Author: AA.VV.
Publisher: Accademia University Press
ISBN:
Category : History
Languages : en
Pages : 274
Book Description
This volume aims to contribute to the contemporary debate on the history of monarchy. The images of the Italian, Spanish and Portuguese crowns in the nineteenth and twentieth centuries are interpreted in accordance with classic historiographical interpretations and new methodological frontiers: roles, gender, interpretation; place, heritage and representation.
Images of Royalty in the Nineteenth and Twentieth Centuries
Author: AA.VV.
Publisher: Accademia University Press
ISBN:
Category : History
Languages : en
Pages : 274
Book Description
This volume aims to contribute to the contemporary debate on the history of monarchy. The images of the Italian, Spanish and Portuguese crowns in the nineteenth and twentieth centuries are interpreted in accordance with classic historiographical interpretations and new methodological frontiers: roles, gender, interpretation; place, heritage and representation.
Publisher: Accademia University Press
ISBN:
Category : History
Languages : en
Pages : 274
Book Description
This volume aims to contribute to the contemporary debate on the history of monarchy. The images of the Italian, Spanish and Portuguese crowns in the nineteenth and twentieth centuries are interpreted in accordance with classic historiographical interpretations and new methodological frontiers: roles, gender, interpretation; place, heritage and representation.
A Royal Passion
Author: Anne M. Lyden
Publisher: Getty Publications
ISBN: 1606061550
Category : Photography
Languages : en
Pages : 232
Book Description
In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.
Publisher: Getty Publications
ISBN: 1606061550
Category : Photography
Languages : en
Pages : 232
Book Description
In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.
Illustrating Camelot
Author: Barbara Tepa Lupack
Publisher: Boydell & Brewer Ltd
ISBN: 1843841835
Category : Art
Languages : en
Pages : 282
Book Description
An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.
Publisher: Boydell & Brewer Ltd
ISBN: 1843841835
Category : Art
Languages : en
Pages : 282
Book Description
An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.
Shahnama
Author: Robert Hillenbrand
Publisher: Routledge
ISBN: 1351548921
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Shahnama: The Visual Language of the Persian Book of Kings presents the first comprehensive examination of the interplay between text and image in the celebrated Persian national epic, the Shahnama, written by the poet Firdausi of Tus. The Shahnama is one of the longest poems ever composed and recounts the history of Iran from the dawn of time to the Muslim Arab conquests of the seventh century AD. There is no Persian text, in prose or poetry, which has been so frequently and lavishly illustrated. Offering fresh insights through a range of varied art-historical approaches to the Shahnama, the essays in this volume reveal how the subtle alterations in text and image serve to document changes in taste and style and can be understood as reflections of the changing role of the national epic in the imagination of Iranians and the equally changing messages - often political in nature - which the familiar stories were made to convey over the centuries.
Publisher: Routledge
ISBN: 1351548921
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Shahnama: The Visual Language of the Persian Book of Kings presents the first comprehensive examination of the interplay between text and image in the celebrated Persian national epic, the Shahnama, written by the poet Firdausi of Tus. The Shahnama is one of the longest poems ever composed and recounts the history of Iran from the dawn of time to the Muslim Arab conquests of the seventh century AD. There is no Persian text, in prose or poetry, which has been so frequently and lavishly illustrated. Offering fresh insights through a range of varied art-historical approaches to the Shahnama, the essays in this volume reveal how the subtle alterations in text and image serve to document changes in taste and style and can be understood as reflections of the changing role of the national epic in the imagination of Iranians and the equally changing messages - often political in nature - which the familiar stories were made to convey over the centuries.
Jesus Beyond Nationalism
Author: Halvor Moxnes
Publisher: Routledge
ISBN: 1134939000
Category : Religion
Languages : en
Pages : 191
Book Description
The study of Jesus has rarely looked at its own scholarly context, at how the representation of Jesus might be shaped by those who study him. 'Jesus beyond Nationalism' examines how - since the beginnings of historical Jesus studies in the nineteenth century - representations of Jesus have been used to promote hegemonic or mono-cultural views. The ideology behind such representation has operated to deny difference in society, difference in terms of race, ethnicity, gender, and sexuality. Examining depictions of Jesus in a range of contexts - from the Russian Christ and Jesus as 'Holy Anarchist' to Jesus in Muslim thought - Jesus Beyond Nationalism reveals the politics behind the ways in which Jesus has been constructed and presented.
Publisher: Routledge
ISBN: 1134939000
Category : Religion
Languages : en
Pages : 191
Book Description
The study of Jesus has rarely looked at its own scholarly context, at how the representation of Jesus might be shaped by those who study him. 'Jesus beyond Nationalism' examines how - since the beginnings of historical Jesus studies in the nineteenth century - representations of Jesus have been used to promote hegemonic or mono-cultural views. The ideology behind such representation has operated to deny difference in society, difference in terms of race, ethnicity, gender, and sexuality. Examining depictions of Jesus in a range of contexts - from the Russian Christ and Jesus as 'Holy Anarchist' to Jesus in Muslim thought - Jesus Beyond Nationalism reveals the politics behind the ways in which Jesus has been constructed and presented.
Native Arts Of North America, Africa, And The South Pacific
Author: George A. Corbin
Publisher: Routledge
ISBN: 0429973055
Category : Art
Languages : en
Pages : 648
Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Publisher: Routledge
ISBN: 0429973055
Category : Art
Languages : en
Pages : 648
Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Concise Encyclopedia of Mexico
Author: Michael Werner
Publisher: Routledge
ISBN: 1135973709
Category : Business & Economics
Languages : en
Pages : 1016
Book Description
Concise Encyclopedia of Mexico includes approximately 250 articles on the people and topics most relevant to students seeking information about Mexico. Although the Concise version is a unique single-volume source of information on the entire sweep of Mexican history-pre-colonial, colonial, and moderns-it will emphasize events that affecting Mexico today, event students most need to understand.
Publisher: Routledge
ISBN: 1135973709
Category : Business & Economics
Languages : en
Pages : 1016
Book Description
Concise Encyclopedia of Mexico includes approximately 250 articles on the people and topics most relevant to students seeking information about Mexico. Although the Concise version is a unique single-volume source of information on the entire sweep of Mexican history-pre-colonial, colonial, and moderns-it will emphasize events that affecting Mexico today, event students most need to understand.
The Image of Georgian Bath 1700-2000
Author: Peter Borsay
Publisher: OUP Oxford
ISBN: 0191542105
Category : History
Languages : en
Pages : 450
Book Description
This interdisciplinary study explores the evolution, structure, and uses of the image of Georgian Bath, from its genesis in the eighteenth century to its renaissance in the twentieth century. In recent decades there has been both a popular resurgence of interest in heritage and tradition, and a growing academic awareness of the power of imagery in shaping the lives of individuals and societies. There is perhaps no city in Britain so saturated in history and layered with historic imagery as Bath. It therefore provides an ideal case-study to investigate the dynamic fusion and impact of the forces of past and representation. The dominant perception of Bath today is that of a classical and particularly Georgian city. In this stimulating and scholarly study, Peter Borsay examines the construction and development of this image. Its principal components, biography and architecture, are explored, together with the media through which it was constructed and transmitted, as well as its commercial, social, political, and psychological uses. Dr Borsay concludes by relating the findings for Bath to current debates on towns, heritage, and the nature of history.
Publisher: OUP Oxford
ISBN: 0191542105
Category : History
Languages : en
Pages : 450
Book Description
This interdisciplinary study explores the evolution, structure, and uses of the image of Georgian Bath, from its genesis in the eighteenth century to its renaissance in the twentieth century. In recent decades there has been both a popular resurgence of interest in heritage and tradition, and a growing academic awareness of the power of imagery in shaping the lives of individuals and societies. There is perhaps no city in Britain so saturated in history and layered with historic imagery as Bath. It therefore provides an ideal case-study to investigate the dynamic fusion and impact of the forces of past and representation. The dominant perception of Bath today is that of a classical and particularly Georgian city. In this stimulating and scholarly study, Peter Borsay examines the construction and development of this image. Its principal components, biography and architecture, are explored, together with the media through which it was constructed and transmitted, as well as its commercial, social, political, and psychological uses. Dr Borsay concludes by relating the findings for Bath to current debates on towns, heritage, and the nature of history.
Public Images
Author: Ryan Linkof
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
Publisher: Routledge
ISBN: 1000211452
Category : Language Arts & Disciplines
Languages : en
Pages : 254
Book Description
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.