The Vintage Book of Indian Writing, 1947-1997 PDF Download
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Author: Salman Rushdie
Publisher: Arrow
ISBN:
Category : Fiction
Languages : en
Pages : 612
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Book Description
The Indian subcontinent has produced some of the world's greatest writers, and a body of literature unsurpassed in its sustained imagination, impassioned lyricism and sparkling tragi-comedy. Now Salman Rushdie and Elizabeth West have collected together the finest Indian writing of the last fifty years. Published to coincide with the anniversary of India's independence, it is an anthology of extraordinary range and vigour, as exciting and varied as the land that inspired it. Including works by: Mulk Raj Anand Gita Mehta Anjana Appachana Ved Mehta Vikram Chandra Rohinton Mistry Upamanyu Chatterjee R. K. Narayan Amit Chaudhuri Jawaharlal Nehru Nirad C. Chaudhuri Padma Perera Anita Desai Satyajit Ray Kiran Desai Arundhati Roy G. V. Desani Salman Rushdie Amitav Ghosh Nayantara Sahgal Githa Hariharan I. Allan Sealy Ruth Prawer Jhabvala Vikram Seth Firdaus Kanga Bapsi Sidhwa Mukul Kesavan Sara Suleri Saadat Hasan Manto Shashi Tharoor Kamala Markandaya Ardashir Vakil
Author: Salman Rushdie
Publisher: Arrow
ISBN:
Category : Fiction
Languages : en
Pages : 612
Get Book Here
Book Description
The Indian subcontinent has produced some of the world's greatest writers, and a body of literature unsurpassed in its sustained imagination, impassioned lyricism and sparkling tragi-comedy. Now Salman Rushdie and Elizabeth West have collected together the finest Indian writing of the last fifty years. Published to coincide with the anniversary of India's independence, it is an anthology of extraordinary range and vigour, as exciting and varied as the land that inspired it. Including works by: Mulk Raj Anand Gita Mehta Anjana Appachana Ved Mehta Vikram Chandra Rohinton Mistry Upamanyu Chatterjee R. K. Narayan Amit Chaudhuri Jawaharlal Nehru Nirad C. Chaudhuri Padma Perera Anita Desai Satyajit Ray Kiran Desai Arundhati Roy G. V. Desani Salman Rushdie Amitav Ghosh Nayantara Sahgal Githa Hariharan I. Allan Sealy Ruth Prawer Jhabvala Vikram Seth Firdaus Kanga Bapsi Sidhwa Mukul Kesavan Sara Suleri Saadat Hasan Manto Shashi Tharoor Kamala Markandaya Ardashir Vakil
Author: Priyamvada Gopal
Publisher:
ISBN: 0199544379
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. It is often claimed that unlike the British novel or the novel in indigenous Indian languages, Anglophone fiction in India has no genealogy of its own. Interrogating this received idea, Priyamvada Gopal shows how the English-language or Anglophone Indian novel is a heterogeneous body of fiction in which certain dominant trends and recurrent themes are, nevertheless, discernible. It is a genre that has been distinguished from its inception by a preoccupation with both history and nation as these come together to shape what scholars have termed 'the idea of India'. Structured around themes such as 'Gandhi and Fiction', 'The Bombay Novel', and 'The Novel of Partition', this study traces lines of influence across significant literary works and situates individual writers and texts in their historical context. Its emergence out of the colonial encounter and nation-formation has impelled the Anglophone novel to return repeatedly to the question: 'What is India?' In the most significant works of Anglophone fiction, 'India' emerges not just as a theme but as a point of debate, reflection, and contestation. Writers whose works are considered in their context include Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.
Author: Arvind Krishna Mehrotra
Publisher: Columbia University Press
ISBN: 9780231128100
Category : Education
Languages : en
Pages : 440
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Book Description
Annotation This volume surveys 200 years of Indian literature in English. Written by Indian scholars and critics, many of the 24 contributions examine the work of individual authors, such as Rabindranath Tagore, R.K. Narayan, and Salman Rushdie. Others consider a particular genre, such as post-independence poetry or drama. The volume is illustrated with b&w photographs of writers along with drawings and popular prints. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Ulka Anjaria
Publisher: Cambridge University Press
ISBN: 1107079969
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was "made Indian" by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
Author: Upamanyu Chatterjee
Publisher: New York Review of Books
ISBN: 9781590171790
Category : Fiction
Languages : en
Pages : 356
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Book Description
Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.
Author: Geetha Ganapathy-Doré
Publisher: Cambridge Scholars Publishing
ISBN: 1443828181
Category : Juvenile Nonfiction
Languages : en
Pages : 220
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Book Description
Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”
Author: Shashi Tharoor
Publisher: Simon and Schuster
ISBN: 1628721596
Category : Fiction
Languages : en
Pages : 626
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Book Description
In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.
Author: Fawzia Afzal-Khan
Publisher: Penn State Press
ISBN: 9780271040257
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This is a provocative piece of scholarship, and it engages an intriguing aspect of postcolonial writing.-Choice "Fawzia Afzal-Khan's excellent book could stand as a reply to those hostile critics who today attack 'multiculturalism' for reductively politicizing literature. In her trenchant discussion, Afzal-Khan shows just how complex the politics of 'liberation' can be for colonial and postcolonial novelists." -Gerald Graff, University of Chicago"Afzal-Khan's study is a major new contribution to the related fields of Indian writing in English and post-colonial literatures. Focused primarily on four Indian novelists, its arguments and conclusions are of vital importance to our understanding of the many new literatures from the former British colonies. Through her judicious use of the theoretical constructs of Frantz Fanon, Fredric Jameson, Edward Said, and others, Afzal-Khan has produced a fresh and compelling interpretation of the Indian-English novel."-Amritjit Singh, Rhode Island CollegeCultural Imperialism and the Indo-English Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels between ideology and the generic fictive strategies that shape ideology or are shaped by it. Fawzia Afzal-Khan raises the important question of how much the usage of certain ideological strategies actually helps the ex-colonized writer deal effectively with post-colonial and post-independence trauma and whether or not the choice of a particular genre or mode employed by a writer presupposes the extent to which that writer will be successful in challenging the ideological strategies of "containment" perpetuated by most Western "orientalist" texts and writers. She argues that the formal or generic choices of the four writers studied here reveal that they are using genre as an ideological "strategy of liberation" to help free their peoples and cultures from the hegemonic strategies of "containment" imposed upon them. She concludes that the works studied here constitute an ideological rebuttal of Western writers' denigrating "containment" of non-Western cultures. She also notes that self-criticism, as implied in Rushdie's works, is not be confused with self-hatred, a theme found in Naipaul's work.
Author: Mostafa Azizpour Shoobie
Publisher: South Asian Literature, Arts, and Culture Studies
ISBN: 9781433164675
Category : Cosmopolitanism in literature
Languages : en
Pages : 0
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Book Description
Cosmopolitanism in the Indian English Novel argues that select novels by Indian writers in English largely present a kind of micro-cosmopolitanism that preserves nation as a primary site for social and cultural formation while opening it up to critique. During colonial times, local cultural expression wrestled with the global as represented by the systems of empire. The ideal subject or literary work was one that could happily inhabit both ends of the center-periphery in a kind of cosmopolitan space determined by imperial metropolitan and local elite cultures. As colonies liberated themselves, new national formations had to negotiate a mix of local identity, residual colonial traits, and new forces of global power. New and more complex cosmopolitan identities had to be discovered, and writers and texts reflecting these became correspondingly more problematic to assess, as old centralisms gave way to new networks of cultural control. This book contends that novels written in the context of the postcolonial cultural politics after the successful attainment of national independence question how a nation is to be made while recognizing its relation to globalization. The strong waves of globalization enforce sociological, political, and economic values in developing countries that may not be readily acceptable in those societies. Cosmopolitanism in the Indian English Novel focuses on three novelists in particular: Arundhati Roy, Kiran Desai, and Aravind Adiga, all of whom have received the prestigious Man Booker Prize for their work. Despite the varied but broadly elite cosmopolitan positions of these writers, they all depict characters working toward a cosmopolitanism from the grassroots, rather than through a top-down practice. Furthermore, these writers and their works, to varying degrees, turn a suspicious eye to the effects (cultural, economic, or otherwise) of globalization as a phenomenon that can prevent possibilities for more fluid forms of belonging and border-crossing. Cosmopolitanism in the Indian English Novel should appeal to researchers in cultural studies interested in Indian English fiction and/or the form and function of cosmopolitanism in a rapidly globalizing postcolonial world.
Author: Aysha Iqbal Viswamohan
Publisher: Anthem Press
ISBN: 0857285645
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
“Postliberalization Indian Novels in English: Politics of Global Reception and Awards” is a critical handbook that focuses on trends in contemporary Indian novels and discusses the global reception of these works. The volume provides a systematic approach to the study of Indian novelists that have not been (with certain exceptions) extensively examined.
