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Author: Andrew O. Winckles
Publisher: Liverpool University Press
ISBN: 1789624355
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This book traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth century, from the rise of the novel to the Revolution controversy of the 1790s to the shifting ground for women writers leading up to the Reform era in the 1830s.
Author: Andrew O. Winckles
Publisher: Liverpool University Press
ISBN: 1789624355
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This book traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth century, from the rise of the novel to the Revolution controversy of the 1790s to the shifting ground for women writers leading up to the Reform era in the 1830s.
Author: Amelia Dale
Publisher: Rutgers University Press
ISBN: 1684481023
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. The collection brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism.
Author: William Gibson
Publisher: Bloomsbury Publishing
ISBN: 1786721570
Category : Religion
Languages : en
Pages : 446
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Book Description
The Long Eighteenth Century was the Age of Revolutions, including the first sexual revolution. In this era, sexual toleration began and there was a marked increase in the discussion of morality, extra-marital sex, pornography and same-sex relationships in both print and visual culture media. William Gibson and Joanne Begiato here consider the ways in which the Church of England dealt with sex and sexuality in this period. Despite the backdrop of an increasingly secularising society, religion continued to play a key role in politics, family life and wider society and the eighteenth-century Church was still therefore a considerable force, especially in questions of morality. This book integrates themes of gender and sexuality into a broader understanding of the Church of England in the eighteenth century. It shows that, rather than distancing itself from sex through diminishing teaching, regulation and punishment, the Church not only paid attention to it, but its attitudes to sex and sexuality were at the core of society's reactions to the first sexual revolution.
Author: Thomas Dixon
Publisher: OUP Oxford
ISBN: 0191663565
Category : History
Languages : en
Pages : 451
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Book Description
There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
Author: Julia Swindells
Publisher: OUP Oxford
ISBN: 0191655201
Category : Literary Criticism
Languages : en
Pages : 2541
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Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Author: Timothy Alborn
Publisher: Routledge
ISBN: 1000586006
Category : History
Languages : en
Pages : 199
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Book Description
This volume uses the extreme case of misers to examine interlocking categories that undergirded the emergence of modern British society, including new perspectives on charity, morality, and marriage; new representations of passion and sympathy; and new modes of saving, spending, and investment. Misers surveys this class of people—as invented and interpreted in sermons, poems, novels, and plays; analyzed by economists and philosophers; and profiled in obituaries and biographies—to explore how British attitudes about saving money shifted between 1700 and 1860. As opposed to the century before, the nineteenth century witnessed a new appreciation for misers, as economists credited them with adding to the nation's stock of capital and novelists newly imagined their capacity to empathize with fellow human beings. These characters shared the spotlight with real people who posthumously donned that label, populating into a cottage industry of miser biographies by the 1850s. By the time A Christmas Carol appeared in 1843, many Victorians had come to embrace misers as links that connected one generation’s extreme saving with the next generation’s virtuous spending. With a broad chronological period, this volume is useful for students and scholars interested in representation of misers in eighteenth- and nineteenth-century Britain.
Author: Emma Salgård Cunha
Publisher: Taylor & Francis
ISBN: 1351395963
Category : Religion
Languages : en
Pages : 215
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Book Description
John Wesley (1703–1791), leader of British Methodism, was one of the most prolific literary figures of the eighteenth century, responsible for creating and disseminating a massive corpus of religious literature and for instigating a sophisticated programme of reading, writing and publishing within his Methodist Societies. John Wesley, Practical Divinity and the Defence of Literature takes the influential genre of practical divinity as a framework for understanding Wesley’s role as an author, editor and critic of popular religious writing. It asks why he advocated the literary arts as a valid aspect of his evangelical theology, and how his Christian poetics impacted upon the religious experience of his followers.
Author: Anaclara Castro-Santana
Publisher: Routledge
ISBN: 1351770462
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Henry Fielding is most well-known for his monumental novel Tom Jones. Though not necessarily common knowledge, Henry Fielding started his literary career as a dramatist and eventually transitioned to writing novels. Though vastly different in their approach and subject, there is a common thread in Fielding’s work that spanned his career: marriage. Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding explores this theme, focusing on Fielding’s fascination with matrimony and the ever-present paradoxical nature of marriage in the first half of the eighteenth-century, as a state easily attained but nearly impossible to escape.
Author: Geremy Carnes
Publisher: Rowman & Littlefield
ISBN: 1611496535
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The Papist Represented situates eighteenth-century literature within the history and culture of the English Catholic community and its interactions with the nation’s Protestant majority. It demonstrates Catholic influence on some of the period’s most popular and experimental literary works, challenging the assumption that eighteenth-century literature was a fundamentally Protestant enterprise.
Author: Ryan Nicholas Danker
Publisher: InterVarsity Press
ISBN: 0830899642
Category : Religion
Languages : en
Pages : 306
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Book Description
Why did the Wesleyan Methodists and the Anglican evangelicals divide during the middle of the eighteenth century? Many say it was based narrowly on theological matters. Ryan Nicholas Danker suggests that politics was a major factor driving them apart. Rich in detail, this study offers deep insight into a critical juncture in evangelicalism and early Methodism.
