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Author: Caroline Holmes
Publisher: Acc Art Books
ISBN: 9781851496532
Category : Gardens
Languages : en
Pages : 0
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Book Description
'Impressionists in Their Gardens' explores gardens through the senses of the Impressionists from three continents - Europe, North America and Australia - enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint. The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens - planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source - the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes. Caroline Holmes' travels have enabled her to take this unique approach, as a garden historian and gardener she understands how weather has shaped and formed the earth's sublime topography and how the control of the human hand is beautifully displayed in its fine crafted gardens, observed and colourfully captured by these artists. Join her in the garden for the great pleasures of solitude and sociability; food and friendship; sound and scent; cool shade and balmy warmth, not forgetting glorious colour. 200 colour illustrations
Author: Caroline Holmes
Publisher: Acc Art Books
ISBN: 9781851496532
Category : Gardens
Languages : en
Pages : 0
Get Book
Book Description
'Impressionists in Their Gardens' explores gardens through the senses of the Impressionists from three continents - Europe, North America and Australia - enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint. The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens - planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source - the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes. Caroline Holmes' travels have enabled her to take this unique approach, as a garden historian and gardener she understands how weather has shaped and formed the earth's sublime topography and how the control of the human hand is beautifully displayed in its fine crafted gardens, observed and colourfully captured by these artists. Join her in the garden for the great pleasures of solitude and sociability; food and friendship; sound and scent; cool shade and balmy warmth, not forgetting glorious colour. 200 colour illustrations
Author: Derek Fell
Publisher: Clarkson Potter Publishers
ISBN: 9780517598511
Category : Gardens
Languages : en
Pages : 0
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Book Description
Derek Fell offers 25 full-color plans to inspire amateur gardeners with modest-size gardens to re-create glimmering planting schemes--both those the Impressionists envisioned on canvas and those they created in reality. The accent throughout is on the practical and achievable. Full-color photographs.
Author: Clare A. P. Willsdon
Publisher:
ISBN:
Category : Gardens in art
Languages : en
Pages : 188
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Book Description
A beautiful exploration of the rich history and striking evolution of Impressionist garden paintings.
Author: Clare Willsdon
Publisher: National Geographic Books
ISBN: 0500292221
Category : Art
Languages : en
Pages : 0
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Book Description
A colorful excursion through the French Impressionists’ gardens, from Courbet and Degas to Renoir and Manet In the Gardens of Impressionism fully explores—from Manet’s Tuileries to Monet’s Giverny—with dazzling visual accompaniment, the Impressionist love affair with the new thinking about garden and landscape design that swept nineteenth-century France. Author Clare Willsdon discusses the artists’ complementary roles as painters and as gardeners, and offers exciting new interpretations of their art, informed by source material such as popular gardening manuals of the day. She also looks at the garden, public or private, as a new kind of space with political undertones, and relates it to the Impressionists’ adoption of plein-air techniques. In her analysis of specific works, their historical and horticultural context is presented in a clear, informative, and engaging manner including musings from such literary figures as Baudelaire, Duranty, Daudet, and Zola. Lively discussion of the artists’ private lives gives the text another satisfying perspective.
Author: May Brawley Hill
Publisher: Vanderbilt University Press
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
At the end of the nineteenth century, American artists demonstrated a preference for gardens as artistic motifs as well as a growing appreciation of the art of gardening itself. The range of color and the variation in form and silhouette made the garden a compelling subject for a large number of painters inclined toward the Impressionist style. Early twentieth-century America witnessed a mania for the garden, and the interest in the art of gardening dominated many aspects of domestic life. Publications and articles offered gardening advice for Americans, while also asserting that the art of gardening paralleled the art of painting. The exhibition catalog The American Impressionists in the Garden explores the theme of the garden in American art and society of the late nineteenth and early twentieth centuries. May Brawley Hill's essay discusses a range of themes, including the Impressionist fascination for gardens, the history of garden design, comparisons between European and American garden paintings, images of women, and the art colony movement, as well as providing detailed readings of the specific gardens painted and cultivated by these artists. Besides the forty-four color plates depicting European and American gardens by American artists, the catalog includes some historic photographs of artists in garden settings. These allow the reader to examine the relationship between the garden as photographed and the garden as painted. The catalog looks at garden paintings from Holland, France, Italy, and England and from different regions in the United States, including the Northeast, Southeast, Southwest, and West Coast. Garden sculpture was an essential element of garden design, and the catalog also features images of a number of small-scale bronzes and other statuary for garden environments. This book has been developed to accompany a 2010 exhibition at Cheekwood Botanical Garden & Museum of Art.
Author: Jackie Bennett
Publisher: White Lion Publishing
ISBN: 1781318743
Category : Gardening
Languages : en
Pages : 227
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Book Description
The Artist’s Garden will feature up to 20 gardens that have inspired and been home to some of the greatest painters of history. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas.
Author: Colta Ives
Publisher: Metropolitan Museum of Art
ISBN: 1588395847
Category : Art
Languages : en
Pages : 225
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Book Description
The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work. Public Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.
Author: Doris Kutschbach
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Looking at Monet's art in the context of his lifestyle, this book is suitable for artists, designers, gardeners, and life-style gurus alike.
Author: Sue Roe
Publisher: Harper Collins
ISBN: 0061978965
Category : Art
Languages : en
Pages : 370
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Book Description
New York Times Bestseller “Anyone who has ever lost themselves in Monet’s color-saturated gardens or swooned over Degas’s dancers will enjoy this revealing group portrait of the artists who founded the Impressionist movement. . . . For the armchair dilettante, as well as the art-history student, this is lively, required reading.” — People The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot, and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for their paintings. Their dazzling works are familiar to even the most casual art lovers—but how well does the world know the Impressionists as people? Sue Roe's colorful, lively, poignant, and superbly researched biography, The Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and unforgettable, it casts a brilliant, revealing light on this unparalleled society of genius colleagues who lived and worked together for twenty years and transformed the art world forever with their breathtaking depictions of ordinary life.
Author: Martha Kapos
Publisher:
ISBN:
Category : France in art
Languages : en
Pages : 744
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Book Description
The documents in this book -- letters and recorded comments by the artists themselves, as well as selections by notable contemporaries including Baudelaire, Zola, Valery, Mallarme, Huysman, Laforgue and Proust -- show how artists and critics during and in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. The ever-expanding interpretation of Impressionism and its legacy within the changing world of twentieth-century art and art criticism is examined through the writings of artists such as Leger, Kandinsky, Masson, Matisse, Bataille, Klee and Hofmann as well as recent critics, philosophers and art historians. Accompanying the texts are 235 color plates of Impressionist and Post-Impressionist masterpieces, and 242 black and white reproductions of historical photographs, original documents, contemporary cartoons, prints and drawings. - Jacket flap.
