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Author: Cleveland Museum of Art
Publisher: Hudson Hills
ISBN: 9780940717909
Category : Art
Languages : en
Pages : 148
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Book Description
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
Author: Cleveland Museum of Art
Publisher: Hudson Hills
ISBN: 9780940717909
Category : Art
Languages : en
Pages : 148
Get Book Here
Book Description
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
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Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author: Ann Temkin
Publisher: The Museum of Modern Art
ISBN: 9780870707742
Category : Art
Languages : en
Pages : 56
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Book Description
including the destruction of two works in a fire in 1958 - and underscores the resonance of these paintings with the art and artists of the last half-century." --Book Jacket.
Author: David Britt
Publisher:
ISBN: 9780500238417
Category : Art
Languages : en
Pages : 416
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Book Description
With over 400 color illustrations, this authoritative introduction covers every major development in the visual arts, from Impressionism to Post-Modernism.
Author: Taschen
Publisher: Taschen
ISBN: 9783836576239
Category :
Languages : en
Pages : 1004
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Book Description
A must-have for any art buff, this definitive who's who of Impressionism gathers 10 monographs from the Basic Art series for the price of three. Precise texts and impeccable reproductions guide us through the life and works of Cézanne, Degas, Gauguin, Manet, Monet, Renoir, Rousseau, Seurat, Toulouse-Lautrec, and van Gogh.
Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
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Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author: Lori Putnam
Publisher:
ISBN: 9780989028417
Category :
Languages : en
Pages : 45
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Book Description
There are no limits to the many ways we can paint with oils. Award-winning Modern Impressionist Lori Putnam demonstrates six of her most-often utilized methods. Images illustrate, step-by-step, her processes from critical thinking and preparation to expression and completion. Read tips about color, value, paint application, treatment of edges, design, and more. To improve your work through self-critique, you will learn what internal questions to ask along the way.
Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814712738
Category : Art
Languages : en
Pages : 400
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Book Description
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Author: Emile A. Gruppé
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Dust jacket notes: "Vibrant, fresh, immediate! The direct oil painting technique is an intense reaction to nature, a race with time to capture the color, the light and shadow, the design and the spirit of a subject in a few short hours. And now, Emile Gruppe - master of the direct oil painting technique - shows how you can use the broad strokes and lively colors of this spontaneous approach to infuse your own paintings with vitality, vigor, and on-the-spot freshness. A firm believer in using the best materials for the best results, Gruppe begins with a quick review of his favorite brushes, colors, easels, and painting surfaces. Next, he covers the basics of good design, what to look for and how to orchestrate what you see: masses, lines, values, and relationships. Turning to color, a fundamental element of his painting technique, Gruppe discusses complements, color harmony, color vibration, local color, reflected color, and using color to create atmospheric perspective. He explains how color appears on various kinds of days - foggy, clear, cloudy - and under different lighting conditions - front lighting, backlighting, sidelighting. In subsequent chapters, the author focuses on composing seascapes and landscapes; he explains how to paint rocks, ocean, lighthouses, boats, piers, pilings, roads, trees, streams, snow, mountains, valleys. Then, in full-color step-by-step demonstrations, the author shows how he captures a subject in his unique, exuberant, on-the-spot style.
Author: Jean Clay
Publisher: Book Sales
ISBN: 9780890093542
Category : Art
Languages : en
Pages : 320
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Book Description
The author has selected six areas - colour, distortion, the pulverized object, frontality, the real object and movement - and shown in them some three hundred paintings in pertinent series in a presentation intended to be tabular and synchronic in order to emphasize visually (by the methodical repetition of an attitude or of a plastic arrangement) certain constant factors, certain main lines that cross and depict the art of the twentieth century at its moment of decisive crisis.
