The Cambridge Companion to Beckett PDF Download
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Author: John Pilling
Publisher: Cambridge University Press
ISBN: 9780521424134
Category : Drama
Languages : en
Pages : 278
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Book Description
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
Author: John Pilling
Publisher: Cambridge University Press
ISBN: 9780521424134
Category : Drama
Languages : en
Pages : 278
Get Book Here
Book Description
The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.
Author: Tatiana Chemi
Publisher:
ISBN: 9788771121100
Category : Comedy
Languages : en
Pages : 0
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Book Description
Tatiana Chemi's book is consistent in its argumentation and comprehensive in regards to the subject it deals with. It results in an original contribution, as it brings together the different aspects of the "comic experience" Samuel Beckett had, discussing them at the different stages of his literary, dramatic, and cinematographic production. -- Giancarlo Alfano, Associate Professor in Italian Literature, Second U. of Napoli, Italy
Author: Barbara Reich Gluck
Publisher: Bucknell University Press
ISBN: 9780838720608
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Author: Ewan James Jones
Publisher: Cambridge University Press
ISBN: 1107068444
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.
Author: Bernd Herzogenrath
Publisher: BRILL
ISBN: 9004456864
Category : History
Languages : en
Pages : 255
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Book Description
An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive;' as well as the philosophical underpinnings of his work. At the focus of this study, however, is the concept of desire, an important concept in the writings of both Auster and Lacan, and the various manifestations of this concept in Auster's novels. Auster's novels always emphasize a kind of outside of the text (chance, the real, the unsayable), a kind of hope for a 'transparent language, ' a hope, however, that is exactly posited as impossible to fulfill. The relation of Daniel Quinn, Anna Blume, Marco Fogg and Jim Nashe to this lack is the motor of their desire, the driving force for the subject that has always already left the real and has been inscribed into the representational system called 'reality.' It is here, in its relation to the signifier, that the subject's desire is played out, that its experience is ordered, interpreted, and articulated. It is their ability to make connections, to proliferate, to 'affirm free-play, ' their ability 'not to bemoan the absence of the centre' that ultimately decides over success or failure of Auster's subjects - whether they partake in the 'joyous errance of the sign, ' or whether their fate is that of the 'unfortunate traveler.'
Author: Reena Calm
Publisher:
ISBN: 9781720375043
Category :
Languages : en
Pages : 158
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Book Description
A collection of some of my favorite pun-liners, with illustrations by some of my most talented friends. Come along on this pointless journey of ridiculousness... speaking of journeys, comedy is my dream and I don't care where it takes me. Believe in your dreams! And please dream about me being successful.
Author: Dirk Delabastita
Publisher: BRILL
ISBN: 9004490582
Category : Language Arts & Disciplines
Languages : en
Pages : 540
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Book Description
The pun is as old as Babel, and inveterate punsters like Shakespeare clearly never lacked translators. This book critically examines the evergreen cliché that wordplay defies translation, replacing it by a theory and a case study that aim to come to grips with the reality of wordplay and its translation. What are the possible modes of wordplay translation? What are the various, sometimes conflicting constraints prompting translators in certain situations to go for one strategy rather than another? Ample illustration is provided from Hamlet and other Shakespearean texts and several Dutch, French, and German renderings. The study exemplifies how theory can usefully be integrated into a description-oriented approach to translation. Much of the argument also rests on the definition of wordplay as an open-ended and historically variable category. The book's concerns range from the linguistic and textual properties of Shakespeare's punning and its translation to matters of historical poetics and ideology. Its straightforward approach shows that discourse about wordplay doesn't need to rely on stylistic bravura or abstract speculation. The book is concluded by an anthology of the puns in Hamlet, including a brief semantic analysis of each and a generous selection of diverse translations.
Author: John Pollack
Publisher: Avery
ISBN: 1592406750
Category : Humor
Languages : en
Pages : 242
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Book Description
At once entertaining and educational, this engaging book is a funny, erudite, and provocative exploration of puns, the people who make them, and this derided wordplay's remarkable impact on human history.
Author: Graham Fifield
Publisher: Createspace Independent Publishing Platform
ISBN: 9781502797179
Category :
Languages : en
Pages : 0
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Book Description
WHY DO THE FRENCH PERSIST IN ASKING "WHO LAA-LAA" BUT NEVER MENTION THE OTHER TELETUBBIES? DID THE OUTLAW JOE EVER GET TO SEE WALES? BREAKING NEWS "MAN WHO CLAIMS TO HAVE TAKEN JOURNEY ON FLYING CARPET FOUND TO BE UNDER INFLUENCE OF DJINN" In Volume 1 of an intended series (Volume II due Spring 2015 )The OPU exploits the power of the pun by demonstrating its ability to change the course of history, amend the titles and plots of classic films and books and update famous quotations and poems. Nothing which falls under the banner of Media and the Arts is sacred in a book which sets out to both test and insult the intelligence of the reader. Beginning with basic one line jokes, archive material from the heads of now diminished Faculties is presented in a variety of formats ranging from travel guides to English, French and Scottish dictionaries, breaking news items, both historical and contemporary, and special features on Soccer in Ancient Greece, Art at the Barby-Ken centre and Welsh nostalgia. A compendium of the witty, nonsensical and absurd, The OPU Book of Uncommon Knowledge is the perfect fodder for wordsmiths and crossword fanatics with a penchant for the ridiculous. Littered with new games and quizzes which require both a sound general knowledge and an aptitude for punning this is a new form of joke book which provides entertainment for all the family. All facts are incorrect at the time of going to print as the OPU lives up to its motto of promising not to tell the truth, the whole truth and nothing like the truth. Specially footnoted to overcome the barriers to understanding created by age, culture and continental split, this is an opportunity for English speaking peoples around the world to gain a true understanding of how the pun can change the sublime to the ridiculous with a flick of the pen.
Author: David Kunzle
Publisher: Univ. Press of Mississippi
ISBN: 1496816196
Category : Literary Criticism
Languages : en
Pages : 827
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Book Description
Cham, real name Count Amédée de Noé and a serious rival to Daumier, may have been the epitome of a célèbre inconnu, a famous unknown. He is one much deserving, at last, of this first account of his huge oeuvre as a caricaturist. This book concentrates on his mastery of the important newcomer to the field of caricature, which we call comic strip, picture story, and graphic novel. The volume features facsimiles of nearly twenty of these from 1839 to 1863 and ranging from one page to forty (this last a parody of Victor Hugo’s Les Misérables). In addition, summaries and sample illustrations of twenty-seven “minor works” demonstrate that Cham is by far the most important specialist of what was then a new genre in Europe. Born to an ancient aristocratic family, Cham was from early on wholly dedicated to an art considered far beneath his class. Starting as a disciple of the father of the modern comic strip, Swiss Rodolphe Töpffer, Cham soon launched out on his own, evolving an original form of comedy, his own comédie humaine, farcical, absurd, and parodic. His productivity was legendary and comprised all the known genres of caricature, the full-page cartoon lithograph, the thematic seasonal group, weekly and monthly humorous comment (much like the daily newspaper cartoonist today), and a feature called the Revue Comique, which made him the supreme graphic journalist of his day. Hitherto unknown correspondence reveals an attractive personality who was fond of animals and who honored a low-class woman he eventually made his countess. Vaunted comics scholar David Kunzle has created a fitting tribute to Cham’s impact and genius.
