Author: Martina Delucchi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111350282
Category : Religion
Languages : en
Pages : 288
Book Description
Telephus, son of Heracles and king of Mysia, was a key figure in the Trojan War. Both enemy and ally of the Achaeans, he fought against them, was wounded and then cured by Achilles, and led Agamemnon’s army to Troy. This book is the first comprehensive study on his myth. It investigates fragmentary artefacts and texts, offers new readings and interpretations, and frames the evidence in its socio-political, historical, and cultural contexts. What results is a view of an ever-changing myth embedded in diverse cultural milieux, a product and a catalyst of cross-cultural exchanges, and an instrument of soft power. After assessing the sources, this book provides a contextual history of the myth, from the seventh to the first centuries BC, paying particular attention to cultural contacts in the context of migratory movements and consequent hybridisation of different social and cultural systems; repurposing and remodelling of cultural products to follow specific agendas; cultural policy and propaganda enforced through mass media and used as soft power; and more besides. All texts are translated and thus fully accessible to readers interested in myth, migration studies, cross-cultural studies, cultural history, and literary criticism.
Imagining Telephus
Author: Martina Delucchi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111350282
Category : Religion
Languages : en
Pages : 288
Book Description
Telephus, son of Heracles and king of Mysia, was a key figure in the Trojan War. Both enemy and ally of the Achaeans, he fought against them, was wounded and then cured by Achilles, and led Agamemnon’s army to Troy. This book is the first comprehensive study on his myth. It investigates fragmentary artefacts and texts, offers new readings and interpretations, and frames the evidence in its socio-political, historical, and cultural contexts. What results is a view of an ever-changing myth embedded in diverse cultural milieux, a product and a catalyst of cross-cultural exchanges, and an instrument of soft power. After assessing the sources, this book provides a contextual history of the myth, from the seventh to the first centuries BC, paying particular attention to cultural contacts in the context of migratory movements and consequent hybridisation of different social and cultural systems; repurposing and remodelling of cultural products to follow specific agendas; cultural policy and propaganda enforced through mass media and used as soft power; and more besides. All texts are translated and thus fully accessible to readers interested in myth, migration studies, cross-cultural studies, cultural history, and literary criticism.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111350282
Category : Religion
Languages : en
Pages : 288
Book Description
Telephus, son of Heracles and king of Mysia, was a key figure in the Trojan War. Both enemy and ally of the Achaeans, he fought against them, was wounded and then cured by Achilles, and led Agamemnon’s army to Troy. This book is the first comprehensive study on his myth. It investigates fragmentary artefacts and texts, offers new readings and interpretations, and frames the evidence in its socio-political, historical, and cultural contexts. What results is a view of an ever-changing myth embedded in diverse cultural milieux, a product and a catalyst of cross-cultural exchanges, and an instrument of soft power. After assessing the sources, this book provides a contextual history of the myth, from the seventh to the first centuries BC, paying particular attention to cultural contacts in the context of migratory movements and consequent hybridisation of different social and cultural systems; repurposing and remodelling of cultural products to follow specific agendas; cultural policy and propaganda enforced through mass media and used as soft power; and more besides. All texts are translated and thus fully accessible to readers interested in myth, migration studies, cross-cultural studies, cultural history, and literary criticism.
Imagining Inheritance from Chaucer to Shakespeare
Author: Alex Davis
Publisher: Oxford University Press
ISBN: 0192592130
Category : Literary Criticism
Languages : en
Pages : 430
Book Description
Impossible bequests of the soul; an outlawed younger son who rises to become justice of the king's forests; the artificially-preserved corpse of the heir to an empire; a medieval clerk kept awake at night by fears of falling; a seventeenth-century noblewoman who commissions copies upon copies of her genealogy; Elizabethan efforts to eradicate Irish customs of succession; thoughts of the legacy of sin bequeathed to mankind by our first parents, Adam and Eve. This book explores how inheritance was imagined between the lifetimes of Chaucer and Shakespeare. The writing composed during this period was the product of what the historian Georges Duby has called a 'society of heirs', in which inheritance functioned as a key instrument of social reproduction, acting to ensure that existing structures of status, wealth, familial power, political influence, and gender relations were projected from the present into the future. In poetry, prose, and drama--in Chaucer's Troilus and Criseyde and his Canterbury Tales; in Spenser's Faerie Queene; in plays by Shakespeare such as Macbeth, As You Like It, and The Merchant of Venice; and in a host of other works--we encounter a range of texts that attests to the extraordinary imaginative reach of questions of inheritance between the fourteenth and the seventeenth centuries. Moving between the late medieval and early modern periods, Imagining Inheritance examines this body of writing in order to argue that an exploration of the ways in which premodern inheritance was imagined can make legible the deep structures of power that modernity wants to forget.
Publisher: Oxford University Press
ISBN: 0192592130
Category : Literary Criticism
Languages : en
Pages : 430
Book Description
Impossible bequests of the soul; an outlawed younger son who rises to become justice of the king's forests; the artificially-preserved corpse of the heir to an empire; a medieval clerk kept awake at night by fears of falling; a seventeenth-century noblewoman who commissions copies upon copies of her genealogy; Elizabethan efforts to eradicate Irish customs of succession; thoughts of the legacy of sin bequeathed to mankind by our first parents, Adam and Eve. This book explores how inheritance was imagined between the lifetimes of Chaucer and Shakespeare. The writing composed during this period was the product of what the historian Georges Duby has called a 'society of heirs', in which inheritance functioned as a key instrument of social reproduction, acting to ensure that existing structures of status, wealth, familial power, political influence, and gender relations were projected from the present into the future. In poetry, prose, and drama--in Chaucer's Troilus and Criseyde and his Canterbury Tales; in Spenser's Faerie Queene; in plays by Shakespeare such as Macbeth, As You Like It, and The Merchant of Venice; and in a host of other works--we encounter a range of texts that attests to the extraordinary imaginative reach of questions of inheritance between the fourteenth and the seventeenth centuries. Moving between the late medieval and early modern periods, Imagining Inheritance examines this body of writing in order to argue that an exploration of the ways in which premodern inheritance was imagined can make legible the deep structures of power that modernity wants to forget.
The Sea in the Greek Imagination
Author: Marie-Claire Beaulieu
Publisher: University of Pennsylvania Press
ISBN: 0812247655
Category : History
Languages : en
Pages : 280
Book Description
In The Sea in the Greek Imagination, Marie-Claire Beaulieu unifies the multifarious representations of the sea and sea-crossing in Greek myth and imagery by positing the sea as a cosmological boundary between the worlds of the living, the dead, and the gods, or between reality and imagination.
Publisher: University of Pennsylvania Press
ISBN: 0812247655
Category : History
Languages : en
Pages : 280
Book Description
In The Sea in the Greek Imagination, Marie-Claire Beaulieu unifies the multifarious representations of the sea and sea-crossing in Greek myth and imagery by positing the sea as a cosmological boundary between the worlds of the living, the dead, and the gods, or between reality and imagination.
Imagining Reperformance in Ancient Culture
Author: Richard Hunter
Publisher: Cambridge University Press
ISBN: 1108211011
Category : History
Languages : en
Pages :
Book Description
This book offers a series of studies of the idea and practice of reperformance as it affects ancient lyric poetry and drama. Special attention is paid to the range of phenomena which fall under the heading 'reperformance', to how poets use both the reality and the 'imaginary' of reperformance to create a deep temporal sense in their work and to how audiences use their knowledge of reperformance conditions to interpret what they see and hear. The studies range in scope from Pindar and fifth-century tragedy and comedy to the choral performances and reconstructions of the Imperial Age. All chapters are informed by recent developments in performance studies, and all Greek and Latin is translated.
Publisher: Cambridge University Press
ISBN: 1108211011
Category : History
Languages : en
Pages :
Book Description
This book offers a series of studies of the idea and practice of reperformance as it affects ancient lyric poetry and drama. Special attention is paid to the range of phenomena which fall under the heading 'reperformance', to how poets use both the reality and the 'imaginary' of reperformance to create a deep temporal sense in their work and to how audiences use their knowledge of reperformance conditions to interpret what they see and hear. The studies range in scope from Pindar and fifth-century tragedy and comedy to the choral performances and reconstructions of the Imperial Age. All chapters are informed by recent developments in performance studies, and all Greek and Latin is translated.
Plague and the Athenian Imagination
Author: Robin Mitchell-Boyask
Publisher: Cambridge University Press
ISBN: 1139468235
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The great plague of Athens that began in 430 BCE had an enormous effect on the imagination of its literary artists and on the social imagination of the city as a whole. In this book, Professor Mitchell-Boyask studies the impact of the plague on Athenian tragedy early in the 420s and argues for a significant relationship between drama and the development of the cult of the healing god Asclepius in the next decade, during a period of war and increasing civic strife. The Athenian decision to locate their temple for Asclepius adjacent to the Theater of Dionysus arose from deeper associations between drama, healing and the polis that were engaged actively by the crisis of the plague. The book also considers the representation of the plague in Thucydides' History as well as the metaphors generated by that representation which recur later in the same work.
Publisher: Cambridge University Press
ISBN: 1139468235
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The great plague of Athens that began in 430 BCE had an enormous effect on the imagination of its literary artists and on the social imagination of the city as a whole. In this book, Professor Mitchell-Boyask studies the impact of the plague on Athenian tragedy early in the 420s and argues for a significant relationship between drama and the development of the cult of the healing god Asclepius in the next decade, during a period of war and increasing civic strife. The Athenian decision to locate their temple for Asclepius adjacent to the Theater of Dionysus arose from deeper associations between drama, healing and the polis that were engaged actively by the crisis of the plague. The book also considers the representation of the plague in Thucydides' History as well as the metaphors generated by that representation which recur later in the same work.
Parody, Politics and the Populace in Greek Old Comedy
Author: Donald Sells
Publisher: Bloomsbury Publishing
ISBN: 1350060534
Category : Literary Collections
Languages : en
Pages : 254
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Publisher: Bloomsbury Publishing
ISBN: 1350060534
Category : Literary Collections
Languages : en
Pages : 254
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Painter and Poet in Ancient Greece
Author: Eva C. Keuls
Publisher: Walter de Gruyter
ISBN: 3110953064
Category : History
Languages : en
Pages : 433
Book Description
The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.
Publisher: Walter de Gruyter
ISBN: 3110953064
Category : History
Languages : en
Pages : 433
Book Description
The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.
Harvard Studies in Classical Philology
Author:
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 216
Book Description
Paracomedy
Author: Craig Jendza
Publisher: Oxford University Press
ISBN: 0190090952
Category : Drama
Languages : en
Pages : 361
Book Description
Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
Publisher: Oxford University Press
ISBN: 0190090952
Category : Drama
Languages : en
Pages : 361
Book Description
Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
Valuing Landscape in Classical Antiquity
Author:
Publisher: BRILL
ISBN: 9004319719
Category : Literary Criticism
Languages : en
Pages : 511
Book Description
‘Where am I?’. Our physical orientation in place is one of the defining characteristics of our embodied existence. However, while there is no human life, culture, or action without a specific location functioning as its setting, people go much further than this bare fact in attributing meaning and value to their physical environment. 'Landscape’ denotes this symbolic conception and use of terrain. It is a creation of human culture. In Valuing Landscape we explore different ways in which physical environments impacted on the cultural imagination of Greco-Roman Antiquity. In seventeen chapters with different disciplinary perspectives, we demonstrate the values attached to mountains, the underworld, sacred landscapes, and battlefields, and the evaluations of locale connected with migration, exile, and travel.
Publisher: BRILL
ISBN: 9004319719
Category : Literary Criticism
Languages : en
Pages : 511
Book Description
‘Where am I?’. Our physical orientation in place is one of the defining characteristics of our embodied existence. However, while there is no human life, culture, or action without a specific location functioning as its setting, people go much further than this bare fact in attributing meaning and value to their physical environment. 'Landscape’ denotes this symbolic conception and use of terrain. It is a creation of human culture. In Valuing Landscape we explore different ways in which physical environments impacted on the cultural imagination of Greco-Roman Antiquity. In seventeen chapters with different disciplinary perspectives, we demonstrate the values attached to mountains, the underworld, sacred landscapes, and battlefields, and the evaluations of locale connected with migration, exile, and travel.