In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions PDF Download
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Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117697
Category : Architecture
Languages : en
Pages : 341
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Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117697
Category : Architecture
Languages : en
Pages : 341
Get Book Here
Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117700
Category : Architecture
Languages : en
Pages : 251
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Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: Paul Emmons
Publisher: Taylor & Francis
ISBN: 1317162285
Category : Architecture
Languages : en
Pages : 302
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Book Description
Confabulation is a drawing together through storytelling. Fundamental to our perception, memory, and thought is the way we join fractured experiences to construct a narrative. Confabulations: Storytelling in Architecture weaves together poetic ideas, objects, and events and returns you to everyday experiences of life through juxtapositions with dreams, fantasies, and hypotheticals. It follows the intellectual and creative framework of architectural cosmopoesis developed and practiced by the distinguished thinker, architect, and professor Dr. Marco Frascari, who thought deeply about the role of storytelling in architecture. Bringing together a collection of 24 essays from a diverse and respected group of scholars, this book presents the convergence of architecture and storytelling across a broad temporal, geographic, and cultural range. Beginning with an introduction framing the topic, the book is organized along a continuous thread structured around four key areas: architecture of stories, stories of architecture, stories of theory and practice of stories. Beautifully illustrated throughout and including a 64-page full colour section, Confabulations is an insightful investigation into architectural narratives.
Author: Paul Emmons
Publisher: Routledge
ISBN: 1317179528
Category : Architecture
Languages : en
Pages : 340
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Book Description
Drawing Imagining Building focuses on the history of hand-drawing practices to capture some of the most crucial and overlooked parts of the process. Using 80 black and white images to illustrate the examples, it examines architectural drawing practices to elucidate the ways drawing advances the architect’s imagination. Emmons considers drawing practices in the Renaissance and up to the first half of the twentieth century. Combining systematic analysis across time with historical explication presents the development of hand-drawing, while also grounding early modern practices in their historical milieu. Each of the illustrated chapters considers formative aspects of architectural drawing practice, such as upright elevations, flowing lines and occult lines, and drawing scales to identify their roots in an embodied approach to show how hand-drawing contributes to the architect’s productive imagination. By documenting some of the ways of thinking through practices of architectural handdrawing, it describes how practices can enrich the ethical imagination of the architect. This book would be beneficial for academics, practitioners, and students of architecture, particularly those who are interested in the history and significance of hand-drawing and technical drawing.
Author: Christian Parreno
Publisher: Bloomsbury Publishing
ISBN: 1350454907
Category : Architecture
Languages : en
Pages : 233
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Book Description
Situated at the crossroads of the foreign and the vernacular, Quito-the capital of Ecuador, with its world-famous yet understudied built environment-stands as a testament to architectural in-betweenness. This book interweaves history and theory to explore how near and far influences have shaped its unique character. Case studies present diverse and unexpected episodes in the architectural history of this city, spanning the intricacies of its topography, the design of modernist houses and the appropriation of the motel typology. Together, they show how fluxes of different origins have created an architecture marked by diversity and interrelation. To theoretically frame these investigations, this anthology readdresses the notions of the global and the local, examining their tension and unavoidable coexistence, while introducing the in-between as a phenomenon with many variations and embodiments, increasingly referenced in architectural thinking. This book not only furthers the evolution of these concepts but also demonstrates their value as tools for analyzing the architectures of Latin America and the Global South more broadly. With contributions from both international experts and a new generation of Ecuadorian scholars, Modern Architecture of Quito is an indispensable resource for students and researchers investigating the development of architectural modernism in Latin America.
Author: Yvonne Elet
Publisher: Cambridge University Press
ISBN: 1108216110
Category : Art
Languages : en
Pages : 382
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Book Description
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Author: Idries Trevathan
Publisher: Saqi Books
ISBN: 086356190X
Category : Art
Languages : en
Pages : 292
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Book Description
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Author: David Thomas
Publisher: Routledge
ISBN: 1317594088
Category : Religion
Languages : en
Pages : 565
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Book Description
The matter of Christian–Muslim relations cannot be ignored these days. While the term itself may not appear all that often, relations between the two faiths and their reciprocal perceptions are undeniable influences behind many current conflicts, declarations of mutual recognition and peace negotiations, not to mention the brooding hatred of religious extremists. Since 9/11, relations between the two faiths have, in one form or another, hardly been away from the news. This Handbook contains fundamental information about the major aspects of relations between Christians and Muslims. Its various sections follow the history from the early seventh century to the present, the major religious issues that have led to disputes between the two faiths, and the political implications of religious differences at various stages through history, as well as in the present. It includes analysis of scriptural and theological themes and explores the characteristics of relations at important points in history and also in various parts of the world today. Chapters are devoted to the most significant intellectual interpretations and encounters, the main armed clashes, including the Crusades, and the important documents issued by each faith that in recent years have led the way towards new developments in recognition and acceptance. With chapters written by some of the foremost experts in the field, the book traces the largely dark history of relations and explains the underlying reasons why Muslims and Christians have found tolerance and respect for the other difficult. It is an excellent resource for understanding the past and for highlighting lessons for future relations between the world’s two largest religions.
Author: Sam Ridgway
Publisher: Routledge
ISBN: 1317179471
Category : Architecture
Languages : en
Pages : 136
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Book Description
Marco Frascari believed that architects should design thoughtful buildings capable of inspiring their inhabitants to have pleasurable and happy lives. A visionary Italian architect, academic and theorist, Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. As a student in Venice during the late 1960s, Frascari was taught and mentored by Carlo Scarpa. Later he moved to North America with his family, where he became a fulltime academic. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings, a small number of which were built. As a means of (re)constructing the theatre of imaginative theory within which these buildings were created, Sam Ridgway draws on a wide selection of Frascari’s texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari’s delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.
Author: Mohammad Gharipour
Publisher: Routledge
ISBN: 1317534069
Category : Architecture
Languages : en
Pages : 447
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Book Description
The Middle East is well-known for its historic gardens that have developed over more than two millenniums. The role of urban landscape projects in Middle Eastern cities has grown in prominence, with a gradual shift in emphasis from gardens for the private sphere to an increasingly public function. The contemporary landscape projects, either designed as public plazas or public parks, have played a significant role in transferring the modern Middle Eastern cities to a new era and also in transforming to a newly shaped social culture in which the public has a voice. This book considers what ties these projects to their historical context, and what regional and local elements and concepts have been used in their design.
