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Author: Randolph Runyon
Publisher: Rookwood Press
ISBN: 9781886365162
Category : Fables, French
Languages : en
Pages : 228
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Book Description
Runyon demonstrates the intimate connectedness between each fable and the next as well as the sequential unity of each of La Fontaine's masterpieces. (Poetry)
Author: Randolph Runyon
Publisher: Rookwood Press
ISBN: 9781886365162
Category : Fables, French
Languages : en
Pages : 228
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Book Description
Runyon demonstrates the intimate connectedness between each fable and the next as well as the sequential unity of each of La Fontaine's masterpieces. (Poetry)
Author: Jean de La Fontaine
Publisher: McFarland
ISBN: 0786452781
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Though they were first written over 300 years ago, this is the first complete English translation of Jean de La Fontaine's comedic classic Contes et nouvelles en vers. Both sexually charged and wickedly funny, La Fontaine's Tales will surprise readers who know him only from his work on fables for children. Though the writing is more suggestive than vulgar, it still has the power to shock readers unprepared for the darkness that inhabits these poems. Included are nearly seventy illustrations dating from the 18th and 19th centuries, many of them rare, as well as extensive commentary by the editor.
Author: Anita Guerrini
Publisher: University of Chicago Press
ISBN: 022624766X
Category : Education
Languages : en
Pages : 359
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Book Description
"The Courtiers Anatomists" is about dead bodies and live animals in Louis XIV s Paris. By exploring the practice of seventeenth-century anatomy, Anita Guerrini reveals how animals were central to collecting, describing, and classifyingnatural historyand how anatomy and natural history were linked through animal dissection and vivisection. She looks at the early modern animal project, and particularly at Joseph-Guichard Duverney and Claude Perrault, in the context of the court, the city of Paris, and burgeoning audiences for natural history. The Academy and the King s Garden were the two main sites in Paris for the performance of natural history, and much of the Scientific Revolution in France played itself out in these two public institutions. Fascinating stories are culled in "The Courtiers Anatomists" to explore the relationships between empiricism and theory, human and animal, the origins of the natural history museum and modern science, and the relationship between science and other cultural activities including art, music, and literature. This book will be warmly welcomed by historians of science, medicine, and France, as well as by early modernists and many others in the growing field of animal studies."
Author: Josepha Sherman
Publisher: Routledge
ISBN: 1317459385
Category : History
Languages : en
Pages : 758
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Book Description
Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.
Author: PiaF. Cuneo
Publisher: Routledge
ISBN: 1351576437
Category : Art
Languages : en
Pages : 427
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Book Description
Animals were everywhere in the early modern period and they impacted, at least in some way, the lives of every kind of early modern person, from the humblest peasant to the greatest prince. Artists made careers based on depicting them. English gentry impoverished themselves spending money on them. Humanists exercised their scholarship writing about them. Pastors saved souls delivering sermons on them. Nobles forged alliances competing with them. Foreigners and indigenes negotiated with one another through trading them. The nexus between animal-human relationships and early modern identity is illuminated in this volume by the latest research of international scholars working on the history of art, literature, and of sixteenth- and seventeenth-century Germany, France, England, Spain, and South Africa. Collectively, these essays investigate how animals - horses, dogs, pigs, hogs, fish, cattle, sheep, birds, rhinoceroses, even sea-monsters and other creatures - served people in Europe, England, the Americas, and Africa to defend, contest or transcend the boundaries of early modern identities. Developments in the methodologies employed by scholars to interrogate the past have opened up an intellectual and discursive space for - and a concomitant recognition of - the study of animals as a topic that significantly elucidates past and present histories. Relevant to a considerable array of disciplines, the study of animals also provides a means to surmount traditional disciplinary boundaries through processes of dynamic interchange and cross-fertilization.
Author: Peter Sahlins
Publisher: MIT Press
ISBN: 1935408992
Category : Art
Languages : en
Pages : 497
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Book Description
When animals and their symbolic representations—in the Royal Menagerie, in art, in medicine, in philosophy—helped transform the French state and culture. Peter Sahlins's brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Author: Michael Vincent
Publisher: John Benjamins Publishing
ISBN: 9027277338
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
The works of Jean de La Fontaine have invited an extraordinary variety of readings in the three centuries since their composition. By engaging selected fables and tales with contemporary notions of intertextuality, reader reception theory, and grammatology, Figures of the Text raises questions about what “reading La Fontaine” meant in the 17th century, and what it means today. The study integrates a theory of reading and a theory of textual production by drawing attention to those aspects of the text that figure writing and reading, for instance: scenes of reading; other modes of writing (emblems, hieroglyphics); inscriptions and epitaphs; proper names; and citation (proverbs, maxims, allusions); the relation of represented orality to textuality, of textuality to corporeality, and of textuality to the visual arts (ekphrasis); and the archaeology of textual figures, such as labyrinths, textiles, and veils.
Author: Jean de La Fontaine
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Book Description
Author: Randolph Runyon
Publisher: Univ. of Tennessee Press
ISBN: 9781572334656
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
America's most eminent man of letters in his later years, and certainly one of the greatest Southern writers, Robert Penn Warren has increasingly come to be known for his poetry. Ghostly Parallels is a close examination of the heart of his poetic corpus-the eight collections published between 1935 and 1976: Thirty-Six Poems; Eleven Poems on the Same Theme; Promises; You, Emperors, and Others; Tale of Time; Incarnations; Or Else; and Can I See Arcturus from Where I Stand? Ghostly Parallels shows how Warren constructed collections of poems based on common subjects and contexts and also contends that, while the poems are distinctive, taken together they reveal intricate patterns of theme, imagery, and diction within explicit sequences. Runyon demonstrates that Warren's collections are integrated, well-crafted wholes, and each poem references its predecessor-sometimes in intriguingly self-referential ways. Runyon shows that despite the many changes in diction, tone, and subject that Warren underwent in his long career, his concern for writing his poems in such a way that they could reach out beyond themselves to other poems remained remarkably constant. In the arrangement Warren gave them, his poems form “ghostly parallels”-an expression that appears in “The Return: An Elegy,” where they refer to the railroad tracks that bring the poet home to his dying mother. This return to the mother is a persistent leitmotif in the poems and forms the other major theme of this study: Warren's personal poetic myth, in which such images as golden light and mirror images are signs of the mother's presence as both Danae, mother of Perseus, and Medusa, whom Perseus confronted. Through pursuing sequential patterns as well as echoes and myth, GhostlyParallels brings a wealth of insights to the work of this prolific novelist, critic, and essayist. An important guide for undergraduate and graduate students alike, Ghostly Parallels will also appeal to anyone with an interest in Robert Penn Warren and southern literature.
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004440402
Category : Art
Languages : en
Pages : 613
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Book Description
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.
