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Author: Karen A. Weisman
Publisher: University of Pennsylvania Press
ISBN: 1512808857
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature.
Author: Karen A. Weisman
Publisher: University of Pennsylvania Press
ISBN: 1512808857
Category : Literary Criticism
Languages : en
Pages : 244
Get Book Here
Book Description
In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature.
Author: Nahoko Miyamoto Alvey
Publisher: University of Toronto Press
ISBN: 1442690569
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The great Romantic poet Percy Bysshe Shelley had a complicated relationship with the British Empire and the culture of colonialism. Considered politically radical and scandalous in Britain, Shelley lived in self-imposed exile and set much of his writing in foreign places. In Strange Truths in Undiscovered Lands Nahoko Miyamoto Alvey examines the ways in which Shelley developed a 'Romantic geography' to provide visionary alternatives to an earth devastated by a new type of European colonialism and global expansion. Intertextually rich, Alvey's work establishes the context in which poems by Shelley and other Romantics were written by presenting relevant histories, travel texts, scientific writings, and archival material, and are all complemented by postcolonial analysis. Unique in its emphasis on the optimistic and positive aspects of Shelley's poetical works, Strange Truths in Undiscovered Lands offers a different perspective on Romantic Orientalism, and a new look at how the poet imagined the relationship between the Self and the Other. Thorough and original, this book will be of interest to Romanticists, postcolonialists, and anyone interested in alternative responses to acts of colonialism and empire.
Author: Uttara Natarajan
Publisher: John Wiley & Sons
ISBN: 0470766352
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
Author: Jonathan Foltz
Publisher: Oxford University Press
ISBN: 0190676493
Category : Art
Languages : en
Pages : 305
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Book Description
In this provocative and original study, Jonathan Foltz charts the institutional, stylistic and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century.
Author: Herbert F. Tucker
Publisher: Oxford University Press
ISBN: 0199232997
Category : Literary Criticism
Languages : en
Pages : 748
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Book Description
Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.
Author: Nancy Moore Goslee
Publisher: Cambridge University Press
ISBN: 1139936697
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Shelley's drafts and notebooks, which have recently been published for the first time, are very revealing about the creative processes behind his poems, and show - through illustrations and doodles - an unexpectedly vivid visual imagination which contributed greatly to the effect of his poetry. Shelley's Visual Imagination analyzes both verbal script and visual sketches in his manuscripts to interpret the lively personifications of concepts such as 'Liberty', 'Anarchy', or 'Life' in his completed poems. Challenging the persistent assumption that Shelley's poetry in particular, and Romantic poetry more generally, reject the visual for expressive voice or music, this first full-length study of the drafts and notebooks combines criticism with a focus upon bibliographic codes and iconic pages. The product of years of close examination of these remarkable texts, this much-anticipated book will be of great value for all students of Shelley and all those interested in the Romantic process of creation.
Author: M. Lussier
Publisher: Springer
ISBN: 0230119891
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
Romantic Dharma maps the emergence of Buddhism into European consciousness during the first half of the nineteenth century, probes the shared ethical and intellectual commitments embedded in Buddhist and Romantic thought, and proposes potential ways by which those insights translate into contemporary critical and pedagogical practices.
Author: Joel Faflak
Publisher: Cambridge University Press
ISBN: 1139868160
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency.
Author: Leigh E. Schmidt
Publisher: Indiana University Press
ISBN: 0253002184
Category : Religion
Languages : en
Pages : 431
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Book Description
An enlightening look at the surprising connections between spirituality and progressive thought in the United States. Religious liberalism in America is often associated with an ecumenical Protestant establishment. This book, however, draws attention to the broad diversity of liberal cultures that shapes America’s religious movements. The essays gathered here push beyond familiar tropes and boundaries to interrogate religious liberalism’s dense cultural leanings by looking at spirituality in the arts, the politics and piety of religious cosmopolitanism, and the interaction between liberal religion and liberal secularism. Readers will find a kaleidoscopic view of many of the progressive strands of America’s religious past and present in this richly provocative volume.
Author: Sheila A. Spector
Publisher: Routledge
ISBN: 1317061292
Category : Social Science
Languages : en
Pages : 378
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Book Description
The twelve essays in Romanticism/Judaica explore the four major cultural strands that have converged from the French Revolution to the present. The first section, Nationalism and Diasporeanism, contains essays on the diasporean mentality of the Romantics, Byron's attitude towards nationalism, and Polish immigrant Hyman Hurwitz's attempt to gain acceptance among the British by having Coleridge translate his Hebrew elegy for Princess Charlotte. Essays of the second section, Religion and Anti-Semitism, deal with the complexities of Jewish/Christian relations in the Romantic Period. Specifically, they discuss philosopher Solomon Maimon's lack of response to Kant's anti-Semitism, novelist Maria Polack's use of Christian subject matter to combat anti-Semitism, and short-story writer Grace Aguilar's incorporation of the British Bible-centered Evangelical culture, along with various strands of British Romanticism. In the third section, Individualism and Assimilationism, essays consider different ways the Jews were assimilated into the dominant culture, specifically through the theater, sports and and post-Enlightenment philosophy. Finally, the volume concludes with Criticism and Reflection: a revaluation of earlier scholarship on Anglo-Jewish literature; the establishment of Harold Fisch's covenantal hermeneutics as a model for reading Keats; and an analysis of Lionel Trilling, M. H. Abrams, Harold Bloom and Geoffrey Hartman in terms of their Jewish origins, suggesting the further implications for Romanticism as a field.
