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Author: Jon Simons
Publisher: Rutgers University Press
ISBN: 0813585406
Category : History
Languages : en
Pages : 287
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Book Description
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Author: Jon Simons
Publisher: Rutgers University Press
ISBN: 0813585406
Category : History
Languages : en
Pages : 287
Get Book Here
Book Description
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Author: Joy Gordon
Publisher: Harvard University Press
ISBN: 9780674035713
Category : History
Languages : en
Pages : 380
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Book Description
The economic sanctions imposed on Iraq from 1990 to 2003 were the most comprehensive and devastating of any established in the name of international governance. In a sharp indictment of U.S. policy, Gordon examines the key role the nation played in shaping the sanctions.
Author: Gabor S. Boritt
Publisher: Oxford University Press
ISBN: 0199879621
Category : History
Languages : en
Pages : 273
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Book Description
In the early morning of April 12, 1861, Captain George S. James ordered the bombardment of Fort Sumter, beginning a war that would last four horrific years and claim a staggering number of lives. Since that fateful day, the debate over the causes of the American Civil War has never ceased. What events were instrumental in bringing it about? How did individuals and institutions function? What did Northerners and Southerners believe in the decades of strife preceding the war? What steps did they take to avoid war? Indeed, was the great armed conflict avoidable at all? Why the Civil War Came brings a talented chorus of voices together to recapture the feel of a very different time and place, helping the reader to grasp more fully the commencement of our bloodiest war. From William W. Freehling's discussion of the peculiarities of North American slavery to Charles Royster's disturbing piece on the combatants' savage readiness to fight, the contributors bring to life the climate of a country on the brink of disaster. Mark Summers, for instance, depicts the tragically jubilant first weeks of Northern recruitment, when Americans on both sides were as yet unaware of the hellish slaughter that awaited them. Glenna Matthews underscores the important war-catalyzing role played by extraordinary public women, who proved that neither side of the Mason-Dixon line was as patriarchal as is thought. David Blight reveals an African-American world that "knew what time it was," and welcomed war. And Gabor Boritt examines the struggle's central figure, Lincoln himself, illuminating in the years leading up to the war a blindness on the future president's part, an unwillingness to confront the looming calamity that was about to smash the nation asunder. William E. Gienapp notes perhaps the most unsettling fact about the Civil War, that democratic institutions could not resolve the slavery issue without resorting to violence on an epic scale. With gripping detail, Why the Civil War Came takes readers back to a country fraught with bitterness, confusion, and hatred--a country ripe for a war of unprecedented bloodshed--to show why democracy failed, and violence reigned.
Author: Wendy Kozol
Publisher: U of Minnesota Press
ISBN: 1452942781
Category : Art
Languages : en
Pages : 303
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Book Description
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present. Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.
Author: Chip Ingram
Publisher: Baker Books
ISBN: 149340069X
Category : Religion
Languages : en
Pages : 242
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Book Description
Some Christians believe strongly in the existence of demons and spiritual warfare. Others downplay or even ignore the idea. With such divergent views, how are Christians supposed to know the truth about demonic forces at work in this world? The Invisible War examines what every believer needs to know about Satan, demons, and spiritual warfare, offering a balanced look at this controversial subject. This provocative book will help Christians understand what the Bible says about these threats and will show them how they can safeguard themselves and their families through prayer. Now repackaged for a new generation, The Invisible War offers a balanced look at what is going on in the spiritual realm and what believers can do to defend themselves.
Author: Mark Moyar
Publisher: Yale University Press
ISBN: 0300156014
Category : History
Languages : en
Pages : 384
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Book Description
Moyar presents a wide-ranging history of counterinsurgency which draws on the historical record and interviews with hundreds of counterinsurgency veterans. He identifies the ten critical attributes of counterinsurgency leadership and reveals why these attributes have been more prevalent in some organizations than others.
Author: Ross A. Brooks
Publisher: LSU Press
ISBN: 0807171964
Category : History
Languages : en
Pages : 0
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Book Description
Featuring 92 images and line drawings The Visible Confederacy is a comprehensive analysis of the commercially and government-generated visual and material culture of the Confederate States of America. While historians have mainly studied Confederate identity through printed texts, this book shows that Confederates also built and shared a sense of who they were through other media: theatrical performances, military clothing, manufactured goods, and an assortment of other material. Examining previously understudied and often unpublished visual and documentary sources, Ross A. Brooks provides new perspectives on Confederates’ sense of identity and ideas about race, gender, and independence, as well as how those conceptions united and divided them. Brooks’s work complements the historiography surrounding the Confederate nation by revealing how imagery and objects offer new windows on southern society and a richer understanding of Confederate citizens. Brooks builds substantially upon previous studies of the iconology and iconography of Confederate imagery and material culture by adding a broader range of government and commercially generated images and objects. He examines not only popular or high art and government-produced imagery, but also lowbrow art, transitory theatrical productions, and ephemeral artifacts generated by southerners. Collectively, these materials provide a variety of lenses through which to explore and assay the various priorities, ideological fault lines, and worldviews of Confederate citizens. Brooks’s study is one of the first extensive academic works to use imagery and objects as the basis for studying the Confederate South. His work provides fresh avenues for examining Confederate ideas about race, slavery, gender, independence, and the war, and it offers insight into the intentions and factors that contributed to the creation of Confederate nationalism. The Visible Confederacy furthers our understanding of what the Confederacy was, what Confederates fought for, and why their vision has persisted in memory and imagination for so long beyond the Confederacy’s existence. Visual and material culture captured not only the tensions, but also the illusions and delusions that Confederates shared.
Author: Janine di Giovanni
Publisher: Vintage
ISBN: 0307426742
Category : History
Languages : en
Pages : 306
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Book Description
As a senior foreign correspondent for The Times of London, Janine di Giovanni was a firsthand witness to the brutal and protracted break-up of Yugoslavia. With unflinching sensitivity, Madness Visible follows the arc of the wars in the Balkans through the experience of those caught up in them: soldiers numbed by the atrocities they commit, women driven to despair by their life in paramilitary rape camps, civilians (di Giovanni among them) caught in bombing raids of uncertain origin, babies murdered in hate-induced rage. Di Giovanni’s searing memoir examines the turmoil of the Balkans in acute detail, and uncovers the motives of the leaders who created hell on earth; it raises challenging questions about ethnic conflict and the responsibilities of foreign governments in times of mass murder. Perceptive and compelling, this unique work of reportage from the physical and psychological front lines makes the madness of war wholly visible.
Author: Nolan Peterson
Publisher: Casemate
ISBN: 1612007740
Category : History
Languages : en
Pages : 217
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Book Description
“The stories . . . are top-notch and engaging as soldiers and veterans grapple with big questions while seeking meaning in life and coping with war and PTSD.” —Booklist Ask combat veterans to name the worst experience of their lives, and they’ll probably tell you it was war. But ask them to choose the best experience, and they’ll usually say it was war, too. For those who haven’t served in combat, this is nearly impossible to understand. The spectrum of emotions experienced by a combat veteran is far wider than that experienced in civilian life, and for that reason it can be hard for a veteran to re-assimilate. What is it about war that soldiers miss? This is a question every civilian should try to understand. Weaving together a wide range of stories, from the flight deck of a U.S. aircraft carrier off Syria to climbing a forbidden Himalayan pass into Tibet, this moving, insightful book explains one of the most everlasting human pursuits—war. But it is also about coming home and confronting another kind of struggle, which we all share—the search for happiness. In this collection, Nolan Peterson writes of war from the perspective of both combatant and witness, taking us from missions over Afghanistan as an Air Force special ops pilot to the frontlines against ISIS in Iraq, and to trench and tank battles in Ukraine. Interweaving his reports with a narrative of his own transformation from combat pilot to war journalist, he explores a timeless paradox: Why does coming home from war feel like such a disappointment?
Author: Emile Simpson
Publisher: Oxford University Press
ISBN: 019933353X
Category : History
Languages : en
Pages : 298
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Book Description
This is a philosophical treatise on war written by an Oxford grad who served in Afghanistan.
