Incompatible Ballerina and Other Essays PDF Download
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Author: Charles William Johns
Publisher: John Hunt Publishing
ISBN: 1782798765
Category : Philosophy
Languages : en
Pages : 232
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Book Description
An ontological and epistemological framework and foundation for the psychological symptom 'neurosis'.
Author: Charles William Johns
Publisher: John Hunt Publishing
ISBN: 1782798765
Category : Philosophy
Languages : en
Pages : 232
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Book Description
An ontological and epistemological framework and foundation for the psychological symptom 'neurosis'.
Author: Charles William Johns
Publisher: Springer
ISBN: 3319475428
Category : Philosophy
Languages : en
Pages : 94
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Book Description
This book deals with the possibility of an ontological and epistemological account of the psychological category 'neurosis'. Intertwining thoughts from German idealism, Continental philosophy and psychology, the book shows how neurosis precedes and exists independently from human experience and lays the foundations for a non-essentialist, non-rational theory of neurosis; in cognition, in perception, in linguistics and in theories of object-relations and vitalism. The personal essays collected in this volume examine such issues as assimilation, the philosophy of neurosis, aneurysmal philosophy, and the connection between Hegel and Neurosis, among others. The volume establishes the connection between a now redundant psycho-analytic term and an extremely progressive discipline of Continental philosophy and Speculative realism.
Author: Leigh Hunt
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 376
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Book Description
Author: Hugh Hood
Publisher: House of Anansi
ISBN: 9780887845055
Category : Literary Collections
Languages : en
Pages : 132
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Book Description
"This, his third collection of essays, following The Governor's Bridge Is Closed (1973) and Trusting the Tale (1973), shows Hugh Hood to be a virtuoso writer of belles lettres as well as of novels and short stories."
Author: Archibald Alison
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 148
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Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 476
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Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 504
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Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 488
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Book Description
Author: Andrea Harris
Publisher: Oxford University Press
ISBN: 0199342245
Category : Music
Languages : en
Pages : 289
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Book Description
Situating ballet within twentieth-century modernism, this book brings complexity to the history of George Balanchine's American neoclassicism. It intervenes in the prevailing historical narrative and rebalances Balanchine's role in dance history by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet.
Author: David Caute
Publisher: OUP Oxford
ISBN: 9780191554582
Category : History
Languages : en
Pages : 828
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Book Description
The cultural Cold War between the Soviet Union and the West was without precedent. At the outset of this original and wide-ranging historical survey, David Caute establishes the nature of the extraordinary cultural competition set up post-1945 between Moscow, New York, London and Paris, with the most intimate frontier war staged in the city of Berlin. Using sources in four languages, the author of The Fellow-Travellers and The Great Fear explores the cultural Cold War as it rapidly penetrated theatre, film, classical music, popular music, ballet, painting and sculpture, as well as propaganda by exhibition. Major figures central to Cold War conflict in the theatre include Brecht, Miller, Sartre, Camus, Havel, Ionesco, Stoppard and Konstantin Simonov, whose inflammatory play, The Russian Question, occupies a chapter of its own based on original archival research. Leading film directors involved included Eisenstein, Romm, Chiarueli, Aleksandrov, Kazan, Tarkovsky and Wajda. In the field of music, the Soviet Union in the Zhdanov era vigorously condemned 'modernism', 'formalism', and the avant-garde. A chapter is devoted to the intriguing case of Dmitri Shostakovich, and the disputed authenticity of his 'autobiography' Testimony. Meanwhile in the West the Congress for Cultural Freedom was sponsoring the modernist composers most vehemently condemned by Soviet music critics; Stravinsky, Schoenberg, Hindemith among them. Despite constant attempts at repression, the Soviet Party was unable to check the appeal of jazz on the Voice of America, then rock music, to young Russians. Visits to the West by the Bolshoi and Kirov ballet companines, the pride of the USSR, were fraught with threats of cancellation and the danger of defection. Considering the case of Rudolf Nureyev, Caute pours cold water on overheated speculations about KGB plots to injure him and other defecting dancers. Turning to painting, where socialist realism prevailed in Russia, and the impressionist heritage was condemned, Caute explores the paradox of Picasso's membership of the French Communist Party. Re-assessing the extent of covert CIA patronage of abstract expressionism (Pollock, De Kooning), Caute finds that the CIA's role has been much exaggerated, likewise the dominance of the New York School. Caute challenges some recent, one-dimensional, American accounts of 'Cold War culture', which ignore not only the Soviet performance but virtually any cultural activity outside the USA. The West presented its cultural avant-garde as evidence of liberty, even through monochrome canvases and dodecaphonic music appealed only to a minority audience. Soviet artistic standards and teaching levels were exceptionally high, but the fear of freedom and innovation virtually guaranteed the moral defeat which accelerated the collapse of the Soviet Union.
