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Author: David Wills
Publisher: U of Minnesota Press
ISBN: 1452949972
Category : Science
Languages : en
Pages : 400
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Book Description
Inanimation is the third book by author David Wills to analyze the technology of the human. In Prosthesis, Wills traced our human attachment to external objects back to a necessity within the body itself. In Dorsality, he explored how technology is understood to function behind or before the human. Inanimation proceeds by taking literally the idea of inanimate or inorganic forms of life. Starting from a seemingly naïve question about what it means to say texts “live on” or have a “life of their own,” Inanimation develops a new theory of the inanimate. Inanimation offers a fresh account of what life is and the ethical and political consequences that follow from this conception. Inspired by Walter Benjamin’s observation that “the idea of life and afterlife in works of art should be regarded with an entirely unmetaphorical objectivity,” the book challenges the coherence and limitations of “what lives,” arguing that there is no clear opposition between a live animate and dead inanimate. Wills identifies three major forms of inorganic life: autobiography, translation, and resonance. Informed by Jacques Derrida and Gilles Deleuze, he explores these forms through wide-ranging case studies. He brings his panoptic vision to bear on thinkers (Descartes, Freud, Derrida, Benjamin, Carl Schmitt, Jean-Luc Nancy, Roland Barthes), writers and poets (Hélène Cixous, Paul Celan, William Carlos Williams, Ernst Jünger, James Joyce, Georges Bataille), and visual artists (Jean-François Millet, Jean-Luc Godard, Paul Klee). With panache and gusto, Wills discovers life-forms well beyond textual remainders and translations, in such disparate “places” as the act of thinking, the death drive, poetic blank space, recorded bird songs, the technology of warfare, and the heart stopped by love.
Author: David Wills
Publisher: U of Minnesota Press
ISBN: 1452949972
Category : Science
Languages : en
Pages : 400
Get Book Here
Book Description
Inanimation is the third book by author David Wills to analyze the technology of the human. In Prosthesis, Wills traced our human attachment to external objects back to a necessity within the body itself. In Dorsality, he explored how technology is understood to function behind or before the human. Inanimation proceeds by taking literally the idea of inanimate or inorganic forms of life. Starting from a seemingly naïve question about what it means to say texts “live on” or have a “life of their own,” Inanimation develops a new theory of the inanimate. Inanimation offers a fresh account of what life is and the ethical and political consequences that follow from this conception. Inspired by Walter Benjamin’s observation that “the idea of life and afterlife in works of art should be regarded with an entirely unmetaphorical objectivity,” the book challenges the coherence and limitations of “what lives,” arguing that there is no clear opposition between a live animate and dead inanimate. Wills identifies three major forms of inorganic life: autobiography, translation, and resonance. Informed by Jacques Derrida and Gilles Deleuze, he explores these forms through wide-ranging case studies. He brings his panoptic vision to bear on thinkers (Descartes, Freud, Derrida, Benjamin, Carl Schmitt, Jean-Luc Nancy, Roland Barthes), writers and poets (Hélène Cixous, Paul Celan, William Carlos Williams, Ernst Jünger, James Joyce, Georges Bataille), and visual artists (Jean-François Millet, Jean-Luc Godard, Paul Klee). With panache and gusto, Wills discovers life-forms well beyond textual remainders and translations, in such disparate “places” as the act of thinking, the death drive, poetic blank space, recorded bird songs, the technology of warfare, and the heart stopped by love.
Author: William James Sidis
Publisher:
ISBN:
Category : Black holes (Astronomy)
Languages : en
Pages : 138
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Book Description
Author: George M. Briggs
Publisher:
ISBN: 9781942341826
Category :
Languages : en
Pages :
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Book Description
Author: Brenda Iijima
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 134
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Book Description
Poetry. Art. "Drawing the ANIMATE, INANIMATE AIM together, they settle into difference. With subtle contagion of body as structured text, titled ligatures in the midst, thick with emotional materiel, Brenda Iijima's work rhymes--off or near--sight as sound. Nature for culture, culture as nature, 'we/ can play school under a tree' or at war. Breaking and building in twitchy compression, the way Marie Menken's hand-held camera swings, framed and fabulous, this exuberant tragic book of drawings and poems will hook you"--Norma Cole. "A kind of necessity is created here for saying, rejuvenating myths, turning anger into jouissance, making thoughts a river of light...Beware: we won't be chagrined anymore; such subversion is the changing of the world"--Etel Adnan
Author: Sylvie Bissonnette
Publisher: Routledge
ISBN: 1351054449
Category : Performing Arts
Languages : en
Pages : 504
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Book Description
This book combines insights from the humanities and modern neuroscience to explore the contribution of affect and embodiment on meaning-making in case studies from animation, video games, and virtual worlds. As we interact more and more with animated characters and avatars in everyday media consumption, it has become vital to investigate the ways that animated environments influence our perception of the liberal humanist subject. This book is the first to apply recent research on the application of the embodied mind thesis to our understanding of embodied engagement with nonhumans and cyborgs in animated media, analyzing works by Émile Cohl, Hayao Miyazaki, Tim Burton, Norman McLaren, the Quay Brothers, Pixar, and many others. Drawing on the breakthroughs of modern brain science to argue that animated media broadens the viewer’s perceptual reach, this title offers a welcome contribution to the growing literature at the intersection of cognitive studies and film studies, with a perspective on animation that is new and original. ‘Affect and Embodied Meaning in Animation’ will be essential reading for researchers of Animation Studies, Film and Media Theory, Posthumanism, Video Games, and Digital Culture, and will provide a key insight into animation for both undergraduate and graduate students. Because of the increasing importance of visual effect cinema and video games, the book will also be of keen interest within Film Studies and Media Studies, as well as to general readers interested in scholarship in animated media.
Author: Brad Lowell
Publisher: AuthorHouse
ISBN: 9781477290057
Category : Poetry
Languages : en
Pages : 62
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Book Description
Brad Lowell is a artist from northern Vermont, who believes that the human race is an extension of something much greater, Mother Earth. (All we really are here for is to protect her, while we protect her she feeds us. By abusing her and trying to conquer her, we unleash the powers of both heaven and hell. To some who are more sensitive, we can feel this. It is ok to fight, but if we do, we can open ourselves to something dark). Inanimate Apollyon
Author: Andreas Paglietti
Publisher: Sepco-Acerten, Milano, IT
ISBN: 889094370X
Category : Science
Languages : en
Pages : 397
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Book Description
This book provides an effective research tool to be used in the broad field of the natural sciences. It is based on nature's most fundamental laws--the first and second laws of thermodynamics--and applies them in a novel and previously unexplored way. The book explains the theoretical basis of the approach presented and discusses its various applications in various domains such as material strength, electrochemistry, and biological cells. The method is quite effective at answering new or unsolved problems and paving the way for new applications. The book is addressed to scientists and researchers in all natural scientific domains, including physics, chemistry, material sciences, and biophysics. Chapter 1 introduces the classical thermodynamics concepts employed in the book, which will appeal to a wide variety of readers from various backgrounds. Chapters 2 through 5 describe the core of the approach. The five chapters that follow explore applications in elasticity, electrochemistry, and biophysics.Three appendices at the end of the book cover more specialised subjects about the thermodynamics of reacting mixtures, making the book rather self-contained.
Author: Jane Batkin
Publisher: Taylor & Francis
ISBN: 1040099874
Category : Social Science
Languages : en
Pages : 184
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Book Description
Childhood in Animation: Navigating a Secret World explores how children are viewed in animated cinema and television and examines the screen spaces that they occupy. The image of the child is often a site of conflict, one that has been captured, preserved, and recollected on screen; but what do these representations tell us about the animated child and how do they compare to their real counterparts? Is childhood simply a metaphor for innocence, or something far more complex that encompasses agency, performance, and othering? Childhood in Animation focuses on key screen characters, such as DJ, Norman, Lilo, the Lost Boys, Marji, Parvana, Bluey, Kirikou, Robyn, Mebh, Cartman and Bart, amongst others, to see how they are represented within worlds of fantasy, separation, horror, politics, and satire, as well as viewing childhood itself through a philosophical, sociological, and global lens. Ultimately, this book navigates the rabbit hole of the ‘elsewhere’ to reveal the secret space of childhood, where anything (and everything) is possible. This volume will be of great interest to scholars and students of animation, childhood studies, film and television studies, and psychology and sociology.
Author: Jane Batkin
Publisher: Taylor & Francis
ISBN: 1317533259
Category : Social Science
Languages : en
Pages : 193
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Book Description
Identity in Animation: A Journey into Self, Difference, Culture and the Body uncovers the meaning behind some of the most influential characters in the history of animation and questions their unique sense of who they are and how they are formed. Jane Batkin explores how identity politics shape the inner psychology of the character and their exterior motivation, often buoyed along by their questioning of ‘place’ and ‘belonging’ and driven by issues of self, difference, gender and the body. Through this, Identity in Animation illustrates and questions the construction of stereotypes as well as unconventional representations within American, European and Eastern animation. It does so with examples such as the strong gender tropes of Japan’s Hayao Miyazaki, the strange relationships created by Australian director Adam Elliot and Nick Park’s depiction of Britishness. In addition, this book discusses Betty Boop’s sexuality and ultimate repression, Warner Bros’ anarchic, self-aware characters and Disney’s fascinating representation of self and society. Identity in Animation is an ideal book for students and researchers of animation studies, as well as any media and film studies students taking modules on animation as part of their course.
Author: Vrinda Batra
Publisher: JEC PUBLICATION
ISBN: 9361750674
Category : Juvenile Nonfiction
Languages : en
Pages : 66
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Book Description
From the moment we are born, we are connected to a multitude of people. We are also supported and comforted by various inanimate objects, such as our clothes, toys, cameras, phones, televisions, pillows and more. Throughout different phases of our lives, people come and go. However, the ones that are always there, the inanimate constants, are often neglected. This book highlights the emotions of these objects, which, though filled with feelings, cannot speak. They often end up lying in some secluded corner of our homes, sometimes being thrown away, if broken or discarded as trash. Just like with humans, if we understand their feelings, life would no longer feel lonely or stressful. If we revisit the things that once fascinated us, they would bring us nothing but pure happiness. Life would be much better if we understand the importance of these inanimate objects. The ending of the book leads towards a confession and a realisation by humans for these objects. It is rightly said that, inanimate objects are the guardians of our personal history, keeping safe the fragments of our lives that we cherish most. Even without a voice, the objects around us speak volumes about who we are and where we've been.
