Images of the City in Nineteenth-century France PDF Download
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Author: John West-Sooby
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Author: John West-Sooby
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Daniel Sipe
Publisher: Routledge
ISBN: 131704570X
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
In the decades after the French Revolution, philosophers, artists, and social scientists set out to chart and build a way to a new world and their speculative blueprints circulated like banknotes in a parallel economy of ideas. Examining representations of ideal societies in nineteenth-century French culture, Daniel Sipe argues that the dream-image of the literary or art-historical utopia does not disappear but rather is profoundly altered by its proximity to the social utopianism of the day. Sipe focuses on this persistent afterlife in utopias ranging from François-René de Chateaubriand’s Amerindian utopia in Atala (1801) to the utopian spoof of J.J. Grandville’s illustrated novel Un autre monde (1844). He proposes a new reading of Etienne Cabet’s seminal utopian novel, Voyage en Icarie (1840) and offers an original perspective on the gendered utopias of technological inspiration that authors such as Charles Barbara and Auguste Villiers de l’Isle-Adam penned in the second half of the century. In addition, Sipe considers utopias or important readings of the century’s rampant utopianism in, among others, Victor Hugo, Alfred de Vigny, Théophile Gautier, Charles Baudelaire, and Gustave Courbet. His book provides the historical context for comprehending the significance and implications of this enigmatic afterlife in nineteenth-century utopian art and literature.
Author: John Merriman
Publisher: Routledge
ISBN: 135102440X
Category : History
Languages : en
Pages : 231
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Book Description
Originally published in 1981, French Cities in the Nineteenth Century analyses large-scale processes of social change, and looks at how this affected the growth of towns and cities of nineteenth century France. The book addresses how this change affected the politics of life in France during the nineteenth century, as well as how the city was organised. Urbanization created new uses of space, and new concerns for the people that lived among them and the book looks at how social change was a collective experience for the people of France and how this transformed the societies in which they lived.
Author: Sarah Kennel
Publisher: University of Chicago Press
ISBN: 9780226092782
Category : ART
Languages : en
Pages : 0
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Book Description
"Exhibition dates: National Gallery of Art, Washington, September 29, 2013-January 5, 2014, The Metropolitan Museum of Art, New York, January 27-May 4, 2014, National Gallery of Canada, Ottawa, June 13-September 14, 2014"--Title page verso.
Author: Isaac Asimov
Publisher: Owl Books
ISBN: 9780805001204
Category : Social Science
Languages : en
Pages : 96
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Book Description
Illustrations created in France to celebrate the turn of the century, show scenes depicting the future of air travel, helicopters, undersea colonies, agriculture and the radio
Author: Catherine E. Clark
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329
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Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
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Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606064827
Category : Art
Languages : en
Pages : 186
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Book Description
Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed, innovation became the rule, as artists developed their own unique—and often experimental—processes. The exploration of black media in drawing is inextricably bound up with the exploration of black in prints, and this volume presents an integrated study that rises above specialization in one over the other. Noir brings together such diverse artists as Francisco de Goya, Maxime Lalanne, Gustave Courbet, Odilon Redon, and Georges Seurat and explores their inventive works on paper. Sidelining labels like “conservative” or “avant-garde,” the essays in this book employ all the tools that art history and modern conservation have given us, inviting the reader to look more broadly at the artists’ methods and materials. This volume accompanies an eponymous exhibition on view at the J. Paul Getty Museum from February 9 to May 15, 2016.
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 1351575988
Category : Travel
Languages : en
Pages : 217
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Book Description
Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England?the two countries where photography was invented?and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873275
Category : Photography
Languages : en
Pages : 1629
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
