Indian Sculpture and Painting PDF Download
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Author: Ernest Binfield Havell
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 508
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Book Description
Author: Ernest Binfield Havell
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 508
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Book Description
Author:
Publisher:
ISBN: 9788170201328
Category :
Languages : en
Pages :
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Book Description
Author: Stella Kramrisch
Publisher:
ISBN: 9788120801820
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Pramod Chandra
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 232
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Book Description
Examines Indian sculptures in color photographs and detailed explanations.
Author: Los Angeles County Museum of Art
Publisher: Los Angeles County Museum of Art
ISBN: 9780875871295
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Stella Kramrisch
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 374
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Book Description
Author: Partha Mitter
Publisher: Oxford University Press, USA
ISBN: 9780192842213
Category : Art
Languages : en
Pages : 295
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Book Description
This concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
Author: Sushma Bahl
Publisher: Roli Books
ISBN: 9788174368539
Category : Art
Languages : en
Pages : 0
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Book Description
This visually stunning book is a rare example of a volume that offers a panoramic view of Indian art from the pre-historic times to contemporary period.
Author: Gayatri Sinha
Publisher: books catalog
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
Indian Art: An Overview is a seminal study on Indian art's entry through modernism into post-modernism. Through fifteen essays, leading tendencies in Indian art are traced from the period of the 1850s onwards. Leading critics and art historians analyze th
Author: Rebecca M. Brown
Publisher: Duke University Press
ISBN: 0822392267
Category : Art
Languages : en
Pages : 222
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Book Description
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
