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Author: Clare Bell
Publisher: Abrams
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York.
Author: Clare Bell
Publisher: Abrams
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York.
Author: Regina Woods
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 2
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 275
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Book Description
Author: Grüne Partei Stadtgruppe
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
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Book Description
Author: John Peffer
Publisher: Indiana University Press
ISBN: 0253008727
Category : Art
Languages : en
Pages : 472
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Book Description
Beautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Author: Gitti Salami
Publisher: John Wiley & Sons
ISBN: 1118515056
Category : Art
Languages : en
Pages : 650
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Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Author: Kylie Thomas
Publisher: Routledge
ISBN: 1317358244
Category : Social Science
Languages : en
Pages : 728
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Book Description
This book offers a range of perspectives on photography in Africa, bringing research on South African photography into conversation with work from several other places on the continent, including Angola, the DRC, Kenya, Mali, Morocco, Nigeria, Ethiopia, and Eritrea. The collection engages with the history of photography and its role in colonial regulatory regimes; with social documentary photography and practices of self-representation; and with the place of portraits in the production of subjectivities, as well as contemporary and experimental photographic practices. Through detailed analyses of particular photographs and photographic archives, the chapters in this book trace how photographs have been used both to affirm colonial worldviews and to disrupt and critique such forms of power. This book was originally published as a special issue of Social Dynamics.
Author: Cajetan Iheka
Publisher: Duke University Press
ISBN: 1478022043
Category : Social Science
Languages : en
Pages : 212
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Book Description
In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.
Author: Richard Vokes
Publisher: Boydell & Brewer Ltd
ISBN: 1847010539
Category : Literary Collections
Languages : en
Pages : 290
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Book Description
Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice. This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. In so doing, it elucidates the distinctive characteristics of African photographic practices and cultures, vis-à-vis those of other forms of 'vernacular photography' worldwide. In addition, these studies develop areflexive turn, examining the history of academic engagement with these African photographic cultures, and reflecting on the distinctive qualities of the ethnographic method as a means for studying such phenomena. The volumecritically engages current debates in African photography and visual anthropology. First, it extends our understanding of the variety of ways in which both colonial and post-colonial states in Africa have used photography as a means for establishing, and projecting, their authority. Second, it moves discussion of African photography away from an exclusive focus on the role of the 'the studio' and looks at the circulations through which the studios' products - the photographs themselves - later pass as artefacts of material culture. Last, it makes an important contribution to our understanding of the relationship between photography and ethnographic research methods, as these have been employed in Africa. RICHARD VOKES is Senior Lecturer in Anthropology and Development Studies at the University of Adelaide, Australia, and author of Ghosts of Kanungu
