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Author: Till-Holger Borchert
Publisher: National Geographic Books
ISBN: 3791381091
Category : Art
Languages : en
Pages : 0
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Book Description
Forty works by early Netherlandish masters from van Eyck to Bosch—reproduced in exquisite detail—are the subject of this breathtaking book that leads readers deep into the paintings to reveal each artist’s astonishing technique and brilliant application of color. The longer we gaze at the paintings of the old masters, the more we appreciate the subtlety and artistry of the painters who created them. This beautiful book offers readers an opportunity to learn and study the art of Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, Pieter Bruegel the Elder, and many other masters of this period and region. It also explores their influence on later artists from the Baroque period. Each of the works is briefly presented along with its historical and contextual background and importance. Then in a series of full-page illustrations, specific details are enlarged to guide the reader carefully and thoughtfully through the piece’s nuances and often overlooked features. The result is the next best thing to a private viewing at a museum—a truly sensuous and emotional experience that will engage both the novice and the expert. Till-Holger Borchert’s texts are informative and engaging as he shares his singular passion for these great works in a magnificent book that will inspire viewers to form their own opinions and exercise their own powers of observation within the context of this important period in art history.
Author: Till-Holger Borchert
Publisher: National Geographic Books
ISBN: 3791381091
Category : Art
Languages : en
Pages : 0
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Book Description
Forty works by early Netherlandish masters from van Eyck to Bosch—reproduced in exquisite detail—are the subject of this breathtaking book that leads readers deep into the paintings to reveal each artist’s astonishing technique and brilliant application of color. The longer we gaze at the paintings of the old masters, the more we appreciate the subtlety and artistry of the painters who created them. This beautiful book offers readers an opportunity to learn and study the art of Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, Pieter Bruegel the Elder, and many other masters of this period and region. It also explores their influence on later artists from the Baroque period. Each of the works is briefly presented along with its historical and contextual background and importance. Then in a series of full-page illustrations, specific details are enlarged to guide the reader carefully and thoughtfully through the piece’s nuances and often overlooked features. The result is the next best thing to a private viewing at a museum—a truly sensuous and emotional experience that will engage both the novice and the expert. Till-Holger Borchert’s texts are informative and engaging as he shares his singular passion for these great works in a magnificent book that will inspire viewers to form their own opinions and exercise their own powers of observation within the context of this important period in art history.
Author: Carol Michaelson
Publisher: Harvard University Press
ISBN: 9780674023895
Category : Art
Languages : en
Pages : 152
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Book Description
Drawing on the British Museum's extensive collection, this book explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century BC. In the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety.
Author: Baby Professor
Publisher: Speedy Publishing LLC
ISBN: 1541951158
Category : Juvenile Nonfiction
Languages : en
Pages : 73
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Book Description
In science, there is a comprehensive way of approaching a problem and developing solutions. This is called the scientific method. The purpose of this science book is to add to your child’s understanding of what the scientific method is all about. Hopefully, the knowledge can be used in everyday applications, too. Grab a copy today.
Author: Frank W. Macey
Publisher: Routledge
ISBN: 1317742850
Category : Architecture
Languages : en
Pages : 649
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Book Description
Sir Roger Pratt's "Rules for the Guidance of Architects", written on 7 December 1665, included the following statements which embody succinctly the principles of the specification of building works and indeed of contract administration, and are as true today as they were nearly 350 years ago: To determine anything without due premeditation is rashness. Not to come to any determination in a convenient time is an effect either of ignorance or sloth. To wittingly omit to do that at the first, which at last we shall be forced to, at our greater disadvantage, is the extremity of folly. To be so forward in premeditation as to make no trade at a stand for want of direction, which will cause great repining etc. and to be careful to see them exactly performed, for otherwise all trades will be at catch with him. To contrive all things with the most orderly thrift and longest duration. However, Pratt seems to have relied on entrusting the works to known competent workmen rather than incorporating these wise principles in a written specification. This method of working appears to have continued until the rise of the general contractor in the nineteenth century when a written specification became an essential part of the design process. The specification was needed to describe the materials to be used and ways of working them and to ensure comparability of tenders, particularly for public works. This encouraged books on specifications, starting with Alfred Bartholomew's "Specifications for Practical Architecture" in 1840, revised in 1846. It began with a long 'essay on the decline of excellence in the structure and in the science of modern English buildings with the proposal of remedies for those defects'. This was followed by 54 specifications for various types and classes of buildings, notes on various materials, and an alphabetical digest of the London Building Act, with a comprehensive index - a multi-purpose book, like many of its successors. Noting that Bartholomew was no longer in print, T. L. Donaldson was prompted to produce his Handbook of Specifications in 1859, in which, after setting out the principles of specification writing, he reproduced 46 specifications for actual buildings and other works by his illustrious contemporaries. This included the "Houses of Parliament" by Sir Charles Barry and "Newcastle High Level Bridge" by Robert Stephenson, and was followed by 136 pages on the law as applied to building matters. This is a fascinating book, invaluable to construction historians, but will have been of less use to authors of specifications than a sequential list of trade-based clauses. Bartholomew's book was revised again, twice, by Frederick Rogers, in 1886 and 1893, but still with a similar 'essay' followed by specifications for various types of building (but now only 27), rather than trade-based clauses, for which we had to wait for the first edition of Macey in 1898. Frank W. Macey's predecessors had a tendency to set out what should be covered in specifications and the ills of poor specification, together with a quantity of information about the use of various materials and construction methods. This was admittedly useful, but better covered in the books on building construction that had started to appear at about the same date, such as Mitchell and Rivingtons (published in facsimile by Donhead in 2004). Macey, by contrast, dived almost straight in to trade-based clauses in a logical order. The specification author in an architect's office must have heaved a sigh of relief when Macey landed on his desk, because here was a book that provided just what he needed to 'cut and paste', in the order he needed it, and with marginal sketches showing how the materials and details were applied. Similarly, students of architecture had a useful source of reference for the work by the various trades, instead of having to look at the trade in each specification when referring to earlier books to decide which example to follow. Contemporary reviews of Macey criticized the book for being 'out of date' as he failed to cover all the latest developments in materials. In hindsight that attitude appears less than fair, because any architect incorporating recently introduced materials, such as reinforced concrete or metal lathing, would make sure he was fully conversant with them and their use, and would be able to describe them adequately as a matter of common prudence. No book would be able to keep up to date with the rapidly developing variety of materials appearing almost daily at the dawn of the Edwardian era. That was more than adequately addressed by the annual (initially quarterly) Specification published by the Architectural Press, which started the same year that the first edition of Macey was published and continued to keep construction professionals informed every year until 1992. Frank Macey revised and enlarged the text in 1904 for the second edition, having published his companion volume on "Conditions of Contract" in 1902, and taking account of criticisms in The Builder's review of his first edition. It is his second edition that this introduction accompanies, having been chosen by Donhead to give us an exhaustive reference to the materials and construction in use at the end of the Victorian era and the dawn of the twentieth century. It will also help us today when drafting specifications for work on buildings that have just passed their centenary. Frank William Macey (1863-1935) practised as an architect in the City of London before emigrating to Canada. He was the first resident architect in Burnaby in British Columbia, where he settled in the first decade of the twentieth century, and obtained a number of commissions from prominent businessmen who were building grand homes in the new community of Deer Lake. He designed predominantly in the British Arts and Crafts style and introduced the use of rough-cast stucco for building exteriors, a characteristic for which he was renowned. He also designed three churches, two of which are still standing. Macey's Specifications in Detail survived his departure to Canada. The third edition, co-authored by J. P. Allen, PASI was published in 1922, and the fourth edition, revised by Donald Brooke, MA BArch ARIBA MIStructE, a Lecturer in Architecture at the University of Liverpool and J. W. Summerfield, FASI MRSanI, a quantity surveyor, was published in 1930, with a second impression in 1937. The fifth edition, revised by the then late Donald Brooke and Stanley Wilkinson, BArch ARIBA, a Senior Lecturer in Architectural Construction at the University of Liverpool, was published in 1955 and takes specification writing through to the introduction of the National Building Specification in 1973, continuing where Macey had started, with trade-based clauses in a logical order. A contemporary reviewer of the first edition praised 'so much that is excellent in the book and so many things explained, of which the young architect would have much difficulty in finding a description in other books'. The fact that Macey gave 'a great amount of practical information as to the details of construction on points which are not usually to be met with in text books' means that this facsimile should find a place on the bookshelves of construction professionals from all disciplines today, alongside Donhead's other facsimiles, as a well indexed guide to what they can expect to find when working on late Victorian and Edwardian buildings. Students of conservation practice may like to note this comment from the same contemporary reviewer: It may, therefore, be looked upon as a guide to the young architect in practical matters, quite as much as a model for specification writing. It indeed attempts to furnish the novice with the knowledge that he ought to possess before sitting down to write a specification. If Macey's book was valued a hundred years ago for these reasons, there is all the more reason today to use it as a reliable reference to what will be found in buildings that have celebrated their centenary. Lawrance Hurst August 2009.
Author: Lucy Johnston
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
A glorious companion volume to Historical Fashion in Detail- The 17th and 18th Centuries and Modern Fashion in Detail, this book captures the opulence and variety of nineteenth-century fashion through an authoritative text, exquisite colour photography and line drawings of the complete garments. From the delicate embroidery on neoclassical gowns to the vibrant colours of crinolines and the elegant tailoring of men's coats, the richness of the period is revealed in breathtaking detail. The garments showcased here, drawn from the V&A Museum's world famous collection, were at the height of fashion in their time. They display a remarkable range of colours, materials and construction details- from the intricate boning on women's corsets to the patterned silk of men's waistcoats. Seen in close-up for the first time and further illuminated by detailed commentary and line drawings that show the ingenuity of the underlying construction, these carefully chosen garments illustrate some of the major themes of nineteenth-century dress.
Author: Bert Kinzey
Publisher: Detail & Scale
ISBN: 0986067709
Category : History
Languages : en
Pages : 311
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Book Description
For more than thirty-five years, the Detail & Scale Series of aviation publications was considered one of the best references on military aircraft available. Focusing on the physical details of the aircraft, such as cockpits, engines, avionics and electronics, armament, landing gear, and more, each of the sixty-nine titles in the series provided the most detailed look at a wide variety of aircraft dating from World War II to the present. The “F3H Demon in Detail & Scale” continues the well-established and respected Detail & Scale format as the first digital title in this series. It covers McDonnell’s Demon, a jet fighter flown by the U. S. Navy in the 1950s and 1960s, in extensive detail. There are more than 340 photographs, and of these, more than 140 are photographs of details covering the Demon inside and out. All of the detail photos are in color, and almost all were taken specifically for this publication. The 340+ photographs are supplemented with more than 50 art profiles and illustrations, all of which were created just for this new title in the Detail & Scale Series. Every squadron to fly the Demon is covered along with information about their deployments aboard aircraft carriers of the Atlantic and Pacific Fleets. As with all books in the Detail & Scale Series, a special section is provided for scale modelers that reviews the model kits available of the Demon.
Author: OECD
Publisher: OECD Publishing
ISBN: 9264269207
Category :
Languages : en
Pages : 192
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Book Description
Kazakhstan has embarked upon an ambitious reform agenda to realise its aspiration of becoming one of the top 30 global economies by 2050. The country’s economy and society have undergone deep transformations since independence.
Author: Ian P. Howard
Publisher: Oxford University Press
ISBN: 0199877343
Category : Psychology
Languages : en
Pages : 671
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Book Description
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 1 starts with a review of the history of visual science from the ancient Greeks to the early 20th century with special attention devoted to the discovery of the principles of perspective and stereoscopic vision. The first chapter also contains an account of early visual display systems, such as panoramas and peepshows, and the development of stereoscopes and stereophotography. A chapter on the psychophysical and analytic procedures used in investigations of depth perception is followed by a chapter on sensory coding and the geometry of visual space. An account of the structure and physiology of the primate visual system proceeds from the eye through the LGN to the visual cortex and higher visual centers. This is followed by a review of the evolution of visual systems and of the development of the mammalian visual system in the embryonic and post-natal periods, with an emphasis on experience-dependent neural plasticity. An account of the development of perceptual functions, especially depth perception, is followed by a review of the effects of early visual deprivation during the critical period of neural plasticity on amblyopia and other defects in depth perception. Volume 1 ends with accounts of the accommodation mechanism of the human eye and vergence eye movements.
Author: Susie Hodge
Publisher:
ISBN: 9780500296417
Category : Painting, European
Languages : en
Pages : 0
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Book Description
Great paintings cannot be fully understood in a single encounter; there is always more to be derived from them. Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes. Art in Detail examines 100 iconic paintings from the Western canon and spotlights the finer points a quick glance will almost certainly fail to reveal. These include subtle internal details, such as hidden symbols and artistic tricks employed by the painter to achieve particular effects. In addition, Susie Hodge writes intelligently about external influences on the artist - everything from the socioeconomic context in which he or she flourished, to smaller local difficulties, such as the level of air pollution at the time the painting was created. And she treats each of her subjects not only, to quote Matthew Arnold, 'as in itself it really is', but also as part of a tradition that links the oldest painting to the most recent, as artists pass a metaphorical baton down through the ages. With 700 illustrations
Author: Iain M. Banks
Publisher: Orbit
ISBN: 0316180483
Category : Fiction
Languages : en
Pages : 606
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Book Description
Surface Detail is among Iain M. Banks' Culture novels, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction. It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful -- and arguably deranged -- warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war -- brutal, far-reaching -- is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata
