Imagined Realism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Imagined Realism PDF full book. Access full book title Imagined Realism by The Amon Carter Museum of American Art. Download full books in PDF and EPUB format.
Author: The Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9781477323762
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling. Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. Along with 290 images, including 120 plates, the book includes five essays, two by scholars Erika Doss of the University of Notre Dame and Barbara Mundy of Fordham University; a trio of Carter museum curators provide deep analyses of the Gentlings’ artistic process, the output of their fifty-year career, and a chronology of their lives; plus several brief and incisive takes on specific aspects of the brothers’ multifaceted art and lives are featured throughout.
Author: The Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9781477323762
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling. Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. Along with 290 images, including 120 plates, the book includes five essays, two by scholars Erika Doss of the University of Notre Dame and Barbara Mundy of Fordham University; a trio of Carter museum curators provide deep analyses of the Gentlings’ artistic process, the output of their fifty-year career, and a chronology of their lives; plus several brief and incisive takes on specific aspects of the brothers’ multifaceted art and lives are featured throughout.
Author: Dr Rosa Mucignat
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472401395
Category : Literary Criticism
Languages : en
Pages : 316
Get Book Here
Book Description
Posing new questions about realism and the creative power of narratives, Rosa Mucignat takes a fresh look at the relationship between representation and reality. As Mucignat points out, worlds evoked in fiction all depend to a greater or lesser extent on the world we know from experience, but they are neither parasites on nor copies of those realms. Never fully aligned with the real world, stories grow out of the mismatch between reality and representation-those areas of the fictional space that are not located on actual maps, but still form a fully structured imagined geography. Mucignat offers new readings of six foundational texts of modern Western culture: Goethe's Wilhelm Meister's Apprenticeship, Jane Austen's Mansfield Park, Alessandro Manzoni's The Betrothed, Stendahl'ss The Red and the Black, Charles Dickens's Great Expectations, and Gustave Flaubert's Sentimental Education. Using these texts as source material and supporting evidence for a new and comprehensive theory of space in fiction, she examines the links between the nineteenth-century novel's interest in creating substantial, life-like worlds and contemporary developments in science, art, and society. Mucignat's book is an evocative analysis of the way novels marshal their technical and stylistic resources to produce imagined geographies so complex and engrossing that they intensify and even transform the reader's experience of real-life places.
Author: Linda Nochlin
Publisher: CUP Archive
ISBN:
Category : Art, Modern
Languages : en
Pages : 360
Get Book Here
Book Description
Author: R E Johnson
Publisher: Lutterworth Press
ISBN: 0718842715
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
'A Complete Identity' is an examination of the hero figure in the works of G.A. Henty (1832-1902) and George MacDonald (1824-1905) and a reassessment of oppositional critiques of their writing. It demonstrates the complementary characteristics of the hero figure, which construct a complete identity commensurate with the Victorian ideal hero. The relationship between the expansion of the British Empire and youthful heroism is established through investigation of the Victorian political, social, and religious milieu, the construct of the child, and the construct of the hero. A connection between the exotic geographical space of empire and the unknown psychological space is drawn through examination of representation of the other in the work of Henty and MacDonald. This book demonstrates that Henty's work is more complex than the stereotypically linear, masculine, imperialistic critique of his stories that historical realism allows, and that MacDonald's work displays more evidence of historical embedding and ideological interpellation than the critical focus on his work as fantasy and fairy tale considers.
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
Get Book Here
Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 113605281X
Category : Performing Arts
Languages : en
Pages : 510
Get Book Here
Book Description
The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
Author: Hubert Dreyfus
Publisher: Harvard University Press
ISBN: 0674967518
Category : Philosophy
Languages : en
Pages : 184
Get Book Here
Book Description
"Retrieving Realism offers a radical critique of the Cartesian epistemic picture that has captivated philosophy for too long and restores a realist view affirming our direct access to the everyday world and to the physical universe." -- Dust jacket.
Author: Roy Bhaskar
Publisher: Routledge
ISBN: 1134050852
Category : Philosophy
Languages : en
Pages : 271
Get Book Here
Book Description
First Published in 2008. Now acknowledged as a classic in the philosophy of science, A Realist Theory of Science is one of the very few books which has transformed not only our understanding of science, but that of the nature of the world it studies. Since its original publication in 1975, the book has inspired the multi-disciplinary and international movement of thought known as "critical realism"; and its ideas have been influential across the whole spectrum of the sciences, arts and humanities and in a diverse array of social practices and professions. In this book, Roy Bhaskar sets out to revindicate ontology, critiquing the reduction of being in favor of knowledge, which he calls the "epistemic fallacy". Employing a transcendental argument from the nature of experimental activity, he establishes a critique of the dominant positivist and neo-Kantian traditions in the philosophy of science, developing a new ontology in which concepts of structure, difference and change come to the fore. Then, analyzing the nature of scientific discovery and development, he shows how, against both the empiricist and rationalist traditions, science can come to have a posteriori knowledge of natural necessity. The resultant position, which the author characterizes as transcendental realism, has the power to resolve many traditional philosophical problems, such as the problem of induction. At the same time it lays the basis for radically new accounts of social science, ethics and the project of human emancipation. A new introduction to this edition by Mervyn Hartwig decribes the significance of A Realist Theory of Science throughout the humanities world, and offers an expert critique of its content.
Author: Kryssi Staikidis
Publisher: BRILL
ISBN: 9004392858
Category : Education
Languages : en
Pages : 387
Get Book Here
Book Description
To expand the possibilities of “doing arts thinking” from a non-Eurocentric view, Artistic Mentoring as a Decolonizing Methodology: An Evolving Collaborative Painting Ethnography with Maya Artists Pedro Rafael González Chavajay and Paula Nicho Cúmez is grounded in Indigenous perspectives on arts practice, arts research, and art education. Mentored in painting for eighteen years by two Guatemalan Maya artists, Kryssi Staikidis, a North American painter and art education professor, uses both Indigenous and decolonizing methodologies, which involve respectful collaboration, and continuously reexamines her positions as student, artist, and ethnographer searching to redefine and transform the roles of the artist as mentor, historian/activist, ethnographer, and teacher. The primary purpose of the book is to illuminate the Maya artists as mentors, the collaborative and holistic processes underlying their painting, and the teaching and insights from their studios. These include Imagined Realism, a process excluding rendering from observation, and the fusion of pedagogy and curriculum into a holistic paradigm of decentralized teaching, negotiated curriculum, personal and cultural narrative as thematic content, and the surrounding visual culture and community as text. The Maya artist as cultural historian creates paintings as platforms of protest and vehicles of cultural transmission, for example, genocide witnessed in paintings as historical evidence. The mentored artist as ethnographer cedes the traditional ethnographic authority of the colonizing stance to the Indigenous expert as partner and mentor, and under this mentorship analyzes its possibilities as decolonizing arts-based qualitative inquiry. For the teacher, Maya world views broaden and integrate arts practice and arts research, inaugurating possibilities to transform arts education.
Author: Trisha Low
Publisher: Coffee House Press
ISBN: 1566895596
Category : Literary Collections
Languages : en
Pages : 153
Get Book Here
Book Description
When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find. Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?
