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Languages : en
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Author: K. A. E. Enenkel
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 410
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Book Description
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
Author: Walter S. Melion
Publisher: BRILL
ISBN: 9004319123
Category : History
Languages : en
Pages : 517
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The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order’s defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz
Author: Alison Saunders
Publisher: Librairie Droz
ISBN: 9782600004527
Category : Emblem books, French
Languages : en
Pages : 458
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Author: Peter M. Daly
Publisher: Routledge
ISBN: 1351890832
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems following years of relative neglect. Beginning by considering some of the seldom asked, but important, questions that the study of emblems raises, including the importance of the emblem, the truth value of emblems, and the transmission of knowledge through emblems, the book then moves on to investigate more closely-focussed aspects such as the role of mnemonics, mottoes and visual rhetoric. The volume concludes with a review of some perhaps inadequately considered issues such as the role of Jesuits (who had a role in the publication of about a quarter of all known emblem books), and questions such as how these hybrid constructs were actually read and interpreted. Drawing upon a database containing records of 6,514 books of emblems and imprese, this study suggests new ways for scholars to approach important questions that have not yet been satisfactorily broached in the standard works on emblems.
Author: Maria Berbara
Publisher: BRILL
ISBN: 9004217215
Category : History
Languages : en
Pages : 497
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Book Description
This volume focuses on the interdisciplinary investigation of Portuguese humanism, especially as a noteworthy player in the international network of early modern scholarship, literature and visual arts.
Author: Ingrid Hoepel
Publisher: Cambridge Scholars Publishing
ISBN: 1527504352
Category : Art
Languages : en
Pages : 650
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Book Description
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Author: Éva Knapp
Publisher: Walter de Gruyter
ISBN: 3110950820
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
The main aim of the work is to present emblematics in Hungary in its European context, and to show the reciprocal influence between that phenomenon and mainstream literature. The description of the theoretical and historical development in Hungary is supplemented by a series of case studies examining the effect of emblematics upon various literary genres. The final chapter analyzes the link between literary emblematics and the visual arts by looking at a specific example. As in most European countries, emblematics in Hungary is part of a complex labyrinth of literary modes of thought and expression. A relative poverty of theoretical writing went hand in hand with a considerable range of emblematic practice. The emblem proved to be a transitional form between the period when signs and motifs were regarded as having specific and fixed meanings and the modern period when we have developed a different and shifting concept of language and meaning. At the same time as emblems began to penetrate the more popular levels of national culture and literature, they also became more specialized. Hungarian emblematics used, for the most part, existing pictorial and textual combinations of pictures and texts. They employed the emblem notably in genres and texts of the genus demonstrativum, which referred to matters which were topical at the time.
