Author: Stephen E. Bowles
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Index to Critical Film Reviews in British and American Film Periodicals
Author: Stephen E. Bowles
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
Book Description
Index to Critical Film Reviews in British and American Film Periodicals: Critical film reviews, A-M
Author: Stephen E. Bowles
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 376
Book Description
Index to Critical Film Review in British and American Film Periodicals
Author: Stephen E. Bowles
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
How to Read a Film
Author: James Monaco
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568
Book Description
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568
Book Description
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
Critical Film Review in British and American Film Periodicals
Author: Stephen E. Bowles
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1696
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1696
Book Description
A Short Guide to Writing about Film
Author: Timothy Corrigan
Publisher: Waveland Press
ISBN: 1478653302
Category : Performing Arts
Languages : en
Pages : 222
Book Description
A Short Guide to Writing about Film continues to be the definitive resource for introducing students to film study, unlocking the art of film criticism with concise insights about the essentials of writing. The text introduces key film terminology, equipping students with the tools they need to craft thoughtful and critical essays. Featuring an array of student and professional examples, Corrigan takes readers on a journey from initial analysis and drafting to the creation of polished essays. With an engaging style, he demonstrates how film analysis can transform into a nuanced and rigorous compositional process. Perfect for both beginners and seasoned writers, this textbook is your gateway to mastering the language of film.
Publisher: Waveland Press
ISBN: 1478653302
Category : Performing Arts
Languages : en
Pages : 222
Book Description
A Short Guide to Writing about Film continues to be the definitive resource for introducing students to film study, unlocking the art of film criticism with concise insights about the essentials of writing. The text introduces key film terminology, equipping students with the tools they need to craft thoughtful and critical essays. Featuring an array of student and professional examples, Corrigan takes readers on a journey from initial analysis and drafting to the creation of polished essays. With an engaging style, he demonstrates how film analysis can transform into a nuanced and rigorous compositional process. Perfect for both beginners and seasoned writers, this textbook is your gateway to mastering the language of film.
Hollywood As Historian
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813160308
Category : Performing Arts
Languages : en
Pages : 459
Book Description
“A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism
Publisher: University Press of Kentucky
ISBN: 0813160308
Category : Performing Arts
Languages : en
Pages : 459
Book Description
“A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism
British Film Institute Film and Television Handbook 1993
Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851703442
Category : Performing Arts
Languages : en
Pages : 332
Book Description
No Marketing Blurb
Publisher: British Film Institute
ISBN: 9780851703442
Category : Performing Arts
Languages : en
Pages : 332
Book Description
No Marketing Blurb