Author: Ji Lee
Publisher:
ISBN: 9781101542279
Category : English language
Languages : en
Pages :
Book Description
"Challenge: Create an image out of a word, using only the letters in the word itself. Rule: Use only the graphic elements of the letters without adding outside parts. Word as Image invites you to see letters beyond their utilitarian dullness. It's about discovering the magic behind the unique shapes and infinite possibilities of letters and words. This book showcases nearly 100 of Ji Lee's head-scratching word images, along with tips to help you create your own and share them at www.wordasimage.com."--Page 4 of cover.
Word as Image
Imaged Words & Worded Images
Author: Richard Kostelanetz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Words and Images on the Screen
Author: Ágnes Pethő
Publisher: Cambridge Scholars Publishing
ISBN: 1443806277
Category : Performing Arts
Languages : en
Pages : 405
Book Description
The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of specific national cinemas? In what way are written texts used in films? Is the model of the word and image relations used in silent films still applicable today? What major paradigms can be discerned within the multiplicity of ways Jean-Luc Godard’s cinema plays with words and images? Are these models of modernist or postmodern cinema reflected in films of other directors like R. W. Fassbinder? How do avant-garde works deal with the word and image debate? What are the connections of animation or computer games with verbal text and narrative? What is the phenomenon of jet-setting and how does it connect to the ideological implications of the relations between the culture of books and films? What happens when Hamlet is completely rewritten reflecting the ideology of late capitalism? What happens from the point of view of literariness or rejection of literariness when films are made vehicles of national propaganda? How do words get mediated through images? These are some of the questions addressed in the present volume by in-depth case studies of cinematic intermediality or more general surveys regarding cinema’s long lasting liaisons with language or literature.
Publisher: Cambridge Scholars Publishing
ISBN: 1443806277
Category : Performing Arts
Languages : en
Pages : 405
Book Description
The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of specific national cinemas? In what way are written texts used in films? Is the model of the word and image relations used in silent films still applicable today? What major paradigms can be discerned within the multiplicity of ways Jean-Luc Godard’s cinema plays with words and images? Are these models of modernist or postmodern cinema reflected in films of other directors like R. W. Fassbinder? How do avant-garde works deal with the word and image debate? What are the connections of animation or computer games with verbal text and narrative? What is the phenomenon of jet-setting and how does it connect to the ideological implications of the relations between the culture of books and films? What happens when Hamlet is completely rewritten reflecting the ideology of late capitalism? What happens from the point of view of literariness or rejection of literariness when films are made vehicles of national propaganda? How do words get mediated through images? These are some of the questions addressed in the present volume by in-depth case studies of cinematic intermediality or more general surveys regarding cinema’s long lasting liaisons with language or literature.
Words and Images
Author: Christopher Gauker
Publisher: Oxford University Press, USA
ISBN: 0199599467
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Book Description
For centuries philosophers have attempted to derive concepts from perceptual representations but have failed to explain how the mind generates the building blocks of thought. Gauker addresses this problem in a new account of imagistic cognition. He shows that much of cognition occurs by means of mental imagery, without the help of concepts.
Publisher: Oxford University Press, USA
ISBN: 0199599467
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Book Description
For centuries philosophers have attempted to derive concepts from perceptual representations but have failed to explain how the mind generates the building blocks of thought. Gauker addresses this problem in a new account of imagistic cognition. He shows that much of cognition occurs by means of mental imagery, without the help of concepts.
Pictures Into Words
Author: Ari J. Blatt
Publisher: U of Nebraska Press
ISBN: 0803238053
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
The explosive proliferation of pictures in advertising and pop culture, mass media, and cyberspace following World War II, along with the profusion of critical thinking that tries to make sense of it, has had wide-ranging implications for cultural production as such. Pictures into Words explores how this proliferation of graphic images has profoundly affected narrative writing in France, especially, as Ari J. Blatt argues, the structure, content, and symbolic logic of contemporary French fiction. By examining a specific corpus of narratives by authors Claude Simon, Georges Perec, Pierre Michon, and Tanguy Viel—books that originate amid, conjure up, and indeed are essentially about pictures—Blatt addresses the most salient questions pertaining to the relationship between literature and visual culture today. Each of the novels considered here engages the work of several postwar artists, from Robert Rauschenberg, Andy Warhol, Vincent van Gogh, and Orson Welles to Jeff Koons, Joseph L. Mankiewicz, Pierre Huyghe, and Marcel Duchamp. As Blatt’s cross-disciplinary readings show, despite their gleeful raiding of the visual archive to generate and enrich their stories, many contemporary narratives that tell tales about pictures simultaneously express a cautious skepticism toward vision and visual representation. Pictures into Words examines how such novels, while seemingly complicit with the visual, simultaneously “write back” against the images they exploit, reclaiming some of literature’s lost ground in our visually inundated world.
Publisher: U of Nebraska Press
ISBN: 0803238053
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
The explosive proliferation of pictures in advertising and pop culture, mass media, and cyberspace following World War II, along with the profusion of critical thinking that tries to make sense of it, has had wide-ranging implications for cultural production as such. Pictures into Words explores how this proliferation of graphic images has profoundly affected narrative writing in France, especially, as Ari J. Blatt argues, the structure, content, and symbolic logic of contemporary French fiction. By examining a specific corpus of narratives by authors Claude Simon, Georges Perec, Pierre Michon, and Tanguy Viel—books that originate amid, conjure up, and indeed are essentially about pictures—Blatt addresses the most salient questions pertaining to the relationship between literature and visual culture today. Each of the novels considered here engages the work of several postwar artists, from Robert Rauschenberg, Andy Warhol, Vincent van Gogh, and Orson Welles to Jeff Koons, Joseph L. Mankiewicz, Pierre Huyghe, and Marcel Duchamp. As Blatt’s cross-disciplinary readings show, despite their gleeful raiding of the visual archive to generate and enrich their stories, many contemporary narratives that tell tales about pictures simultaneously express a cautious skepticism toward vision and visual representation. Pictures into Words examines how such novels, while seemingly complicit with the visual, simultaneously “write back” against the images they exploit, reclaiming some of literature’s lost ground in our visually inundated world.
Ways of Reading Words and Images
Author: David Bartholomae
Publisher: Macmillan
ISBN: 9780312403812
Category : Language Arts & Disciplines
Languages : en
Pages : 484
Book Description
Adapting the methods of the much admired and extremely successful composition anthology Ways of Reading, this brief reader offers eight substantial essays about visual culture (illustrated with evocative photographs) along with demanding and innovative apparatus that engages students in conversations about the power of images.
Publisher: Macmillan
ISBN: 9780312403812
Category : Language Arts & Disciplines
Languages : en
Pages : 484
Book Description
Adapting the methods of the much admired and extremely successful composition anthology Ways of Reading, this brief reader offers eight substantial essays about visual culture (illustrated with evocative photographs) along with demanding and innovative apparatus that engages students in conversations about the power of images.
Images and Words
Author: Dream Theater (Musical group)
Publisher: Alfred Publishing Company
ISBN: 9780897240307
Category : Music
Languages : en
Pages : 132
Book Description
Dream Theater have helped redefine progressive for the '90s. This album-matching folio is ideal for any serious-minded musician ready for a creative challenge. Selections are: Another Day * Learning to Live * Metropolis - Part 1 (The Miracle and the Sleeper) * Pull Me Under * Surrounded * Take the Time and others.
Publisher: Alfred Publishing Company
ISBN: 9780897240307
Category : Music
Languages : en
Pages : 132
Book Description
Dream Theater have helped redefine progressive for the '90s. This album-matching folio is ideal for any serious-minded musician ready for a creative challenge. Selections are: Another Day * Learning to Live * Metropolis - Part 1 (The Miracle and the Sleeper) * Pull Me Under * Surrounded * Take the Time and others.
A Child's Book of Art
Author: Lucy Micklethwait
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9781564582034
Category : Art
Languages : en
Pages : 0
Book Description
"An introduction to art that uses well-known works of art to illustrate familiar words" -- Title page verso.
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9781564582034
Category : Art
Languages : en
Pages : 0
Book Description
"An introduction to art that uses well-known works of art to illustrate familiar words" -- Title page verso.
A Book of Her Own
Author: Leny Mendoza Strobel
Publisher:
ISBN:
Category : Decolonization
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Decolonization
Languages : en
Pages : 232
Book Description
Word and image
Author: The Open University
Publisher: The Open University
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Thisÿ15-hourÿfree course explored how typography and images can be combined to improve literary creativity and communication with the reader.
Publisher: The Open University
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Thisÿ15-hourÿfree course explored how typography and images can be combined to improve literary creativity and communication with the reader.