Images of Victorian Womanhood in English Art PDF Download
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Author: Susan P. Casteras
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
Author: Susan P. Casteras
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
Author: Susan P. Casteras
Publisher:
ISBN: 9780930606367
Category : Art, British
Languages : en
Pages : 103
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Book Description
Author: Deborah Cherry
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Looks at the experience of women painters within the oppressive confines of the Victorian patriarchy. Using biographies, journals and letters, Cherry shows how their working lives were shaped by the social order of difference.
Author: Jo Devereux
Publisher: McFarland
ISBN: 1476626049
Category : Art
Languages : en
Pages : 265
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Book Description
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Author: Clarissa Campbell Orr
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Examines the ideology of women's art practice and their position in the art world of Victorian Britain in relation to codes of femininity and feminist movements.
Author: Susan P. Casteras
Publisher:
ISBN:
Category :
Languages : en
Pages : 103
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Book Description
Author:
Publisher: Routledge
ISBN: 1351553151
Category : Art
Languages : en
Pages : 217
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Book Description
During the Victorian period there developed a new anxiety about male-female relations and roles in modern society, as described by a member of the Athenaeum in 1858, ?the distinction of man and woman, their separate as well as their joint rights, begins to occupy the attention of our whole community, and with no small effect?. These essays examine Victorian painting in the light of this 'woman question' by analysing the change in representation of the family, romance, social issues such as emigration and colonialism, the use of the female nude and the traditions of portraiture, history-painting and still life. The art and artists are considered in a socio-political context, and the connections between Victorian sexism, racism and classism are examined. These essays bring to light much previously unknown work (especially by women) and reappraise many well-known paintings.
Author: Pamela Gerrish Nunn
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Maria Quirk
Publisher: Bloomsbury Publishing USA
ISBN: 1501343076
Category : Art
Languages : en
Pages : 249
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Book Description
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
Author: Lynn Mae Alexander
Publisher: Ohio University Press
ISBN: 0821414933
Category : Art and literature
Languages : en
Pages : 266
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Book Description
In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
