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Author:
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Category : Art, Modern
Languages : en
Pages : 200
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 200
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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ISBN: 9780940872349
Category : Art, Modern
Languages : en
Pages : 192
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Book Description
Author: Bolton T. Colburn
Publisher: Gingko PressInc
ISBN: 9781584233176
Category : Art
Languages : en
Pages : 192
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Book Description
Since 1994, Juxtapoz magazine, published in San Francisco, has provided a forum for so called Lo-Brow art-work inspired by Comics, hot rods, and popular culture --and has become, in the years since, the most widely read art magazine in the United States. Juxtapoz provides a voice and validation for a brand of artist, like founder Robert Williams, Mark Ryden, Coop, Camille Rose Garcia, Glen Barr, the Clayton Brothers, Isabel Samaras, Joe Coleman, and many,many others, who have not historically been accepted by the typical art-world infrastructure of collector, curator, and critic. However, since its founding, it has become the leverage point for the creation of its own infrastructure that supports Juxtapozian art with galleries around the world, collectors, increasing critical attention, and museum exhibitions at adventurous institutions. This exciting and provocative collection presents a group of artists who rejected traditional rules of the art establishment and created their own canon, known as the Juxtapoz School. Published in conjunction with the Laguna Art Museum for the 2008 exhibition In the Land of Retinal Delights.
Author: Robert Williams
Publisher: Last Gasp
ISBN: 9780867194180
Category : Art
Languages : en
Pages : 102
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Book Description
This book, the first one featuring the amazing artwork of Robert Williams, has been unavailable for many years. The book contains an overview of Williams's early work until 1979. It features images from t-shirt designs, comics, posters and oil paintings.
Author: Patrick Rosenkranz
Publisher: Fantagraphics Books
ISBN: 1560974648
Category : Art
Languages : en
Pages : 249
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Book Description
A provocative chronicle of the guerilla art movement that changed comics forever, this comprehensive book follows the movements of 50 artists from 1967 to 1972, the heyday of the underground comix movement. With the cooperation of every significant underground cartoonist of the period, including R. Crumb, Gilbert Shelton, Bill Griffith, Art Spiegelman, Jack Jackson, S. Clay Wilson, Robert Williams and many more, the book is illustrated with many neve-before-seen drawings and exclusive photos.
Author: Roger Gastman
Publisher: Gingko PressInc
ISBN: 9781584232896
Category : Art
Languages : en
Pages : 190
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Book Description
This is the first title from the seminal series by Juxtapoz, established in 1994 to document an exploding art movement emanating on the West Coast of the USA. In ILLUSTRATION artists such as MODE 2, Grotesk, KozynDan, Mike Giant, James Jean, Evan HEcox, Alex Pardee and Morning Breath are profiled, before letting their work do the talking.
Author: Michael Fallon
Publisher: Catapult
ISBN: 1619025779
Category : Art
Languages : en
Pages : 425
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Book Description
Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those fashionable 1960s–era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon's narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the world—not just the objects—they created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline. Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the "Lowbrow" art movement; the subversive co–opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near–isolation. Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970's Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today's generation of artists.
Author: Robert Williams
Publisher: Fantagraphics Books
ISBN: 1683960270
Category : Art
Languages : en
Pages : 486
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Book Description
Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few. This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists. Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.
Author: Brian Doherty
Publisher: Abrams
ISBN: 1647001102
Category : Comics & Graphic Novels
Languages : en
Pages : 575
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Book Description
A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
