In the Studio Mirror: 100 Artist Self-Portraits from 1530 to 1941 PDF Download
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Author: J. David Field
Publisher: Grimfield Press
ISBN: 1312493364
Category : Art
Languages : en
Pages : 122
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Book Description
Delve into the realm of self-portraiture with this extraordinary curated collection of over 100 works by reknowned artists spanning more than 400 years, illuminating the depths of their creative introspection. From the enigmatic gaze of Vincent van Gogh to the haunting self-reflections of Edvard Munch, immerse yourself in the poignant and masterful renderings of revered figures such as Cezanne, Goya, Degas, Whistler, and many others. With exquisite full-color imagery, "In the Studio Mirror" invites you to embark on an immersive journey into the souls of these artists, revealing the human side of these masters of brush and pen. Gain new insights into their intimate self-representations, as each brushstroke weaves a tale of identity, emotion, and artistic fervor. This collection explores the legacy of self-portraiture as a sacred and timeless practice, forging a profound connection between artist and viewer, and offering a captivating exploration of the artistic minds that have shaped art as we know it today.
Author: J. David Field
Publisher: Grimfield Press
ISBN: 1312493364
Category : Art
Languages : en
Pages : 122
Get Book Here
Book Description
Delve into the realm of self-portraiture with this extraordinary curated collection of over 100 works by reknowned artists spanning more than 400 years, illuminating the depths of their creative introspection. From the enigmatic gaze of Vincent van Gogh to the haunting self-reflections of Edvard Munch, immerse yourself in the poignant and masterful renderings of revered figures such as Cezanne, Goya, Degas, Whistler, and many others. With exquisite full-color imagery, "In the Studio Mirror" invites you to embark on an immersive journey into the souls of these artists, revealing the human side of these masters of brush and pen. Gain new insights into their intimate self-representations, as each brushstroke weaves a tale of identity, emotion, and artistic fervor. This collection explores the legacy of self-portraiture as a sacred and timeless practice, forging a profound connection between artist and viewer, and offering a captivating exploration of the artistic minds that have shaped art as we know it today.
Author: Liana De Girolami Cheney
Publisher: Cambridge Scholars Publishing
ISBN: 1527558274
Category : Art
Languages : en
Pages : 318
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Book Description
This volume investigates emblematic and art-historical issues in Lavinia Fontana’s mythological paintings. Fontana is the first female painter of the sixteenth century in Italy to depict female nudes, as well as mythological and emblematic paintings associated with concepts of beauty and wisdom. Her paintings reveal an appropriation of the antique, a fusion between patronage and culture, and a humanistic pursuit of Mannerist conceits. Fontana’s secular imagery provides a challenging paragone with the male tradition of history painting during the sixteenth century and paves the way for new subjects to be depicted and interpreted by female painters of the seventeenth century.
Author: Elizabeth Cropper
Publisher: Getty Publications
ISBN: 0892363665
Category : Art
Languages : en
Pages : 140
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Book Description
Pontormo's Halberdier has long been controversial. How did scholars come to identify the sitter as Duke Cosimo de' Medici and why is this open to doubt? Who was Francesco Guardi? What was the siege of Florence, and could Pontormo have made this compelling portrait during that time of deprivation and political tumult? In a fascinating piece of historical detective work, Elizabeth Cropper investigates these questions and uncovers new evidence for interpretation. She also analyzes the portrait's relationship to other works by Pontormo, explores the importance for Pontormo of Donatello, Michelangelo, and Andrea del Sarto, and looks into Bronzino's connection with the portrait.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
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Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author: Kirk Varnedoe
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 468
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Book Description
Readins in high & low
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 0892364556
Category : Art
Languages : en
Pages : 130
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Book Description
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
Author: Liesbeth M. Helmus
Publisher: Getty Publications
ISBN: 0892366656
Category : Architecture in art
Languages : en
Pages : 306
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Book Description
Pieter Saenredam (1597–1665) was one of the magical painters of 17th-century Holland, a time known as the Golden Age of Dutch Art. He spent his career immortalizing the churches of Holland in drawings and paintings. Working through a series of perspective drawings to the finished painting, he made innumerable fine adjustments to architectural details to create what may be justly called spaces of wondrous perfection of proportion and luminosity. Pieter Saenredam, The Utrecht Work is published to coincide with an exhibition of Saenredam’s drawings and paintings, originally held at the Centraal Museum, Utrecht, and on view from April 16 through July 7, 2002 at the Getty Museum. This elegant volume brings together more than sixty drawings and paintings depicting the beautiful and historically venerable churches of the Dutch city of Utrecht.
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
