Imagining Jesus Christ in Middle English Literature, 1275–1475 PDF Download
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Author: Theresa Tinkle
Publisher: Springer Nature
ISBN: 303165076X
Category :
Languages : en
Pages : 262
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Book Description
Author: Theresa Tinkle
Publisher: Springer Nature
ISBN: 303165076X
Category :
Languages : en
Pages : 262
Get Book Here
Book Description
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Theresa Tinkle
Publisher: Stanford University Press
ISBN: 0804764808
Category : Poetry
Languages : en
Pages : 312
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Book Description
Medieval Venuses and Cupids analyses the transformations of the love deities in later Middle English Chaucerian poetry, academic Latin discourses on classical myth (including astrology, natural philosophy, and commentaries on classical Roman literature), and French conventions that associate Venus and Cupid with Ovidian arts of love. Whereas existing studies of Venus and Cupid contend that they always and everywhere represent two loves (good and evil), the author argues that medieval discourses actually promulgate diverse, multiple, and often contradictory meanings for the deities. The book establishes the range of meanings bestowed on the deities through the later Middle Ages, and draws on feminist and cultural theories to offer new models for interpreting both academic Latin discourses and vernacular poetry.
Author: Fortunatianus Aquileiensis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110516373
Category : Religion
Languages : en
Pages : 154
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Book Description
In 2012, Lukas Dorfbauer identified a manuscript in Cologne Cathedral Library as a copy of the Commentary on the Gospels by Fortunatianus, bishop of Aquileia in the middle of the fourth century. This discovery enabled him to identify further witnesses to the commentary and works dependent on it. Dorfbauer's critical edition, to be published in the CSEL series in 2017, makes this work available to scholarship for the first time in over a millennium. The discovery of a new work from late antiquity is always a landmark in the history of research. This extensive commentary shines new light on fourth-century biblical interpretation and the exegetical practices and literary work of an African bishop ministering in north Italy in this period. What is more, it appears to be dependent on works by Origen and Victorinus of Poetovio which are no longer preserved. In order to make this important work available to a wider audience, Dr Houghton has prepared an English translation and introduction in conjunction with the COMPAUL project on the earliest commentaries on the New Testament as sources for the biblical text.
Author: Laura Light
Publisher: Text Manuscripts
ISBN: 9780997184204
Category : Art
Languages : en
Pages : 118
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Book Description
Bookseller catalog of 36 manuscripts in French, Italian, German, Dutch, and English.
Author: Pope Clement I
Publisher:
ISBN:
Category : Canon law
Languages : en
Pages : 648
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Book Description
Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110558602
Category : Religion
Languages : en
Pages : 322
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Book Description
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
Author: Benjamin Brand
Publisher: Cambridge University Press
ISBN: 131679895X
Category : Music
Languages : en
Pages : 379
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Book Description
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Author: Paull Franklin Baum
Publisher:
ISBN:
Category : Tales, Medieval
Languages : en
Pages : 22
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Book Description
Author: C David Benson
Publisher: Medieval Institute Publications
ISBN: 1580444377
Category : History
Languages : en
Pages : 190
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Book Description
The Book of John Mandeville has tended to be neglected by modern teachers and scholars, yet this intriguing and copious work has much to offer the student of medieval literature, history, and culture. [It] was a contemporary bestseller, providing readers with exotic information about locales from Constantinople to China and about the social and religious practices of peoples such as the Greeks, Muslims, and Brahmins. The Book first appeared in the middle of the fourteenth century and by the next century could be found in an extraordinary range of European languages: not only Latin, French, German, English, and Italian, but also Czech, Danish, and Irish. Its wide readership is also attested by the two hundred fifty to three hundred medieval manuscripts that still survive today. Chaucer borrowed from it, as did the Gawain-poet in the Middle English Cleanness, and its popularity continued long after the Middle Ages.
