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Author: Bryan Giemza
Publisher: LSU Press
ISBN: 0807167959
Category : Photography
Languages : en
Pages : 0
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Book Description
In the 1930s, the U.S. government famously sent photographers across the country to document on film the need for federal assistance in rural areas. Dorothea Lange’s well-known image Migrant Mother came from this effort, along with thousands of other photographs. Ben Shahn, Russell Lee, and Marion Post Wolcott contributed to this compelling body of images. As primary photographers for the Farm Security Administration (FSA) in the state of Louisiana, the three took more than 2,600 photographs, recording the modest homes, family gatherings, and working lives of citizens across the state. In Images of Depression-Era Louisiana, Bryan Giemza and Maria Hebert-Leiter curate more than 150 of those photographs, offering a riveting collection that captures this pivotal time in Louisiana’s history. The book’s stunning photo gallery, with original captions, provides a moving visual tour of Louisiana during a period of economic struggle and transition. Organized by photographer, parish, and date, the revealing images reflect an era when extreme poverty exacerbated the divide between classes and races. Scenes of agricultural and rural communities—families in clapboard houses, sugarcane cutters in the field, and trappers navigating bayous—as well as cityscapes of New Orleans’s bustling markets, busy docks, and peaceful Jackson Square demonstrate the scope of the photographers’ work and the diversity of conditions and occupations they found. Giemza and Hebert-Leiter trace the genesis of the FSA Collection, examine its role in promoting the documentary style of picture-taking, and explore the motivations and methods of the collection’s head, Roy E. Stryker. They sketch the biographies, techniques, and perspectives of Shahn, Lee, and Wolcott, explaining how the photographers operated in Louisiana from their first experiences to their last days in the state. Letters and other archival documents further illuminate the three artists’ impressions of Louisiana, its people, and its traditions.
Author: Bryan Giemza
Publisher: LSU Press
ISBN: 0807167959
Category : Photography
Languages : en
Pages : 0
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Book Description
In the 1930s, the U.S. government famously sent photographers across the country to document on film the need for federal assistance in rural areas. Dorothea Lange’s well-known image Migrant Mother came from this effort, along with thousands of other photographs. Ben Shahn, Russell Lee, and Marion Post Wolcott contributed to this compelling body of images. As primary photographers for the Farm Security Administration (FSA) in the state of Louisiana, the three took more than 2,600 photographs, recording the modest homes, family gatherings, and working lives of citizens across the state. In Images of Depression-Era Louisiana, Bryan Giemza and Maria Hebert-Leiter curate more than 150 of those photographs, offering a riveting collection that captures this pivotal time in Louisiana’s history. The book’s stunning photo gallery, with original captions, provides a moving visual tour of Louisiana during a period of economic struggle and transition. Organized by photographer, parish, and date, the revealing images reflect an era when extreme poverty exacerbated the divide between classes and races. Scenes of agricultural and rural communities—families in clapboard houses, sugarcane cutters in the field, and trappers navigating bayous—as well as cityscapes of New Orleans’s bustling markets, busy docks, and peaceful Jackson Square demonstrate the scope of the photographers’ work and the diversity of conditions and occupations they found. Giemza and Hebert-Leiter trace the genesis of the FSA Collection, examine its role in promoting the documentary style of picture-taking, and explore the motivations and methods of the collection’s head, Roy E. Stryker. They sketch the biographies, techniques, and perspectives of Shahn, Lee, and Wolcott, explaining how the photographers operated in Louisiana from their first experiences to their last days in the state. Letters and other archival documents further illuminate the three artists’ impressions of Louisiana, its people, and its traditions.
Author: E. Hollace Busbice
Publisher: University of Southwestern Louisiana
ISBN: 9780940984455
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
A family's eventual triumph over the impoverished circumstances.
Author: Lillian Laird Duff
Publisher:
ISBN: 9781947987036
Category :
Languages : en
Pages : 164
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Book Description
A Family's history lives and dies according to the dedication of it's storyteller. author Lillian Laird Duff is one such historian and with the encouragement and help of her daughter Linda Duff Niemeir, the stories of this sharecropper's daughter will spark in readers the desire to keep their own family histories alive. Sharecropping in North Louisiana is the true story of the hardships Lillian's family faced during the Great Depression and World War I I. The word-pictures Lillian paints are vivid and will bring to life for readers a time when people were forced to get by with what they had. It will also leave readers hungry for a home-cooked meal, as Lillian recalls food preparation on the farm with such richness and delight that you can almost smell the smoked pork and taste the homemade ice cream and butter. Join Linda in listening to her mother's stories once more.
Author: Karen Cox
Publisher: LSU Press
ISBN: 0807169234
Category : History
Languages : en
Pages : 376
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Book Description
Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.
Author: Walker Evans
Publisher: Schirmer/Mosel
ISBN:
Category : Depressions
Languages : en
Pages : 204
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Book Description
Author: Paul Ashdown
Publisher: SIU Press
ISBN: 0809337894
Category : History
Languages : en
Pages : 264
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Book Description
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Author: Lillian Laird Duff
Publisher: Tate Publishing & Enterprises
ISBN: 9781606049136
Category : Sharecropping
Languages : en
Pages : 0
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Book Description
A family's history lives and dies according to the dedication of its storyteller. Author Lillian Laird Duff is one such historian, and with the encouragement and help of her daughter Linda Duff Niemeir, the stories of this sharecropper's daughter will spark in readers the desire to keep their own family histories alive. Sharecropping in North Louisiana is the true story of the hardship Lillian's family faced during the Great Depression and World War II. The word-pictures Lillian paints are vivid and will bring to life for readers a time when people were forced to get by with what they had. It will also leave readers hungry for a home-cooked meal, as Lillian recalls food preparation on the farm with such richness and delight that you can almost smell the smoked pork and taste the homemade ice cream and butter. Join Linda in listening to her mother's stories once more.
Author: Kathleen Thompson
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 224
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Book Description
During the Depression, Roy Emerson Stryker, head of the Farm Security Administration Historical Section, hired some of the best photographers in the United States--including Dorothea Lange, Gordon Parks, Walker Evans, Ben Shahn, Marion Post Walcott, John Delano, John Vachon, and Arthur Rothstein--to record the state of the country during its direst days. While Stryker made many demands on his photographers, he also gave them a great deal of freedom. Asking for sociology, he received great art. It is that combination which makes the FSA collection so special. A goal of the FSA photographers was to inspire the country to care about the people the New Deal programs were trying to help. With regard to children, they were masterful. The photographs show us the young of every ethnicity living in conditions we associate today with Third World countries. Behind virtually every shot taken of a child by these remarkable chroniclers is the dream of a world in which childhood is a time of play, happiness, and safety. The reality, shown in the photographs assembled in Children of the Depression, reveals the betrayal of that dream. But the pictures also are a testament to resilience and hope. Editors Kathleen Thompson and Hilary Mac Austin have chosen images that represent different regions and ethnic backgrounds. Some pictures may challenge preconceptions about the Depression era; others will give concrete meaning to the facts and figures that we know about deprivation and hardship. Thompson and Austin use a few of the very familiar FSA photographs, in addition to many pictures that have seldom or never been published. More than 100 black-and-white images are arranged by category, each chapter depicting a specific element of the daily lives of children. Although the photographs are the defining feature of the book, compelling quotes transcribed by social workers of the era are interspersed throughout. Children of the Depression will appeal to lovers of great photography. It will also serve as graphic representation for the generations that followed of the conditions that formed the values and aspirations of many of their parents and grandparents.
Author: Doug MacCash
Publisher: LSU Press
ISBN: 0807177520
Category : History
Languages : en
Pages : 157
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Book Description
Beads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman’s trumpet. They are Louisiana’s version of the Hawaiian lei, strung around tourists’ and conventioneers’ necks to demonstrate enthusiasm for the city. The first in a new LSU Press series exploring facets of Louisiana’s iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. Beads are a big business based on valuelessness. Approximately 130 shipping containers, each filled with 40,000 pounds of Chinese-made beads and other baubles, arrive at New Orleans’s biggest Mardi Gras throw importer each Carnival season. Beads are an unnatural part of the natural landscape, persistently dangling from the trees along parade routes like Spanish moss. They clutter the doorknobs of the city, sway behind its rearview mirrors, test the load-bearing strength of its attic rafters, and clog its all-important rainwater removal system. Mardi Gras Beads traces the history of these parade trinkets from their origins before World War One through their ascent to the premier parade catchable by the Depression era. Veteran Mardi Gras reporter Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.
Author: David Ebner
Publisher: Bloomsbury Publishing USA
ISBN: 0313016976
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
From the 1920s and 1930s, when American cinema depicted the South as a demi-paradise populated by wealthy landowners, glamorous belles, and happy slaves, through later, more realistic depictions of the region in films based on works by Erskine Caldwell, Tennessee Williams, William Faulkner, and Robert Penn Warren, Hollywood's view of the South has been as ever-changing as the place itself. This comprehensive reference guide to Southern films offers credits, plot descriptions, and analyses of how the stereotypes and characterizations in each film contribute to our understanding of a most contentious American time and place. Organized by subjects including Economic Conditions, Plantation Life, The Ku Klux Klan, and The New Politics, Hollywood's Image of the South seeks to coin a new genre by describing its conventions and attitudes. Even so, the Southern film crosses all known generic boundaries, including the comedy, the women's film, the noir, and many others. This invaluable guide to an under-recognized category of American cinema illustrates how much there is to learn about a time and place from watching the movies that aim to capture it.
