Author: Timothy M. Costelloe
Publisher: Edinburgh University Press
ISBN: 1474436412
Category : Philosophy
Languages : en
Pages : 329
Book Description
Defines the cutting-edge of scholarship on ancient Greek history employing methods from social science.
Imagination in Hume's Philosophy
Author: Timothy M. Costelloe
Publisher: Edinburgh University Press
ISBN: 1474436412
Category : Philosophy
Languages : en
Pages : 329
Book Description
Defines the cutting-edge of scholarship on ancient Greek history employing methods from social science.
Publisher: Edinburgh University Press
ISBN: 1474436412
Category : Philosophy
Languages : en
Pages : 329
Book Description
Defines the cutting-edge of scholarship on ancient Greek history employing methods from social science.
Hume's Theory of Imagination
Author: Jan Wilbanks
Publisher:
ISBN: 9789024701711
Category : Imagination
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789024701711
Category : Imagination
Languages : en
Pages : 0
Book Description
The Routledge Handbook of Philosophy of Imagination
Author: Amy Kind
Publisher: Routledge
ISBN: 1317329457
Category : Philosophy
Languages : en
Pages : 503
Book Description
Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.
Publisher: Routledge
ISBN: 1317329457
Category : Philosophy
Languages : en
Pages : 503
Book Description
Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.
Imagination and the Imaginary
Author: Kathleen Lennon
Publisher: Routledge
ISBN: 1317548825
Category : Philosophy
Languages : en
Pages : 155
Book Description
The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary, Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us. Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world. A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics. Cover Image: Bronze Bowl with Lace, Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.
Publisher: Routledge
ISBN: 1317548825
Category : Philosophy
Languages : en
Pages : 155
Book Description
The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary, Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us. Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world. A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics. Cover Image: Bronze Bowl with Lace, Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.
Imagination in Hume's Philosophy
Author: Timothy M. Costelloe
Publisher: Edinburgh University Press
ISBN: 1474436420
Category : Philosophy
Languages : en
Pages : 416
Book Description
Explores the contemporary significance of Alfred North Whitehead's 1927 book Symbolism: Its Meaning and Effect
Publisher: Edinburgh University Press
ISBN: 1474436420
Category : Philosophy
Languages : en
Pages : 416
Book Description
Explores the contemporary significance of Alfred North Whitehead's 1927 book Symbolism: Its Meaning and Effect
Associationism and the Literary Imagination
Author: Craig Cairns Craig
Publisher: Edinburgh University Press
ISBN: 0748628169
Category : LITERARY CRITICISM
Languages : en
Pages : 336
Book Description
Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the
Publisher: Edinburgh University Press
ISBN: 0748628169
Category : LITERARY CRITICISM
Languages : en
Pages : 336
Book Description
Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the
Projection and Realism in Hume's Philosophy
Author: P. J. E. Kail
Publisher: Clarendon Press
ISBN: 0191614599
Category : Philosophy
Languages : en
Pages : 302
Book Description
In his writings, Hume talks of our 'gilding and staining' natural objects, and of the mind's propensity to 'spread itself' on the world. This has led commentators to use the metaphor of 'projection' in connection with his philosophy: Hume is held to have taught that causal power and self are projections, that God is a projection of our fear, and that value is a projection of sentiment. By considering what it is about Hume's writing that occasions this metaphor, P. J. E. Kail spells out its meaning, the role it plays in Hume's work, and examines how, if at all, what sounds 'projective' in Hume can be reconciled with what sounds 'realist'. In addition to offering some highly original readings of Hume's central ideas, Projection and Realism in Hume's Philosophy offers a detailed examination of the notion of projection and the problems it faces.
Publisher: Clarendon Press
ISBN: 0191614599
Category : Philosophy
Languages : en
Pages : 302
Book Description
In his writings, Hume talks of our 'gilding and staining' natural objects, and of the mind's propensity to 'spread itself' on the world. This has led commentators to use the metaphor of 'projection' in connection with his philosophy: Hume is held to have taught that causal power and self are projections, that God is a projection of our fear, and that value is a projection of sentiment. By considering what it is about Hume's writing that occasions this metaphor, P. J. E. Kail spells out its meaning, the role it plays in Hume's work, and examines how, if at all, what sounds 'projective' in Hume can be reconciled with what sounds 'realist'. In addition to offering some highly original readings of Hume's central ideas, Projection and Realism in Hume's Philosophy offers a detailed examination of the notion of projection and the problems it faces.
David Hume’s Humanity
Author: S. Yenor
Publisher: Springer
ISBN: 1137539593
Category : Political Science
Languages : en
Pages : 253
Book Description
Scott Yenor argues that David Hume's reputation as a skeptic is greatly exaggerated and that Hume's skepticism is a moment leading Hume to defend common life philosophy and the humane commercial republic. Gentle, humane virtues reflect the proper reaction to the complex mixture of human faculties that define the human condition.
Publisher: Springer
ISBN: 1137539593
Category : Political Science
Languages : en
Pages : 253
Book Description
Scott Yenor argues that David Hume's reputation as a skeptic is greatly exaggerated and that Hume's skepticism is a moment leading Hume to defend common life philosophy and the humane commercial republic. Gentle, humane virtues reflect the proper reaction to the complex mixture of human faculties that define the human condition.
Hume's Science of Human Nature
Author: David Landy
Publisher: Routledge
ISBN: 9780367891718
Category :
Languages : en
Pages : 278
Book Description
Hume's Science of Human Nature is an investigation of the philosophical commitments underlying Hume's methodology in pursuing what he calls 'the science of human nature'. It argues that Hume understands scientific explanation as aiming at explaining the inductively-established universal regularities discovered in experience via an appeal to the nature of the substance underlying manifest phenomena. For years, scholars have taken Hume to employ a deliberately shallow and demonstrably untenable notion of scientific explanation. By contrast, Hume's Science of Human Nature sets out to update our understanding of Hume's methodology by using a more sophisticated picture of science as a model.
Publisher: Routledge
ISBN: 9780367891718
Category :
Languages : en
Pages : 278
Book Description
Hume's Science of Human Nature is an investigation of the philosophical commitments underlying Hume's methodology in pursuing what he calls 'the science of human nature'. It argues that Hume understands scientific explanation as aiming at explaining the inductively-established universal regularities discovered in experience via an appeal to the nature of the substance underlying manifest phenomena. For years, scholars have taken Hume to employ a deliberately shallow and demonstrably untenable notion of scientific explanation. By contrast, Hume's Science of Human Nature sets out to update our understanding of Hume's methodology by using a more sophisticated picture of science as a model.
Hume's Sceptical Enlightenment
Author: Ryu Susato
Publisher: Edinburgh University Press
ISBN: 0748699813
Category : Philosophy
Languages : en
Pages : 362
Book Description
Demonstrates the uniqueness of Hume as an Enlightenment thinker, illustrating how his 'spirit of scepticism' often leads him into seemingly paradoxical positions. This book will be of interest to Hume scholars, intellectual historians of 17th- to 19th-century Europe and those interested in the Enlightenment more widely.
Publisher: Edinburgh University Press
ISBN: 0748699813
Category : Philosophy
Languages : en
Pages : 362
Book Description
Demonstrates the uniqueness of Hume as an Enlightenment thinker, illustrating how his 'spirit of scepticism' often leads him into seemingly paradoxical positions. This book will be of interest to Hume scholars, intellectual historians of 17th- to 19th-century Europe and those interested in the Enlightenment more widely.