. R. Kabad Document ID : APE-1965 (J-A) Vol-I-09 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Author: Vijaya Mulay
Publisher: Seagull Books Pvt Ltd
ISBN: 9781905422968
Category : History
Languages : en
Pages : 624
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Book Description
Brahmins named Iftikar, Buddhist rites in Hindu Shiva temples, Indian maidens dressed like Arabian harem girls - right from the birth of cinema, international movies have been wildly inventive in their fantastical imagining of India. In fact, images of India in these films have always said more about the filmmakers than they have about India. From the early 20th century, when India was imagined as the fabulous, exotic, oriental Other, site for all sorts of fantasies; to the imperial and colonial mindset of the middle decades of the 20th century; to postcolonial films and auteurs like Jean Renoir and Louis Malle who genuinely strove to understand a different culture and its values; to the globalized worldview with which the century ended - India as seen on the international screen has changed in intriguing ways, as this pioneering study describes and analyses. Allowing us access to rare short films from the 1900s, British Durbar films, the precursors of the newsreel genre, and Empire adventure movies, this book also explores Méliès, Lumiere, Louis Malle and Jean Renoir, moving on to the Raj films of the 80s and international cinema of the late 20th century. In the process, a wide range of movies is examined and discussed, and a trajectory of changing images of India abroad is traced over the course of the last century.
Author: Rini Bhattacharya Mehta
Publisher: Anthem Press
ISBN: 0857288970
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Author: Andrew Robinson
Publisher: Univ of California Press
ISBN: 9780520069466
Category : Performing Arts
Languages : en
Pages : 500
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Book Description
Profiles the life of the Indian director, and discusses the making of each of his films
Author: Rohit K. Dasgupta
Publisher: Rowman & Littlefield
ISBN: 1442277998
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
Author: Shampa Banerjee
Publisher: Routledge
ISBN: 1135841055
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
First Published in 1989. One Hundred Indian Films attempts to bring together a representative selection from the first talkies to the present day. The book originated as a project under the National Film Heritage programme at the Centre for Development of Instructional Technology in Delhi, along with the efforts to build up a collection of Indian cinema at the United States Library of Congress.
Author: Samhita Sunya
Publisher: Univ of California Press
ISBN: 0520379535
Category : Art
Languages : en
Pages : 270
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Book Description
Opening Credits "Akira Kurosawa" : a retrospective prologue -- Introduction : "Romance, comedy, and somewhat jazzy music" -- Problems of translation : world cinema as distribution history -- moving toward the "City of love": Hindustani lyrical genealogies -- Homosocialist co-productions : Pardesi (1957) contra Singapore (1960) -- Comedic crossovers and Madras money-spinners : Padosan's (1968) audiovisual apparatus -- Foreign Exchanges : transregional trafficking through Subah-O-Sham (1972) -- Special features.
