British Film Institute Film and Television Handbook 1991

British Film Institute Film and Television Handbook 1991 PDF Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851702773
Category : Performing Arts
Languages : en
Pages : 308

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Index to Critical Film Reviews in British and American Film Periodicals: Critical film reviews, A-M

Index to Critical Film Reviews in British and American Film Periodicals: Critical film reviews, A-M PDF Author: Stephen E. Bowles
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 376

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British Film Institute Film and Television Handbook 1991

British Film Institute Film and Television Handbook 1991 PDF Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851702773
Category : Performing Arts
Languages : en
Pages : 308

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Book Description
No Marketing Blurb

Humanities Index

Humanities Index PDF Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 1622

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BFI Film and Television Yearbook

BFI Film and Television Yearbook PDF Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 362

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Focus on Film

Focus on Film PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 926

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International Index to Film Periodicals

International Index to Film Periodicals PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 920

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Books in Print

Books in Print PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2140

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Walford's Guide to Reference Material

Walford's Guide to Reference Material PDF Author: Marilyn Mullay
Publisher: Library Association Publishing (UK)
ISBN:
Category : Reference
Languages : en
Pages : 1068

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Book Description
**** The British counterpart to Sheehy (in which it is recommended--and vice versa), distributed in the US by Unipub. Volume 3 completes the 5th edition with 8,833 entries (vol. 1:Science and technology, 1989, 5,995 entries; vol.2: Social and historical sciences, philosophy and religion, 1990, 7,166 entries). While the majority of items are reference books, Walford is a guide to reference material and therefore includes periodical articles, microforms, online, and CD-ROM sources. A special effort has been made to make sure the output of small and specialist presses is not neglected. Annotation copyrighted by Book News, Inc., Portland, OR

The Holocaust Film Sourcebook: Fiction

The Holocaust Film Sourcebook: Fiction PDF Author: Caroline Joan Picart
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 496

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Book Description
A comprehensive filmography, listing fictional narrative films in the first volume and documentary and propaganda films in the second. The films - listed alphabetically - were produced in many different countries. The work lists films made during World War II and after (including Nazi films). Each entry provides bibliographic information, a summary of the story, and a list of primary and secondary sources. Each volume contains a few "spotlight essays". Partial contents:

Troubling Masculinities

Troubling Masculinities PDF Author: Glen Donnar
Publisher: Univ. Press of Mississippi
ISBN: 1496828593
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres—including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns—author Glen Donnar examines the impact of “terror-Others,” from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood’s attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.