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Author: Douglas Sirk
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
Author: Fannie Hurst
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
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Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Author: Douglas Sirk
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
Author: Philipp Kaiser
Publisher: Prestel
ISBN: 9783791355566
Category : Clowns
Languages : en
Pages : 0
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Book Description
"The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work." --back cover.
Author: Louis Black
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Author: Sam Staggs
Publisher: Macmillan + ORM
ISBN: 1429942088
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
In a passionate and witty behind-the-scenes expose, the author of All About "All About Eve" takes on the classic 1959 Douglas Sirk film starring Lana Turner Few films inspire the devotion of Imitation of Life, one of the most popular films of the '50s--a split personality drama that's both an irresistible women's picture and a dark commentary on ambition, motherhood, racial identity, and hope lost and found. Born to be Hurt is the first in-depth account of director Sirk's masterpiece. Lana Turner, on the brink of personal and professional ruin starred as Lora Meredith. African-American actress Juanita Moore played her servant and dearest friend, and Sandra Dee and Susan Kohner their respective daughters, caught up in the heartbreak of the black-passing-for-white daughter in the 1950s. Both Moore and Kohner were Oscar-nominated as Best Supporting Actress. Sam Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling into a masterpiece of film writing. Entertaining, saucy, and incisive, this is irresistible reading for every film fan.
Author: Marcia Landy
Publisher: Wayne State University Press
ISBN: 9780814320655
Category : Performing Arts
Languages : en
Pages : 624
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Book Description
On melodrama.
Author: Sterling A. Brown
Publisher: UPNE
ISBN: 9781555532758
Category : Fiction
Languages : en
Pages : 340
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Book Description
Essays on African-American politics, literature and music by Sterling A. Brown (1901-1989), which point out the biases against black Americans in white cultural expression and argue for a recognition of the cultural contributions of African Americans.
Author: Abe C. Ravitz
Publisher: SIU Press
ISBN: 0809386631
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
In the early 1920s, Fannie Hurst’s enormous popularity made her the highest-paid writer in America. She conquered the literary scene at the same time the silent movie industry began to emerge as a tremendously profitable and popular form of entertainment. Abe C. Ravitz parallels Hurst’s growing acclaim with the evolution of silent films, from which she borrowed ideas and techniques that furthered her career. Ravitz notes that Hurst was amazingly adept at anticipating what the public wanted. Sensing that the national interest was shifting from rural to urban subjects, Hurst set her immigrant tales and her "woiking goil" tales in urban America. In her early stories, she tried to bridge the gap between Old World and New World citizens, each somewhat fearful and suspicious of the other. She wrote of love and ethnicity—bringing the Jewish Mother to prominence—of race relations and prejudice, of the woman alone in her quest for selfhood. Ravitz argues, in fact, that her socially oriented tales and her portraits of women in the city clearly identify her as a forerunner of contemporary feminism. Ravitz brings to life the popular culture from 1910 through the 1920s, tracing the meteoric rise of Hurst and depicting the colorful cast of characters surrounding her. He reproduces for the first time the Hurst correspondence with Theodore Dreiser, Charles and Kathleen Norris, and Gertrude Atherton. Fellow writers Rex Beach and Vachel Lindsay also play important roles in Ravitz’s portrait of Hurst, as does Zora Neale Hurston, who awakened Hurst’s interest in the Harlem Renaissance and in race relations, as shown in Hurst’s novel Imitation of Life.
Author: Ruth Feldstein
Publisher: Cornell University Press
ISBN: 150172150X
Category : History
Languages : en
Pages : 254
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Book Description
The apron-clad, white, stay-at-home mother. Black bus boycotters in Montgomery, Alabama. Ruth Feldstein explains that these two enduring, yet very different, images of the 1950s did not run parallel merely by ironic coincidence, but were in fact intimately connected. What she calls "gender conservatism" and "racial liberalism" intersected in central, yet overlooked, ways in mid-twentieth-century American liberalism. Motherhood in Black and White analyzes the widespread assumption within liberalism that social problems—ranging from unemployment to racial prejudice—could be traced to bad mothering. This relationship between liberalism and motherhood took shape in the 1930s, expanded in the 1940s and 1950s, and culminated in the 1960s. Even as civil rights moved into the mainstream of an increasingly visible liberal agenda, images of domineering black "matriarchs" and smothering white "moms" proliferated. Feldstein draws on a wide array of cultural and political events that demonstrate how and why mother-blaming furthered a progressive anti-racist agenda. From the New Deal into the Great Society, bad mothers, black or white, were seen as undermining American citizenship and as preventing improved race relations, while good mothers, responsible for raising physically and psychologically fit future citizens, were held up as a precondition to a strong democracy. By showing how ideas about gender roles and race relations intersected in films, welfare policies, and civil rights activism, as well as in the assumptions of classic works of social science, Motherhood in Black and White speaks to questions within women's history, African American history, political history, and cultural history. Ruth Feldstein analyzes representations of black women and white women, as well as the political implications of these representations. She brings together race and gender, culture and policy, vividly illuminating each.
Author: Betty M. Knight
Publisher: AuthorHouse
ISBN: 144901416X
Category : Family & Relationships
Languages : en
Pages : 223
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Book Description
A Call to the Black Man Give ear to what I'm about to say What in the world happened? It's not supposed to be this way. We fought so hard for freedom And you have put me back in chains Commitment, trust, seems to be bad words. I'm in bondage to your mind games Remember, you have a mother, sister, or daughter But it was me you gave the ring. I have come to this conclusion I don't need a king TO BE A QUEEN! I've had to raise the children alone Like when the master sold you astray Now I have to look for you And again you've become a runaway A man that can walk out on his family Is a part of slavery's aftermath? But enough with the dumb stuff The past is the past. I am still that woman Who made you feel like a man? Now you are so out of place Still, you want me to understand. Another form of rejection I'm asking myself "what's wrong with me" Why am I always to blame? For your misplaced priorities? Either you get it together Either you are right or you are wrong. I can raise the children with you. I should not have to do it alone. Come inside these pages. Allow me to tailor you to fit Coming from the strength of this Whole Woman. I should not be penalized for it I'm going to speak to the Whole Man in you Like I do in our time of intimacy. That's when I give you the freedom to be you And you give me the freedom to be me. Men are checking me out "right now" Making statements and, my, how they do flatter. They ask "Why are you alone or single?" Realize! I do have a choice in the matter. I was asked if I were to define the book WHOLE in one sentence, what would I say? "WHOLE is a groundbreaking, ground shaking, revolution that demands results!" "I recall the day as though it was yesterday. I stood in the mirror looking at a reflection of defeat never knowing if I would reach my God-ordained destiny. All my dreams, hopes, and desires devastated. I was distrait, frail, and I had gone from a size 12 to a size 6. I was beyond distressed I was destroyed. Lifelines can come in many ways. I knew I wanted and needed to come out, but I didn't know how. This is the time when I had to get real with myself and everyone else-so I threw out a lifeline. I made a simple telephone call to a friend and the Revolution began!"
