Author:
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 104
Book Description
Important Italian Baroque Paintings, 1600-1700
Author:
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 104
Book Description
A Superb Baroque
Author: Jonathan Bober
Publisher: Princeton University Press
ISBN: 0691206511
Category : Art
Languages : en
Pages : 385
Book Description
Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).
Publisher: Princeton University Press
ISBN: 0691206511
Category : Art
Languages : en
Pages : 385
Book Description
Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).
Important Italian Baroque Paintings
Author:
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 0
Book Description
Catalogue for an exhibition held at Matthiesen Fine Art, Ltd. to help raise funds for restoration work in Naples, Italy after an earthquake that occurred on November 25, 1980.
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 0
Book Description
Catalogue for an exhibition held at Matthiesen Fine Art, Ltd. to help raise funds for restoration work in Naples, Italy after an earthquake that occurred on November 25, 1980.
Italian and Spanish Art, 1600-1750
Author: Robert Enggass
Publisher: Northwestern University Press
ISBN: 9780810110656
Category : Art
Languages : en
Pages : 256
Book Description
The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.
Publisher: Northwestern University Press
ISBN: 9780810110656
Category : Art
Languages : en
Pages : 256
Book Description
The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.
Orazio and Artemisia Gentileschi [published to Accompany the Exhibition Held at the Museo Del Palazzo Di Venezia, Rome, 15 October - 6 January 2002 ; the Metropolian Museum of Art, New York, 14 February - 12 May 2002 ; the Saint Louis Art Museum, 15 June - 15 September 2002
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
ISBN: 1588390063
Category : Art, Baroque
Languages : en
Pages : 498
Book Description
This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked.
Publisher: Metropolitan Museum of Art
ISBN: 1588390063
Category : Art, Baroque
Languages : en
Pages : 498
Book Description
This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked.
Seventeenth-century Art & Architecture
Author: Ann Sutherland Harris
Publisher: Laurence King Publishing
ISBN: 9781856694155
Category : Architecture
Languages : en
Pages : 452
Book Description
Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.
Publisher: Laurence King Publishing
ISBN: 9781856694155
Category : Architecture
Languages : en
Pages : 452
Book Description
Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.
Jusepe de Ribera 1591-1652
Author: Alfonso E. Pérez Sánchez
Publisher: Metropolitan Museum of Art
ISBN: 0870996479
Category : Ribera
Languages : en
Pages : 306
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996479
Category : Ribera
Languages : en
Pages : 306
Book Description
Buying Baroque
Author: Edgar Peters Bowron
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
The Sacred Made Real
Author: Xavier Bray
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
"This text reappraises an art form crucial to the development of Spanish art. In 16th and 17th-century Spain, sculptors worked in a unique relationship with painters, combining their skills to depict, with astonishing realism, the great religious themes"--OCLC
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
"This text reappraises an art form crucial to the development of Spanish art. In 16th and 17th-century Spain, sculptors worked in a unique relationship with painters, combining their skills to depict, with astonishing realism, the great religious themes"--OCLC
Baroque III, 1620-1700
Author: Matthiesen Fine Art Ltd
Publisher: Allemandi
ISBN:
Category : Art
Languages : en
Pages : 158
Book Description
"Baroque III is the fourth exhibitions [sic] in a current programme which has attempted to provide a view of Italian art, with some northern excursions, from c. 1300 to 1800....Baroque III places a certain emphasis on Neapolitan art...."--Preface, p. 9.
Publisher: Allemandi
ISBN:
Category : Art
Languages : en
Pages : 158
Book Description
"Baroque III is the fourth exhibitions [sic] in a current programme which has attempted to provide a view of Italian art, with some northern excursions, from c. 1300 to 1800....Baroque III places a certain emphasis on Neapolitan art...."--Preface, p. 9.