Author: Naz̲īr Aḥmad
Publisher: Orient Blackswan
ISBN: 9788178240213
Category : Delhi (India)
Languages : en
Pages : 244
Book Description
Muslim Family And Social Life In Old Delhi, With Its Crowded Markets And Narrow Lanes, Its Festivals And Weddings, Moneylenders And Cheats, Spiteful Servants And Machinating Mothers, Have Never Been As Vividly And Energetically Portrayed As In This Novel, The First Bestseller In Urdu. This Translation, Done In 1903 By An Admiring Englishman, Is A Classic Now Back In Print After A Century.
The Bride's Mirror
Author: Naz̲īr Aḥmad
Publisher: Orient Blackswan
ISBN: 9788178240213
Category : Delhi (India)
Languages : en
Pages : 244
Book Description
Muslim Family And Social Life In Old Delhi, With Its Crowded Markets And Narrow Lanes, Its Festivals And Weddings, Moneylenders And Cheats, Spiteful Servants And Machinating Mothers, Have Never Been As Vividly And Energetically Portrayed As In This Novel, The First Bestseller In Urdu. This Translation, Done In 1903 By An Admiring Englishman, Is A Classic Now Back In Print After A Century.
Publisher: Orient Blackswan
ISBN: 9788178240213
Category : Delhi (India)
Languages : en
Pages : 244
Book Description
Muslim Family And Social Life In Old Delhi, With Its Crowded Markets And Narrow Lanes, Its Festivals And Weddings, Moneylenders And Cheats, Spiteful Servants And Machinating Mothers, Have Never Been As Vividly And Energetically Portrayed As In This Novel, The First Bestseller In Urdu. This Translation, Done In 1903 By An Admiring Englishman, Is A Classic Now Back In Print After A Century.
The bride's mirror; or, Mir-ātu l -ạrūs of Maulavī Naz̲īr -Aḥmad
Author: Naz̲īr Aḥmad
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 438
Book Description
The Bride's Mirror
Author: Naz̲īr Aḥmad
Publisher:
ISBN:
Category : Delhi (India)
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Delhi (India)
Languages : en
Pages : 204
Book Description
The Bride's Mirror
Author: Maulavī Naẕir Aḥmad
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 200
Book Description
Wedding Photography
Author: Steve Sint
Publisher: Lark Books
ISBN: 9781579905460
Category : Photography
Languages : en
Pages : 240
Book Description
In this information-packed guide, Steve Sing gives photographers the best of his...experience in shooting weddings and events.
Publisher: Lark Books
ISBN: 9781579905460
Category : Photography
Languages : en
Pages : 240
Book Description
In this information-packed guide, Steve Sing gives photographers the best of his...experience in shooting weddings and events.
The Sculpture of Louise Nevelson
Author: Louise Nevelson
Publisher: Yale University Press
ISBN: 0300121725
Category : Art
Languages : en
Pages : 268
Book Description
Presents a catalog of an exhibition showcasing the works of the American sculptor and artist.
Publisher: Yale University Press
ISBN: 0300121725
Category : Art
Languages : en
Pages : 268
Book Description
Presents a catalog of an exhibition showcasing the works of the American sculptor and artist.
Mirror, Mirror Off the Wall
Author: Kjerstin Gruys
Publisher: Penguin
ISBN: 158333548X
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.
Publisher: Penguin
ISBN: 158333548X
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.
Displaced Allegories
Author: Negar Mottahedeh
Publisher: Duke University Press
ISBN: 0822381192
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Publisher: Duke University Press
ISBN: 0822381192
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Urdu Texts and Contexts
Author: C. M. Naim
Publisher: Orient Blackswan
ISBN: 9788178240756
Category : Urdu literature
Languages : en
Pages : 296
Book Description
Chiefly on Urdu poetry.
Publisher: Orient Blackswan
ISBN: 9788178240756
Category : Urdu literature
Languages : en
Pages : 296
Book Description
Chiefly on Urdu poetry.
The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory
Author: Katherine Blouin
Publisher: Taylor & Francis
ISBN: 1040022367
Category : History
Languages : en
Pages : 701
Book Description
This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case studies to illustrate both how postcolonial thought has already illuminated our understanding of the ancient Mediterranean world and beyond, as well as its potential for the future. Chapters also provide opportunities for reflection on the current state of the discipline. An introduction by the volume editors offers a survey of the development of postcolonial theory, its relationship to other bodies of theory, and its connections to Classics. Toward the end of the book, three scholars with different career and disciplinary perspectives provide short reflections on the themes of the volume and the directions of future research. The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory offers an impressive collection of current research and thought on the subject for students and scholars in classical studies understood in its larger sense as well as in related disciplines such as Archaeology, Ancient History, Imperial History and the History of Colonialism, Reception Studies, and Museum Studies. For anyone interested in classical antiquity, it provides an engaging introduction to a potentially bewildering, but ultimately vital and enriching, body of thought and theory.
Publisher: Taylor & Francis
ISBN: 1040022367
Category : History
Languages : en
Pages : 701
Book Description
This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case studies to illustrate both how postcolonial thought has already illuminated our understanding of the ancient Mediterranean world and beyond, as well as its potential for the future. Chapters also provide opportunities for reflection on the current state of the discipline. An introduction by the volume editors offers a survey of the development of postcolonial theory, its relationship to other bodies of theory, and its connections to Classics. Toward the end of the book, three scholars with different career and disciplinary perspectives provide short reflections on the themes of the volume and the directions of future research. The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory offers an impressive collection of current research and thought on the subject for students and scholars in classical studies understood in its larger sense as well as in related disciplines such as Archaeology, Ancient History, Imperial History and the History of Colonialism, Reception Studies, and Museum Studies. For anyone interested in classical antiquity, it provides an engaging introduction to a potentially bewildering, but ultimately vital and enriching, body of thought and theory.