Author: Henry Van Dyke
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
Book Description
Studies in Tennyson
Author: Henry Van Dyke
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
Book Description
The Artistry and Tradition of Tennyson's Battle Poetry
Author: Timothy J. Lovelace
Publisher: Routledge
ISBN: 1135886016
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135886016
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Tennyson
Author: Morton Luce
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
Book Description
Locomotive Engineers Journal
Author:
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 1186
Book Description
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 1186
Book Description
Chambers's Encyclopaedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 934
Book Description
Bulletin of Bibliography and Magazine Subject-index
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 410
Book Description
Rural Scenes and National Representation
Author: Elizabeth K. Helsinger
Publisher: Princeton University Press
ISBN: 1400864372
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire. Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400864372
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire. Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher and Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1318
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1318
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description
Tennyson's Scepticism
Author: Aidan Day
Publisher: Springer
ISBN: 023050941X
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Tennyson is not known for his scepticism. This book argues that he should be. It proposes a revaluation of the way in which his work is read. Tennyson has always been understood as a poet who is committed primarily to endorsing spiritual values. But this study argues that much of his poetry is driven by a metaphysical scepticism that is associated, in part, with rational perspectives deriving from Enlightenment thought. The scepticism in Tennyson's poetry partakes in the complex generation of the modern that was taking place in his era. One of the purposes of the study is to demonstrate that a cultural studies approach to Tennyson trivialises his intellectual subtlety and complexity. Making extensive critical use of Tennyson's manuscript drafts, this study provides close readings of Tennyson's earlier, shorter poems, together with the principal works of his maturity including In Memoriam , Maud and The Lover's Tale , and will be a valuable resource for Tennyson students and scholars worldwide.
Publisher: Springer
ISBN: 023050941X
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Tennyson is not known for his scepticism. This book argues that he should be. It proposes a revaluation of the way in which his work is read. Tennyson has always been understood as a poet who is committed primarily to endorsing spiritual values. But this study argues that much of his poetry is driven by a metaphysical scepticism that is associated, in part, with rational perspectives deriving from Enlightenment thought. The scepticism in Tennyson's poetry partakes in the complex generation of the modern that was taking place in his era. One of the purposes of the study is to demonstrate that a cultural studies approach to Tennyson trivialises his intellectual subtlety and complexity. Making extensive critical use of Tennyson's manuscript drafts, this study provides close readings of Tennyson's earlier, shorter poems, together with the principal works of his maturity including In Memoriam , Maud and The Lover's Tale , and will be a valuable resource for Tennyson students and scholars worldwide.