Author: Stephen Zank
Publisher: Routledge
ISBN: 1135173516
Category : Music
Languages : en
Pages : 379
Book Description
Maurice Ravel: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and theorist.
Maurice Ravel
Author: Stephen Zank
Publisher: Routledge
ISBN: 1135173516
Category : Music
Languages : en
Pages : 379
Book Description
Maurice Ravel: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and theorist.
Publisher: Routledge
ISBN: 1135173516
Category : Music
Languages : en
Pages : 379
Book Description
Maurice Ravel: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and theorist.
Catalogue of [printed and Manuscript Music, Books on Music and Musical Instruments] which Will be Sold at Auction
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324
Book Description
American Book Prices Current
Author:
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 1048
Book Description
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 1048
Book Description
Stradivari
Author: Stewart Pollens
Publisher: Cambridge University Press
ISBN: 0521873045
Category : Antiques & Collectibles
Languages : en
Pages : 367
Book Description
A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
Publisher: Cambridge University Press
ISBN: 0521873045
Category : Antiques & Collectibles
Languages : en
Pages : 367
Book Description
A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
Encyclopedia of Library and Information Sciences
Author: John D. McDonald
Publisher: CRC Press
ISBN: 1000031543
Category : Computers
Languages : en
Pages : 5538
Book Description
The Encyclopedia of Library and Information Sciences, comprising of seven volumes, now in its fourth edition, compiles the contributions of major researchers and practitioners and explores the cultural institutions of more than 30 countries. This major reference presents over 550 entries extensively reviewed for accuracy in seven print volumes or online. The new fourth edition, which includes 55 new entires and 60 revised entries, continues to reflect the growing convergence among the disciplines that influence information and the cultural record, with coverage of the latest topics as well as classic articles of historical and theoretical importance.
Publisher: CRC Press
ISBN: 1000031543
Category : Computers
Languages : en
Pages : 5538
Book Description
The Encyclopedia of Library and Information Sciences, comprising of seven volumes, now in its fourth edition, compiles the contributions of major researchers and practitioners and explores the cultural institutions of more than 30 countries. This major reference presents over 550 entries extensively reviewed for accuracy in seven print volumes or online. The new fourth edition, which includes 55 new entires and 60 revised entries, continues to reflect the growing convergence among the disciplines that influence information and the cultural record, with coverage of the latest topics as well as classic articles of historical and theoretical importance.
Chopin Studies
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
The Early Tudor Court and International Musical Relations
Author: Theodor Dumitrescu
Publisher: Routledge
ISBN: 1351544950
Category : Music
Languages : en
Pages : 392
Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Publisher: Routledge
ISBN: 1351544950
Category : Music
Languages : en
Pages : 392
Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Antiquarian Book Monthly Review
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 644
Book Description
National Foundation on the Arts and the Humanities Amendments of 1973
Author: United States. Congress. Senate. Labor and Public Welfare Committee
Publisher:
ISBN:
Category :
Languages : en
Pages : 1160
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1160
Book Description
Unfinished Business
Author: Brian Gordon Kennelly
Publisher: Rodopi
ISBN: 9789042002364
Category : Drama
Languages : en
Pages : 140
Book Description
This is the first study systematically to appraise Splendid's, �Elle�, and Le Bagne, the three plays by Jean Genet published after his death, both in the context of the dramatist's dramatic canon and with respect to one another. After showing that their unusual publishing history necessarily sets these works apart from Haute surveillance, Les Bonnes, Le Balcon, Les N�gres, and Les Paravents, it argues that from Splendid'sto Le Bagne, the question of incompletion is 'exteriorized' -- moving from a purely thematic to an increasingly formal context -- and that the status of each posthumously published work differs: Splendid'sis a 'completed' play, thematizing incompletion; �Elle�, with its seemingly incomplete form having thematic currency, is a 'properly unfinished' play; and as the intentionally 'fragmentary', purposefully suspended 'beginning' of a play, Le Bagneis shaped by incompletion.
Publisher: Rodopi
ISBN: 9789042002364
Category : Drama
Languages : en
Pages : 140
Book Description
This is the first study systematically to appraise Splendid's, �Elle�, and Le Bagne, the three plays by Jean Genet published after his death, both in the context of the dramatist's dramatic canon and with respect to one another. After showing that their unusual publishing history necessarily sets these works apart from Haute surveillance, Les Bonnes, Le Balcon, Les N�gres, and Les Paravents, it argues that from Splendid'sto Le Bagne, the question of incompletion is 'exteriorized' -- moving from a purely thematic to an increasingly formal context -- and that the status of each posthumously published work differs: Splendid'sis a 'completed' play, thematizing incompletion; �Elle�, with its seemingly incomplete form having thematic currency, is a 'properly unfinished' play; and as the intentionally 'fragmentary', purposefully suspended 'beginning' of a play, Le Bagneis shaped by incompletion.