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Author: Andrea J. Stone
Publisher: University of Texas Press
ISBN: 0292786972
Category : Social Science
Languages : en
Pages : 649
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Book Description
An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research
Author: Andrea J. Stone
Publisher: University of Texas Press
ISBN: 0292786972
Category : Social Science
Languages : en
Pages : 649
Get Book
Book Description
An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research
Author: David Saunders
Publisher: Getty Publications
ISBN: 1606067346
Category : Art
Languages : en
Pages : 260
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Book Description
Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them. What happens to us when we die? What might the afterlife look like? For the ancient Greeks, the dead lived on, overseen by Hades in the Underworld. We read of famous sinners, such as Sisyphus, forever rolling his rock, and the fierce guard dog Kerberos, who was captured by Herakles. For mere mortals, ritual and religion offered possibilities for ensuring a happy existence in the beyond, and some of the richest evidence for beliefs about death comes from southern Italy, where the local Italic peoples engaged with Greek beliefs. Monumental funerary vases that accompanied the deceased were decorated with consolatory scenes from myth, and around forty preserve elaborate depictions of Hades’s domain. For the first time in over four decades, these compelling vase paintings are brought together in one volume, with detailed commentaries and ample illustrations. The catalogue is accompanied by a series of essays by leading experts in the field, which provides a framework for understanding these intriguing scenes and their contexts. Topics include attitudes toward the afterlife in Greek ritual and myth, inscriptions on leaves of gold that provided guidance for the deceased; funerary practices and religious beliefs in Apulia, and the importance accorded to Orpheus and Dionysos. Drawing from a variety of textual and archaeological sources, this volume is an essential source for anyone interested in religion and belief in the ancient Mediterranean.
Author: Avi Bash and J. Michael Niotta, PhD
Publisher: Arcadia Publishing
ISBN: 1467106380
Category : History
Languages : en
Pages : 128
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Book Description
"From the blackhanders and bootleggers of the early 20th century to political corruption and the rise and eventual toppling of a Mafia family, the history of organized crime in Los Angeles visually chronicled within this work possesses the same level of intrigue, glamour, and murder as the films that made the City of Angels iconic. 'Los Angeles Underworld' showcases an extraordinary collection of rare and previously unpublished images pulled directly from family photo albums and top secret police files."--Back cover
Author: Candice Black
Publisher: Sun Vision Press
ISBN: 9780985762544
Category : Death in art
Languages : en
Pages : 0
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Book Description
Perhaps the most fascinating, provocative and intricately modelled of all images created during the 19th century craze for stereoscopic photography remain those created in Paris from around 1860 onwards, and now known as Diableries (or "devilries"). 19th century France was renowned for its preoccupation with Satanism and death, and these Diableries were a foremost populist expression of this dark undercurrent. The first major, and most famous, series of Diableries was published by Adolph Block in 1868; this series, sub-titled "A Trip To The Underworld", ran to 72 images, each depicting a view of Hell. Each scenario, usually featuring Satan and a host of skeletons, lesser demons and other weird creatures, was hand-sculpted in clay before being photographed. The two main sculptors who worked on the series were Louis Alfred Habert and Pierre Adolph Hennetier. Habert and Hennetier's inspired model-work now stands as a body of incredible Satanic art in its own right, alongside the "Sataniques" paintings of Felicien Rops in the pantheon of diabolic masterpieces. "Diableries: A Trip To The Underworld" is a long-overdue celebration of this art. The 72 images are first shown in their entirety with titling in French and English, and then investigated in detailed close-ups, presenting this dioramic display of the Devil in all its Satanic glory.
Author: Habert Louis Alfred
Publisher: SCB Distributors
ISBN: 1909923680
Category : Art
Languages : en
Pages : 90
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Book Description
Perhaps the most fascinating, provocative and intricately modelled of all images created during the 19th century craze for stereoscopic photography remain those created in Paris from around 1860 onwards, and now known as Diableries (or “devilries”). 19th century France was renowned for its preoccupation with Satanism and death, and these Diableries were a foremost populist expression of this dark undercurrent. The first major, and most famous, series of Diableries was published by Adolph Block in 1868; this series, sub-titled “A Trip To The Underworld”, ran to 72 images, each depicting a scene from Hell. Diableries: A Trip To The Underworld is a long-overdue celebration of this art. The 72 images are first shown in their entirety with titling in French and English, and then investigated in detailed close-ups, presenting this dioramic display of the Devil in all its Satanic glory.
Author: Ashok Kara
Publisher: iUniverse
ISBN: 0595170579
Category : Philosophy
Languages : en
Pages : 450
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Book Description
It is not possible to read Heidegger's text without the image of his arm raised in the Nazi salute haunting it. The image compels us to examine Heidegger's philosophy in terms of its susceptibility to Nazi ideology. Heidegger's philosophy was inscribed at the end of the history of philosophy, a time when Nazism was on the rise and on its way to the renewal of German destiny. In paragraph six of Being and Time Heidegger outlined his agenda for the renewal of philosophy. The renewal necessitated the destruction of the errant history of ontology in order to retrieve the pure primordial experiences. The parallels between the forms of two agendas are coincidental. However, my work shows where they overlapped. I explore the consequence of this overlap by soliciting the 'first' text of philosophy, The Anaximander Fragment, that speaks about justice and injustice. Justice is also at issue in the text of Jacques Derrida. Derrida's primary resource is paragraph six of Heidegger's Being and Time, a fact that caused some of his readers to assimilate him to Heidegger. Derrida has tried to distance himself from Heidegger and in a late text he has offered us the prescriptive phrase, "Deconstruction is justice," to guide our reading of his text. The phrase invites us to examine Derrida's work in light of its saying. This is what I try to do. I show that a separation cannot be accomplished without a price, because whether an author intends it or not, justice is something ghostly and it keeps its own account. Heidegger's arm and Derrida's hand caught in the trap of paragraph six tell another story, different from the stories the authors tell. The limbs tell the story about the ghosts of justice.
Author: Peter Bray
Publisher: BRILL
ISBN: 9004396063
Category : Social Science
Languages : en
Pages : 332
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Book Description
This book offers accounts of scholarly interdisciplinary practices and perspectives that examine and discuss the positive potential of attending to the voices and stories of those who live and work with illness in real world settings.
Author: Øyvind Vågnes
Publisher: University of Texas Press
ISBN: 0292742584
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Winner, Peter C. Rollins Book Award, 2012 As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians. The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11. Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.
Author: Charles L. P. Silet
Publisher: Scarecrow Press
ISBN: 1461672821
Category : Performing Arts
Languages : en
Pages : 318
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Book Description
Steven Spielberg has fashioned an enviable career as a writer, producer, and director of American motion pictures, winning Academy Awards for Best Direction (Saving Private Ryan, Schindler's List), and for Best Film (Schindler's List). With David Geffen and Jeffrey Katzenberg he founded Dreamworks SKG, already one of the most productive and respected studios in Hollywood. Despite Spielberg's notable successes, however, his films have not avoided controversy. The Films of Steven Spielberg provides for the first time a collection of critical writings by professional film critics about the director and his films, bringing together many articles and reviews scattered in often inaccessible specialist publications and professional journals. The opinions vary from complimentary to critical, but they definitely provide a well-rounded view of the films and the director. Twelve of Spielberg's major box office hits, including Jaws, Raiders of the Lost Ark, E.T: The Extra-Terrestrial, The Color Purple, Empire of the Sun, Jurassic Park, Schindler's List, Amistad, Saving Private Ryan, and Close Encounters of the Third Kind, are discussed in essays that vary in complexity ranging from the heavily theoretical to the more general. This collection of essays, compiled for both film students and professionals in the film industry, attests to the influence of Spielberg and the films that have earned him a significant place in the history of cinema as one of America's most innovative and culturally important filmmakers.
Author: Patrick R. Crowley
Publisher: University of Chicago Press
ISBN: 022664832X
Category : Art
Languages : en
Pages : 337
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Book Description
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
