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Author: Ellen Cheshire
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220738
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
A comprehensive overview of the director Jane Campion and her work. Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, she has attracted many ‘A’ List Hollywood actors to appear in her films. Who else but Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi award-winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? Campion is also an outspoken champion in recent debates about the lack of women in senior creative positions within the film industry. This book covers Jane Campion’s remarkable career from her Palme d’Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand. Reviews “Ellen Cheshire’s rich and thoughtful study accessibly and incisively gets us to the heart of why Jane Campion’s films connect with viewers around the world. This book is hugely enjoyable and insightful.” -- James Clarke, Writer, Media Labs, what you need to know. "I've been fascinated with Jane Campion's career ever since I saw "The Piano" make its debut at the movie theater. Ellen Cheshire did a very good job in detailing the gifted Campion's "brilliant career..." ****-- Diane H, NetGalley "The strength of the book for me is the critical analysis from early short films to box office successes, ranging from the actors involved and the awards gained. I particularly like the appraisal of mood, colour, camera angles and locations which brings the movies alive again for me. A bit like those special box sets and DVDs that carried extra edited bits and alternative scenes/endings." **** -- Richard L, Net Galley About the author Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. For Supernova Books, she has also written In the Scene: Ang Lee, and contributed to Silent Women; pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK; a celebration eds. Rebecca Gillieron and Cheryl Robson.
Author: Ellen Cheshire
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220738
Category : Performing Arts
Languages : en
Pages : 203
Get Book Here
Book Description
A comprehensive overview of the director Jane Campion and her work. Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, she has attracted many ‘A’ List Hollywood actors to appear in her films. Who else but Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi award-winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? Campion is also an outspoken champion in recent debates about the lack of women in senior creative positions within the film industry. This book covers Jane Campion’s remarkable career from her Palme d’Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand. Reviews “Ellen Cheshire’s rich and thoughtful study accessibly and incisively gets us to the heart of why Jane Campion’s films connect with viewers around the world. This book is hugely enjoyable and insightful.” -- James Clarke, Writer, Media Labs, what you need to know. "I've been fascinated with Jane Campion's career ever since I saw "The Piano" make its debut at the movie theater. Ellen Cheshire did a very good job in detailing the gifted Campion's "brilliant career..." ****-- Diane H, NetGalley "The strength of the book for me is the critical analysis from early short films to box office successes, ranging from the actors involved and the awards gained. I particularly like the appraisal of mood, colour, camera angles and locations which brings the movies alive again for me. A bit like those special box sets and DVDs that carried extra edited bits and alternative scenes/endings." **** -- Richard L, Net Galley About the author Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. For Supernova Books, she has also written In the Scene: Ang Lee, and contributed to Silent Women; pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK; a celebration eds. Rebecca Gillieron and Cheryl Robson.
Author: Hilary Radner
Publisher: Wayne State University Press
ISBN: 9780814334324
Category : Art
Languages : en
Pages : 350
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Book Description
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Author: Kathleen McHugh
Publisher: University of Illinois Press
ISBN: 0252074475
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
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Author: Deb Verhoeven
Publisher: Routledge
ISBN: 1134504047
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
This first detailed account of Jane Campion's career as a filmmaker introduces students to the key debates surrounding this controversial and experimental director – a great introduction to one of the most important directors of contemporary cinema.
Author: Steve Hullfish
Publisher: CRC Press
ISBN: 104003649X
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Author: Ellen Cheshire
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220754
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Ang Lee came to the fore in the 1990s as one of the ‘second wave’ of Taiwanese directors. After studying at New York University, Lee returned to Taiwan where over the next three consecutive years he directed three comedy-dramas focusing on aspects of the East vs. West culture and its impact on the family – Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Considering Lee’s background it is surprising that he should be approached to direct the most British of novels, Jane Austen’s Sense And Sensibility. It was a tremendous critical and commercial success. Since then Lee’s projects have been both eclectic and striking – he took on the American suburbs of the 1970s and the war-torn American South of the 1860s in The Ice Storm and Ride With The Devil. But it was his triumphant return to the East with Crouching Tiger, Hidden Dragon which has transformed him into an internationally successful director. He followed this with his somewhat flawed foray into the Marvel Universe with Hulk. His heartbreaking adaptation of Annie Proulx’s short story Brokeback Mountain brought him international critical and commercial success. But forever the genre and language-hopping director, Lee’s next films were much smaller in scale and reach – Lust, Caution (a Chinese erotic espionage thriller) and Taking Woodstock (American comedy-drama). His most recent film was an adaptation of Yann Martel’s The Life of Pi pushed the boundaries of CGI animation and showed how a director with great visual flair could enhance a film with 3D. His continual desire for embracing new technology divided critics and audiences for Billy Lynn’s Long Halftime Walk, an adaptation of Ben Fountain’s 2012 Iraq-war set novel, and The Gemini Man with Will Smith. ABOUT THE AUTHOR Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. She is also one of a team of four writers for the new A Level WJEC Film Text Book published in 2018. For us, she has written In the Scene: Jane Campion and In the Scene: Ang Lee, and contributed to Silent Women: Pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK: a celebration eds. Rebecca Gillieron and Cheryl Robson. With a foreword by Professor James Wicks James Wicks, Ph.D. writes about pop culture. He is the author of two books. Transnational Representations: The State of Taiwan Cinema in the 1960s and 1970s (Hong Kong University Press, 2014), and An Annotated Bibliography of Taiwan Film Studies (Columbia University Press, 2016) with Jim Cheng and Sachie Noguchi. He grew up in Taiwan, completed his dissertation on Chinese Cinema at the University of California, San Diego in 2010, and is currently a Professor of Literature and Film Studies at Point Loma Nazarene University in San Diego, California where he teaches World Cinema and Postcolonialism courses.
Author: Harriet Elaine Margolis
Publisher: Cambridge University Press
ISBN: 9780521597210
Category : Fiction
Languages : en
Pages : 224
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Book Description
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Author: Thomas Savage
Publisher: Little, Brown
ISBN: 0316082708
Category : Fiction
Languages : en
Pages : 256
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Book Description
Now an Academy Award-winning Netflix film by Jane Campion, starring Benedict Cumberbatch and Kirsten Dunst: Thomas Savage's acclaimed Western is "a pitch-perfect evocation of time and place" (Boston Globe) for fans of East of Eden and Brokeback Mountain. Set in the wide-open spaces of the American West, The Power of the Dog is a stunning story of domestic tyranny, brutal masculinity, and thrilling defiance from one of the most powerful and distinctive voices in American literature. The novel tells the story of two brothers — one magnetic but cruel, the other gentle and quiet — and of the mother and son whose arrival on the brothers’ ranch shatters an already tenuous peace. From the novel’s startling first paragraph to its very last word, Thomas Savage’s voice — and the intense passion of his characters — holds readers in thrall. "Gripping and powerful...A work of literary art." —Annie Proulx, from her afterword
Author: Kevin Brownlow
Publisher: Aurora Metro Publications Ltd.
ISBN: 0993220703
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection
Author: Emma Wilson
Publisher: Wallflower Press
ISBN: 9781903364505
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Photographs of missing children are some of the most haunting images of contemporary Western society. Wilson contends that the loss of a child is perceived as a limit-experience in contemporary cinema, where filmmakers attempt to transform their means of representation as a response to acute pain and horror. She explores the representation of missing and endangered children in a number of the key films of the last decade, including Kieslowski's Three Colours: Blue, Atom Egoyan's Exotica, Todd Solondz's Happiness, Jane Campion's The Portrait of a Lady, Lars von Trier's The Kingdom, and Almodovar's All About My Mother.
