Incest and the English Novel, 1684-1814 PDF Download
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Author: Ellen Pollak
Publisher: JHU Press
ISBN: 9780801872044
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
She argues that the historical realignment of the categories of class, kinship, and representation that took place with the shift from patriarchal to egalitarian models of familial order marked a transformative moment in the cultural construction of incest.
Author: Ellen Pollak
Publisher: JHU Press
ISBN: 9780801872044
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
She argues that the historical realignment of the categories of class, kinship, and representation that took place with the shift from patriarchal to egalitarian models of familial order marked a transformative moment in the cultural construction of incest.
Author: Paula R. Backscheider
Publisher: John Wiley & Sons
ISBN: 1405192453
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature
Author: J. Kilroy
Publisher: Springer
ISBN: 0230604358
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Through analysis of eight English novels of the Nineteenth century, this work explores the ways in which the novel contributes to the formation of ideology regarding the family, and, conversely, the ways in which changing attitudes toward the family shape and reshape the novel.
Author: Daniel M. Stout
Publisher: Fordham Univ Press
ISBN: 0823272257
Category : Law
Languages : en
Pages : 246
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Book Description
Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments—the rise of corporate persons and the expanded scale of industrial action—undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism’s ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons.
Author: Daniel Defoe
Publisher: Broadview Press
ISBN: 1770481907
Category : Fiction
Languages : en
Pages : 441
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Book Description
Born to a petty thief in London’s notorious Newgate prison and determined to make her way in a rapacious and materialistic society, Moll Flanders recounts the “fortunes and misfortunes” of her turbulent life in this 1722 novel. Though Moll Flanders was shaped by the conventions of criminal biography, Defoe also drew on other literary traditions and his own rich background to create a remarkably original—and still controversial—work. In addition to a critical introduction and substantial footnotes, this Broadview edition provides a wide range of writings by Defoe as well as contemporary responses to Moll Flanders. Other appendices include a selection of eighteenth-century writings on crime, prisons, and the Virginia colony.
Author: Jenny DiPlacidi
Publisher: Manchester University Press
ISBN: 1526107562
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.
Author: Alison Conway
Publisher: JHU Press
ISBN: 1421445166
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
A revelatory reading of the British novel that considers interfaith marriage, religious toleration, and the ethics of sociability. Bringing together feminist theory, novel criticism, and religious studies, Alison Conway's Sacred Engagements advances a postsecular reading of the novel that links religious tolerance and the eighteenth-century marriage plot. Conway explores the historical roots of the vexed questions that interfaith marriage continues to raise today. She argues that narrative wields the power to imagine conjugal and religious relations that support the embodied politics crucial to a communal, rather than state-sponsored, ethics of toleration. Conway studies the communal and gendered aspects of religious experience embedded in Samuel Richardson's account of interfaith marriage and liberalism's understandings of toleration in Sir Charles Grandison. In her readings of Frances Brooke, Elizabeth Inchbald, and Maria Edgeworth, Conway considers how women authors reframe the questions posed by Grandison, representing intimacy, authorship, and women's religious subjectivity in ways that challenge the social and political norms of Protestant British culture. She concludes with reflections on Jane Austen's Mansfield Park and the costs of a marriage plot that insists on religious conformity. By examining the complex epistemologies of the interfaith marriage plot, Sacred Engagements counters the secularization thesis that has long dominated eighteenth-century novel studies. In so doing, the book recognizes those subjects otherwise ignored by liberal political theory and extrapolates how a genuinely inclusive tolerance might be imagined in our own deeply divided times.
Author: Talia Schaffer
Publisher: Oxford University Press
ISBN: 0190465107
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Brontës, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.
Author: Anne D. Wallace
Publisher: Anthem Press
ISBN: 178308846X
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Sisters and the English Household revalues unmarried adult sisters in nineteenthcentury English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife’s Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth’s journals; William Wordsworth’s poetry; Mary Lamb’s essay “On Needle-Work”; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.
Author: Kamilla Elliott
Publisher: JHU Press
ISBN: 1421408643
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Examples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class. Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of “picture identification” (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.
