In the Network Cross Stitch Pattern - Wassily Kandinsky PDF Download
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Author: Serenity Stitchworks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781727055030
Category :
Languages : en
Pages : 94
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Book Description
In the Network - Wassily Kandinsky - Cross Stitch Pattern Details Design Size: 216w x 324h stitches Types of Stitches: Full stitches only, no half or quarter stitches, no backstitching Level of Difficulty: Advanced Sewn Design Size: 14 count: 15.43 x 23.14 inches - 392mm x 588mm 18 count: 12.00 x 18.00 inches - 305mm x 457mm 20 count: 10.80 x 16.20 inches - 274mm x 411mm 22 count: 9.82 x 14.73 inches - 249mm x 374mm Fabric size necessary for design: Add six inches to both length and width (3" on each side) Number of floss colors in the design: 73 (DMC cotton floss) No blended colors. Stitching your masterpiece has never been more enjoyable than with Serenity Stitchworks! Whether you're passionate about a particular artist, fascinated by a movement or looking to add some more personality to your home, we're guaranteed to have the perfect cross-stitch pattern chart for you. We have hundreds of cross-stitch designs ranging from fine art, vintage, home décor and so much more. Visit us at www.SerenityStitchworks.com to see all we have available. Serenity Stitchworks is a dedicated mother/daughter team with plenty of experience when it comes to needlework and the creation of art. For this reason, you can always count on us to be of assistance when it comes to purchasing these cross-stitch patterns online. We've made it our goal to provide you with beautiful and original counted-cross-stitch designs not found in other portfolios. Every design has been developed just for you!
Author: Serenity Stitchworks
Publisher: Createspace Independent Publishing Platform
ISBN: 9781727055030
Category :
Languages : en
Pages : 94
Get Book Here
Book Description
In the Network - Wassily Kandinsky - Cross Stitch Pattern Details Design Size: 216w x 324h stitches Types of Stitches: Full stitches only, no half or quarter stitches, no backstitching Level of Difficulty: Advanced Sewn Design Size: 14 count: 15.43 x 23.14 inches - 392mm x 588mm 18 count: 12.00 x 18.00 inches - 305mm x 457mm 20 count: 10.80 x 16.20 inches - 274mm x 411mm 22 count: 9.82 x 14.73 inches - 249mm x 374mm Fabric size necessary for design: Add six inches to both length and width (3" on each side) Number of floss colors in the design: 73 (DMC cotton floss) No blended colors. Stitching your masterpiece has never been more enjoyable than with Serenity Stitchworks! Whether you're passionate about a particular artist, fascinated by a movement or looking to add some more personality to your home, we're guaranteed to have the perfect cross-stitch pattern chart for you. We have hundreds of cross-stitch designs ranging from fine art, vintage, home décor and so much more. Visit us at www.SerenityStitchworks.com to see all we have available. Serenity Stitchworks is a dedicated mother/daughter team with plenty of experience when it comes to needlework and the creation of art. For this reason, you can always count on us to be of assistance when it comes to purchasing these cross-stitch patterns online. We've made it our goal to provide you with beautiful and original counted-cross-stitch designs not found in other portfolios. Every design has been developed just for you!
Author: Steven Henry Madoff
Publisher: MIT Press
ISBN: 0262134934
Category : Art
Languages : en
Pages : 387
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Book Description
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author: Ellen Lupton
Publisher: Chronicle Books
ISBN: 1616893443
Category : Design
Languages : en
Pages : 250
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Book Description
How do designers get ideas? Many spend their time searching for clever combinations of forms, fonts, and colors inside the design annuals and monographs of other designers' work. For those looking to challenge the cut-and-paste mentality there are few resources that are both informative and inspirational. In Graphic Design: The New Basics, Ellen Lupton, best-selling author of such books as Thinking with Type and Design It Yourself, and design educator Jennifer Cole Phillips refocus design instruction on the study of the fundamentals of form in a critical, rigorous way informed by contemporary media, theory, and software systems
Author: Widad Kawar
Publisher:
ISBN: 9783927270053
Category : Cross-stitch
Languages : en
Pages : 144
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Book Description
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
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Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Hannah Höch
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 238
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Book Description
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Author: Gregory Minissale
Publisher: Cambridge University Press
ISBN: 110891246X
Category : Psychology
Languages : en
Pages : 291
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Book Description
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415921138
Category : Art
Languages : en
Pages : 284
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Book Description
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
Author: Nick Montfort
Publisher: MIT Press
ISBN: 0262304570
Category : Computers
Languages : en
Pages : 323
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Book Description
A single line of code offers a way to understand the cultural context of computing. This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.
Author: William Chapin Seitz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.
