Author: Mustafa Coskun
Publisher: LIT Verlag Münster
ISBN: 364390889X
Category :
Languages : en
Pages : 296
Book Description
Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present.
Improvising the Voice of the Ancestors
Author: Mustafa Coskun
Publisher: LIT Verlag Münster
ISBN: 364390889X
Category :
Languages : en
Pages : 296
Book Description
Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present.
Publisher: LIT Verlag Münster
ISBN: 364390889X
Category :
Languages : en
Pages : 296
Book Description
Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present.
The Great Dispossession
Author: Ildikó Bellér-Hann
Publisher:
ISBN: 364396367X
Category : China
Languages : en
Pages : 298
Book Description
Publisher:
ISBN: 364396367X
Category : China
Languages : en
Pages : 298
Book Description
On Money and Mettā
Author: Laura Hornig
Publisher:
ISBN: 3643963408
Category : Burma
Languages : en
Pages : 258
Book Description
Based on eighteen months of research in the lowland Myanmar town of Pathein, this book investigates manifold economic activities on the ground. Particular attention is paid to the self-employed and their relationships with relatives, workers, and community members. The ethnography covers a range of topics, including business formation and succession, recruitment, child labour, ethnicity, indebtedness and charity. It is demonstrated that, amidst rapidly changing socio-economic conditions, values rooted in kinship morality and Buddhism remain significant and continue to shape people's economic reasoning and activities. These values und moral aspects stand in a dialectical relationship with changing economic realities.
Publisher:
ISBN: 3643963408
Category : Burma
Languages : en
Pages : 258
Book Description
Based on eighteen months of research in the lowland Myanmar town of Pathein, this book investigates manifold economic activities on the ground. Particular attention is paid to the self-employed and their relationships with relatives, workers, and community members. The ethnography covers a range of topics, including business formation and succession, recruitment, child labour, ethnicity, indebtedness and charity. It is demonstrated that, amidst rapidly changing socio-economic conditions, values rooted in kinship morality and Buddhism remain significant and continue to shape people's economic reasoning and activities. These values und moral aspects stand in a dialectical relationship with changing economic realities.
The Formation of Provincial Capital
Author: Ceren Deniz
Publisher: LIT Verlag Münster
ISBN: 3643914075
Category :
Languages : en
Pages : 322
Book Description
This book engages critically with mainstream accounts of ‘Anatolian Tigers’ in contemporary Turkey. Based on her fieldwork in Çorum, Deniz explores the dynamics of medium-size businesses with a dual optic of political economy and moral economy. She demonstrates that the formation of the entrepreneurial stratum is a multifaceted process and zooms into a range of workplaces to show the entanglements of market and non-market dynamics in everyday life. This innovative work sheds original light on the role of kinship, religion and social values in shaping the everyday politics of labour.
Publisher: LIT Verlag Münster
ISBN: 3643914075
Category :
Languages : en
Pages : 322
Book Description
This book engages critically with mainstream accounts of ‘Anatolian Tigers’ in contemporary Turkey. Based on her fieldwork in Çorum, Deniz explores the dynamics of medium-size businesses with a dual optic of political economy and moral economy. She demonstrates that the formation of the entrepreneurial stratum is a multifaceted process and zooms into a range of workplaces to show the entanglements of market and non-market dynamics in everyday life. This innovative work sheds original light on the role of kinship, religion and social values in shaping the everyday politics of labour.
Doing "Gong Culture"
Author: Hoai Tran
Publisher: LIT Verlag
ISBN: 3643964064
Category : Social Science
Languages : en
Pages : 218
Book Description
This book shows how the efforts of various actors in 'doing Gong culture' contribute to preserving the intangible heritage of ethnic minorities in the Central Highlands of Vietnam. Tran's research challenges the conventional perspective that views heritagization as a process of cultural appropriation in which local heritage practitioners become cultural 'proprietors', who in UNESCO's view differ from 'culture carriers'. He shows that local artists actively engage with other actors in the 'heritage community', thus contributing to the performance of a 'living' image of the 'Space of Gong Culture' on the heritage stage. In this intangible cultural heritage, practically, all actors are 'culture carriers'. "Drawing on long-term fieldwork and placing the focus on human interaction, Hoai Tran paints a very subtle and sophisticated picture of the 'heritage community' and its actors in Vietnam's central highlands. By investigating who is acting in and on the space of gong culture, with what motivations, interests, intents or desires, how they are doing so and how effectively, this book arrives at new ways of thinking about 'heritagization' in Vietnam." Gábor Vargyas, Research Center for the Humanities, Budapest Hoai Tran received his PhD from the Martin Luther University Halle-Wittenberg in 2020. He is currently a lecturer and researcher at the School of Interdisciplinary Studies, Vietnam National University, Hanoi.
Publisher: LIT Verlag
ISBN: 3643964064
Category : Social Science
Languages : en
Pages : 218
Book Description
This book shows how the efforts of various actors in 'doing Gong culture' contribute to preserving the intangible heritage of ethnic minorities in the Central Highlands of Vietnam. Tran's research challenges the conventional perspective that views heritagization as a process of cultural appropriation in which local heritage practitioners become cultural 'proprietors', who in UNESCO's view differ from 'culture carriers'. He shows that local artists actively engage with other actors in the 'heritage community', thus contributing to the performance of a 'living' image of the 'Space of Gong Culture' on the heritage stage. In this intangible cultural heritage, practically, all actors are 'culture carriers'. "Drawing on long-term fieldwork and placing the focus on human interaction, Hoai Tran paints a very subtle and sophisticated picture of the 'heritage community' and its actors in Vietnam's central highlands. By investigating who is acting in and on the space of gong culture, with what motivations, interests, intents or desires, how they are doing so and how effectively, this book arrives at new ways of thinking about 'heritagization' in Vietnam." Gábor Vargyas, Research Center for the Humanities, Budapest Hoai Tran received his PhD from the Martin Luther University Halle-Wittenberg in 2020. He is currently a lecturer and researcher at the School of Interdisciplinary Studies, Vietnam National University, Hanoi.
Improvisation and Inventio in the Performance of Medieval Music
Author: Angela Mariani
Publisher: Oxford University Press
ISBN: 0190631201
Category : Music
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Publisher: Oxford University Press
ISBN: 0190631201
Category : Music
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Improvisation and Inventio in the Performance of Medieval Music
Author: Mariani Smith Mariani
Publisher: Oxford University Press
ISBN: 019063118X
Category : History
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Publisher: Oxford University Press
ISBN: 019063118X
Category : History
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
A Framework for the Analysis of Performer Interactions in Western Improvised Contemporary Art Music
Author: Michael Pelz-Sherman
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 436
Book Description
Musical Improvisation
Author: Gabriel Solis
Publisher: University of Illinois Press
ISBN: 0252076540
Category : Music
Languages : en
Pages : 378
Book Description
A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.
Publisher: University of Illinois Press
ISBN: 0252076540
Category : Music
Languages : en
Pages : 378
Book Description
A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.
Improv for Writers
Author: Jorjeana Marie
Publisher: Ten Speed Press
ISBN: 0399582045
Category : Language Arts & Disciplines
Languages : en
Pages : 225
Book Description
Free yourself from writer’s block and inner critics with the creative power of improv! “Jorjeana Marie’s generous, joyful, and oh-so-useful book shows writers—both seasoned and new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way Improv instructor and writer Jorjeana Marie reveals a new way to generate idea after brilliant idea. Applying the rules of improv to fiction writing, Marie presents fun games and exercises you can do from the comfort of your desk at home. Surprise yourself with new plots, infinite characters and settings, and a supreme confidence in your own process. Armed with the power of improv—and liberating exercises like Ad Agency, Raise the Stakes, and Family Portraits—you’ll soon be an idea machine. With Improv for Writers, your creative storytelling well will never run dry again. Advance praise for Improv for Writers “Here’s a secret. Many authors started out as drama geeks and later found that theatrical skills like deep-diving into character and improvising on the fly were essential tools for writing fiction. Jorjeana Marie’s generous, joyful and oh-so useful book applies the principles of improv to writing and though a series of targeted, fun exercises shows writers—both the seasoned and the new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way “Part practical, part playful, part encouraging and affirming, Jorjeana Marie’s Improv for Writers is a certain antidote to writing blocks—and writer’s block! This book is a necessary and vital tool for authors and storytellers everywhere.”—Karma Brown, bestselling author of The Life Lucy Knew “Thank you, Jorjeana Marie for infusing joy and play and experimentation in the often-arduous act of writing fiction. I'll be turning to these exercises whenever I need to jump-start my writing session and will be recommending many of my writing students to do the same.”—Nina LaCour, Michael L. Printz Award-winning author of We Are Okay, Hold Still, The Disenchantments, and Everything Leads to You; and You Know Me Well, a novel written in collaboration with David Levithan.
Publisher: Ten Speed Press
ISBN: 0399582045
Category : Language Arts & Disciplines
Languages : en
Pages : 225
Book Description
Free yourself from writer’s block and inner critics with the creative power of improv! “Jorjeana Marie’s generous, joyful, and oh-so-useful book shows writers—both seasoned and new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way Improv instructor and writer Jorjeana Marie reveals a new way to generate idea after brilliant idea. Applying the rules of improv to fiction writing, Marie presents fun games and exercises you can do from the comfort of your desk at home. Surprise yourself with new plots, infinite characters and settings, and a supreme confidence in your own process. Armed with the power of improv—and liberating exercises like Ad Agency, Raise the Stakes, and Family Portraits—you’ll soon be an idea machine. With Improv for Writers, your creative storytelling well will never run dry again. Advance praise for Improv for Writers “Here’s a secret. Many authors started out as drama geeks and later found that theatrical skills like deep-diving into character and improvising on the fly were essential tools for writing fiction. Jorjeana Marie’s generous, joyful and oh-so useful book applies the principles of improv to writing and though a series of targeted, fun exercises shows writers—both the seasoned and the new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way “Part practical, part playful, part encouraging and affirming, Jorjeana Marie’s Improv for Writers is a certain antidote to writing blocks—and writer’s block! This book is a necessary and vital tool for authors and storytellers everywhere.”—Karma Brown, bestselling author of The Life Lucy Knew “Thank you, Jorjeana Marie for infusing joy and play and experimentation in the often-arduous act of writing fiction. I'll be turning to these exercises whenever I need to jump-start my writing session and will be recommending many of my writing students to do the same.”—Nina LaCour, Michael L. Printz Award-winning author of We Are Okay, Hold Still, The Disenchantments, and Everything Leads to You; and You Know Me Well, a novel written in collaboration with David Levithan.