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Author: George T. M. Shackelford
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 298
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Book Description
It takes a broad view, yet never loses sight of the intricacy and variation that make the landscape so endlessly appealing."--BOOK JACKET.
Author: George T. M. Shackelford
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 298
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Book Description
It takes a broad view, yet never loses sight of the intricacy and variation that make the landscape so endlessly appealing."--BOOK JACKET.
Author: Henri Lallemand
Publisher:
ISBN: 9781597640916
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
Over 130 illustrations. Together with Renoir and Degas, Claude Monet was one of the organizers of the first Impressionist exhibition of 1874. Considering Impressionism a national French style, Monet painted such diverse subjects as urban scenes, still life's, landscapes, seascapes, and nature studies, including his famed gardens of Giverny. By the time of his death in 1926, Monet's works were famous throughout the world, and their influence helped shape the direction of painting in the twentieth century. The full range of the artist's work is showcased in this volume, illustrated with 136 full-color reproductions.
Author: Andy Summers
Publisher: Chronicle Books
ISBN: 9780811843249
Category : Music
Languages : en
Pages : 160
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Book Description
The guitar is more than a musical instrument. It is an archetype. In homage, Light Strings brings together two masters of their craft: photographer Ralph Gibson and former guitarist for the Police, Andy Summers. Gibson's enigmatic and sensuously elegant photographs are the visual counterpart to Summers' lyrical history and thoughtful exploration of the instrument's features. Together they create a unique poetic meditation on the guitar. Both artists pay attention to the form of the guitar and its relationship to the body; its curves echo the human figure, not only requiring it to be cradled to play it, but inviting a study of its own sumptuous anatomy. With over one hundred alluring images that capture the graceful details of the instrument, Light Strings is the book for every guitar player.
Author: Douglas Skeggs
Publisher: Alfred A. Knopf
ISBN:
Category : Architecture
Languages : en
Pages : 160
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Book Description
Beautiful and original, this book brings together all Monet's paintings of his beloved river Seine and sets them in biographical context using a wealth of photographs. 50 black-and-white and 50 color photographs.
Author: Chip Kidd
Publisher: Simon and Schuster
ISBN: 1476784787
Category : Art
Languages : en
Pages : 144
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Book Description
First impressions are everything. They dictate whether something stands out, how we engage with it, whether we buy it, and how strongly we feel. In Judge This, the reader travels through a day in the life of renowned designer Chip Kidd as he takes in first impressions of all kinds. We follow this visual journey with Kidd as he encounters and engages with everyday design, breaking down the good, the bad, the absurd and the brilliant as only a designer can. From the design of the paper you read in the morning to the subway ticket machine to the books you browse to the smartphone you use to the packaging for the chocolate bar you buy as an afternoon treat, Kidd will reveal the hidden secrets behind each of the design choices, with a healthy dose of humour, expertise and judgment
Author: Tom Vater
Publisher: Visionary World Limited
ISBN: 9789628563708
Category : Photography
Languages : en
Pages : 0
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Book Description
"Burmese light : impressions of the Golden Land" is a photographic introduction to Myanmar, the country behind the Bamboo Curtain. Stunning images by award-winning photographer Hans Kemp, paired with a witty and insightful text by well-known author Tom Vater, take the reader on a journey through a fascinating country slowly but steadily emerging from a long period of involuntarily isolation. The 200-page book features all the country's famous sights, its colorful people and its multitude of customs, and leaves the reader with only one wish: to pay a visit to this amazing Golden Land.
Author: Walter Gay
Publisher:
ISBN: 9780615573748
Category : Domestic space in art
Languages : en
Pages : 224
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Book Description
Published by London's D. Giles Limited, the lavishly illustrated volume examines Walter Gay's life and work and features all 69 paintings in the exhibition. Main author Isabel L. Taube writes on Walter Gay's Poetic Rooms, and also wrote the catalogue portion of the exhibition, which organizes Walter Gay's work by residence;including sections on each of the Gay's own residences, as well as other homes Walter Gay was commissioned to paint in Europe and America. Other contributors are Priscilla Vail Caldwell, who writes on the enduring appeal of Walter Gay; arts expert Nina Gray, who focuses on interior decoration and the Rococo revival in America: and Frick Director of Curatorial Affairs Sarah Hall, who wrote essays about the three paintings in our collection.
Author: Joseph N. Newland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Jansen Art Studio
Publisher: Independently Published
ISBN: 9781795455541
Category : Art
Languages : en
Pages : 54
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Book Description
Introduction to Paint It Simply Casual Flowers
Author: Charles S. Moffett
Publisher: Philip Wilson Publishers
ISBN: 9780856674952
Category : Art
Languages : en
Pages : 240
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Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
