Author: Nalin Mehta
Publisher: Routledge
ISBN: 1134062133
Category : History
Languages : en
Pages : 181
Book Description
Examines the development of television in India since the early 1990s and its implications for Indian society more widely, discussing the rapid expansion in independent satellite channels, and in viewing figures, and the corresponding growth in new ways of imagining identities, conducting politics and engaging with the state.
Television in India
Author: Nalin Mehta
Publisher: Routledge
ISBN: 1134062133
Category : History
Languages : en
Pages : 181
Book Description
Examines the development of television in India since the early 1990s and its implications for Indian society more widely, discussing the rapid expansion in independent satellite channels, and in viewing figures, and the corresponding growth in new ways of imagining identities, conducting politics and engaging with the state.
Publisher: Routledge
ISBN: 1134062133
Category : History
Languages : en
Pages : 181
Book Description
Examines the development of television in India since the early 1990s and its implications for Indian society more widely, discussing the rapid expansion in independent satellite channels, and in viewing figures, and the corresponding growth in new ways of imagining identities, conducting politics and engaging with the state.
Regional Language Television in India
Author: Mira K. Desai
Publisher: Taylor & Francis
ISBN: 1000470083
Category : Social Science
Languages : en
Pages : 331
Book Description
This book examines the evolution and journey of regional language television channels in India. The first of its kind, it looks at the coverage, uniqueness, ownership, and audiences of regional channels in 14 different languages across India, covering Hindi, Bengali, Marathi, Telugu, Tamil, Urdu, Assamese, Bhojpuri, Gujarati, Kannada, Kashmiri, Odia, Punjabi, and Malayalam. It brings together researchers, scholars, media professionals, and communication teachers to document and reflect on language as the site of culture, politics, market, and social representation. The volume discusses multiple media histories and their interlinkages from a subcontinental perspective by exploring the trajectories of regional language television through geographical boundaries, state, language, identities, and culture. It offers comparative analyses across regional language television channels and presents interpretive insights on television culture and commerce, contemporary challenges, mass media technology, and future relevance. Rich in empirical data, this book will be an essential read for scholars and researchers of media studies, television studies, communication studies, sociology, political studies, language studies, regional studies, and South Asian studies. It will also be useful to professionals and industry bodies in television media and is broadcasting, journalists, and television channels.
Publisher: Taylor & Francis
ISBN: 1000470083
Category : Social Science
Languages : en
Pages : 331
Book Description
This book examines the evolution and journey of regional language television channels in India. The first of its kind, it looks at the coverage, uniqueness, ownership, and audiences of regional channels in 14 different languages across India, covering Hindi, Bengali, Marathi, Telugu, Tamil, Urdu, Assamese, Bhojpuri, Gujarati, Kannada, Kashmiri, Odia, Punjabi, and Malayalam. It brings together researchers, scholars, media professionals, and communication teachers to document and reflect on language as the site of culture, politics, market, and social representation. The volume discusses multiple media histories and their interlinkages from a subcontinental perspective by exploring the trajectories of regional language television through geographical boundaries, state, language, identities, and culture. It offers comparative analyses across regional language television channels and presents interpretive insights on television culture and commerce, contemporary challenges, mass media technology, and future relevance. Rich in empirical data, this book will be an essential read for scholars and researchers of media studies, television studies, communication studies, sociology, political studies, language studies, regional studies, and South Asian studies. It will also be useful to professionals and industry bodies in television media and is broadcasting, journalists, and television channels.
Politics After Television
Author: Arvind Rajagopal
Publisher: Cambridge University Press
ISBN: 9780521648394
Category : Political Science
Languages : en
Pages : 410
Book Description
An analysis of the use of media by political and religious interest groups in India
Publisher: Cambridge University Press
ISBN: 9780521648394
Category : Political Science
Languages : en
Pages : 410
Book Description
An analysis of the use of media by political and religious interest groups in India
India On Television
Author: Nalin Mehta
Publisher: HarperCollins
ISBN: 9351360520
Category : Social Science
Languages : en
Pages : 240
Book Description
'Excellent...an incisive and much needed study of how television is changing India.' - Rajdeep Sardesai, Managing Editor, CNN-IBN and IBN-7More than fifty 24-hour news networks, operating in eleven different languages, emerged in India between 1992 and 2006. This book traces the evolution of satellite television and how it effected major changes in political culture, the state, and expressions of Indian nationhood. Explaining how television, a medium that developed in the industrial West, was adapted to suit Indian conditions, the book focuses specifically on the emergence of satellite news channels. It shows how live television used new forms of technology to plug into existing nodes of communication, which in turn led to the creation of a new visual language - national, regional and local - that altered politics and forms of identity formation in significant ways. Satellite television came to India as the representative of global capitalism in the early 1990s and crushed the governmental monopoly over broadcasting that had existed since independence. As such, the story of satellite news is also the story of India's encounter with the forces of globalisation. 'Accumulated with an insider's knowledge...a genuine contribution to the literature, bringing together valuable material that deserves a wide audience.' - Prof. Arvind Rajagopal, author of Politics After Television.
Publisher: HarperCollins
ISBN: 9351360520
Category : Social Science
Languages : en
Pages : 240
Book Description
'Excellent...an incisive and much needed study of how television is changing India.' - Rajdeep Sardesai, Managing Editor, CNN-IBN and IBN-7More than fifty 24-hour news networks, operating in eleven different languages, emerged in India between 1992 and 2006. This book traces the evolution of satellite television and how it effected major changes in political culture, the state, and expressions of Indian nationhood. Explaining how television, a medium that developed in the industrial West, was adapted to suit Indian conditions, the book focuses specifically on the emergence of satellite news channels. It shows how live television used new forms of technology to plug into existing nodes of communication, which in turn led to the creation of a new visual language - national, regional and local - that altered politics and forms of identity formation in significant ways. Satellite television came to India as the representative of global capitalism in the early 1990s and crushed the governmental monopoly over broadcasting that had existed since independence. As such, the story of satellite news is also the story of India's encounter with the forces of globalisation. 'Accumulated with an insider's knowledge...a genuine contribution to the literature, bringing together valuable material that deserves a wide audience.' - Prof. Arvind Rajagopal, author of Politics After Television.
Prime Time Soap Operas on Indian Television
Author: Shoma Munshi
Publisher: Taylor & Francis
ISBN: 1000052249
Category : Social Science
Languages : en
Pages : 301
Book Description
This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary India through the television, this volume analyzes the production of soaps within India’s cultural fabric. It deconstructs themes and issues surrounding the "everyday" and the "middle class" through the fiction of the "popular". In its second edition, this still remains the only book to examine prime time soap operas on Indian television. Without in any way changing the central arguments of the first edition, it adds an essential introductory chapter tracking the tectonic shifts in the Indian "mediascape" over the past decade – including how the explosion of regional language channels and an era of multiple screens have changed soap viewing forever. Meticulously researched and persuasively argued, the book traces how prime time soaps in India still grab the maximum eyeballs and remain the biggest earners for TV channels. The book will be of interest to students of anthropology and sociology, media and cultural studies, visual culture studies, gender and family studies, and also Asian studies in general. It is also an important resource for media producers, both in content production and television channels, as well as for the general reader.
Publisher: Taylor & Francis
ISBN: 1000052249
Category : Social Science
Languages : en
Pages : 301
Book Description
This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary India through the television, this volume analyzes the production of soaps within India’s cultural fabric. It deconstructs themes and issues surrounding the "everyday" and the "middle class" through the fiction of the "popular". In its second edition, this still remains the only book to examine prime time soap operas on Indian television. Without in any way changing the central arguments of the first edition, it adds an essential introductory chapter tracking the tectonic shifts in the Indian "mediascape" over the past decade – including how the explosion of regional language channels and an era of multiple screens have changed soap viewing forever. Meticulously researched and persuasively argued, the book traces how prime time soaps in India still grab the maximum eyeballs and remain the biggest earners for TV channels. The book will be of interest to students of anthropology and sociology, media and cultural studies, visual culture studies, gender and family studies, and also Asian studies in general. It is also an important resource for media producers, both in content production and television channels, as well as for the general reader.
Gandhi Meets Primetime
Author: Shanti Kumar
Publisher: University of Illinois Press
ISBN: 0252091663
Category : Social Science
Languages : en
Pages : 259
Book Description
Shanti Kumar's Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and cable television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts. Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of Indian-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism.
Publisher: University of Illinois Press
ISBN: 0252091663
Category : Social Science
Languages : en
Pages : 259
Book Description
Shanti Kumar's Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and cable television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts. Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of Indian-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism.
Screening Culture, Viewing Politics
Author: Purnima Mankekar
Publisher: Duke University Press
ISBN: 9780822323907
Category : Performing Arts
Languages : en
Pages : 452
Book Description
An ethnography of urban women television viewers in India, and their reception of particular shows, especially in relation to issues of gender and nation.
Publisher: Duke University Press
ISBN: 9780822323907
Category : Performing Arts
Languages : en
Pages : 452
Book Description
An ethnography of urban women television viewers in India, and their reception of particular shows, especially in relation to issues of gender and nation.
Class, Power & Consciousness in Indian Cinema & Television
Author: Anirudh Deshpande
Publisher: Primus Books
ISBN: 8190891820
Category : History
Languages : en
Pages : 185
Book Description
This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.
Publisher: Primus Books
ISBN: 8190891820
Category : History
Languages : en
Pages : 185
Book Description
This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.
The Indian Newsroom
Author: Sandeep Bhushan
Publisher:
ISBN: 9789387578975
Category : Mass media and public opinion
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789387578975
Category : Mass media and public opinion
Languages : en
Pages : 0
Book Description
Once Upon A Prime Time
Author: Ananth Mahadevan
Publisher: Embassy Books
ISBN: 9389995094
Category : Performing Arts
Languages : en
Pages : 254
Book Description
In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the founding fathers of television serials, to today's consumerism driven shows, he has tasted them all. The book reads like an autobiography yet covers virtually every major player who was responsible for the nostalgia that Indian television now evokes. It incorporates exclusive moments with many celebrities and award winning directors. Join the actors on their sets as they perform for television and learn about the stories that made the shows come to life. Covering artistes and makers who impacted our world, such as Amitabh Bachchan, Hrishikesh Mukherjee, Sai Paranjpye, Basu Chatterjee, Kundan Shah, Ravi Chopra, Ramesh Sippy , Farooque Shaikh, Aziz Mirza, Gulzar and Govind Nihalani. The book is in all probability, the first ever story of Indian television. Besides taking one down memory lane, this could be a throwback for all those connected with the medium, past and present. It gives you a feeling of travelling through time and watching history being made – behind the scenes. "The book reads like an autobiography, but covers every major player who was responsible for the nostalgia that Indian television now evokes." - Hema Malini
Publisher: Embassy Books
ISBN: 9389995094
Category : Performing Arts
Languages : en
Pages : 254
Book Description
In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the founding fathers of television serials, to today's consumerism driven shows, he has tasted them all. The book reads like an autobiography yet covers virtually every major player who was responsible for the nostalgia that Indian television now evokes. It incorporates exclusive moments with many celebrities and award winning directors. Join the actors on their sets as they perform for television and learn about the stories that made the shows come to life. Covering artistes and makers who impacted our world, such as Amitabh Bachchan, Hrishikesh Mukherjee, Sai Paranjpye, Basu Chatterjee, Kundan Shah, Ravi Chopra, Ramesh Sippy , Farooque Shaikh, Aziz Mirza, Gulzar and Govind Nihalani. The book is in all probability, the first ever story of Indian television. Besides taking one down memory lane, this could be a throwback for all those connected with the medium, past and present. It gives you a feeling of travelling through time and watching history being made – behind the scenes. "The book reads like an autobiography, but covers every major player who was responsible for the nostalgia that Indian television now evokes." - Hema Malini