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Author: Larry Gross
Publisher: Oxford University Press
ISBN: 0195361849
Category : Social Science
Languages : en
Pages : 401
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Book Description
This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.
Author: Larry Gross
Publisher: Oxford University Press
ISBN: 0195361849
Category : Social Science
Languages : en
Pages : 401
Get Book Here
Book Description
This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.
Author: Larry P. Gross
Publisher: U of Minnesota Press
ISBN: 9780816638253
Category : Language Arts & Disciplines
Languages : en
Pages : 404
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Book Description
'Image Ethics in the Digital Age' brings together leading experts in the fields of journalism, media studies, & law to address the challenges presented by new technology & assess the implications for personal & societal values & behavior.
Author: Patrick Nathan
Publisher: Catapult
ISBN: 1640094547
Category : Social Science
Languages : en
Pages : 240
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Book Description
Susan Sontag meets Hanif Abdurraqib in this fascinating exploration of the unexpected connections between how we consume images and the insidious nature of Fascism. Images come at us quickly, often without context. A photograph of Syrian children suffering in the wake of a chemical attack segues into a stranger’s pristine Instagram selfie. Before we can react to either, a new meme induces a laugh and a share. While such constant give and take might seem innocent, even entertaining, this barrage of content numbs our ability to examine critically how the world, broken down into images, affects us. Images without context isolate us, turning everything we experience into mere transactions. It is exactly this alienation that leaves us vulnerable to fascism—a reactionary politics that is destroying not only our lives and our nations, but also the planet’s very ability to sustain human civilization. Who gets to control the media we consume? Can we intervene, or at least mitigate the influence of constant content? Mixing personal anecdotes with historical and political criticism, Image Control explores art, social media, photography, and other visual mediums to understand how our culture and our actions are manipulated, all the while building toward the idea that if fascism emerges as aesthetics, then so too can anti-fascism. Learning how to ethically engage with the world around us is the first line of defense we have against the forces threatening to tear that world apart.
Author: Asbjørn Grønstad
Publisher: Routledge
ISBN: 0415893828
Category : Art
Languages : en
Pages : 264
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Book Description
Few phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? This collection of essays offers a reappraisal of the increasingly complex relationship between images of pain and the ethics of viewing.
Author: Boaz Hagin
Publisher: Cambridge Scholars Publishing
ISBN: 1443830828
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Just Images: Ethics and the Cinematic charts current developments within the field of ethics and the role it plays in the study of moving images. It is the first collection of essays of its kind that brings together articles by film and media scholars from three continents, and provides multiple points of engagement of film with present and past histories, politics, myth making, and with core aspects of human subjectivity. The essays cover a wide range of topics, such as the European Union; Europe during World War II and after; film genres; the Israeli–Palestinian conflict; early American history, and recent catastrophic events. The collection includes an introductory chapter by Thomas Elsaesser as well as chapters by Kristian Feigelson, Régine-Mihal Friedman, Nurith Gertz and Gal Hermoni, Anton Kaes, Gertrud Koch, Odeya Kohen-Raz, Lihi Nagler, Judd Ne’eman, Bill Nichols, and Janet Walker. The contributors offer different approaches to the issue of film and ethics and ask whether there are specific characteristics of the moving image, or of film scholarship, that relate to ethical issues; and how discussing the engagement of both narrative and documentary film with representations of the Other, trauma, terrorism, the Holocaust, and the Palestinian–Israeli conflict may contribute to the re-shaping of past and current thoughts on these subjects.
Author: Kathleen Burlingame
Publisher: Library Juice Press
ISBN: 9781634001335
Category :
Languages : en
Pages : 0
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Book Description
Author: H. Ray Dunning
Publisher: Wipf and Stock Publishers
ISBN: 1592443761
Category : Religion
Languages : en
Pages : 157
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Book Description
John Wesley strived for a theology--a theology both written and lived--that delicately balanced sanctification and justification. He hoped to uphold both "faith alone" and "holy living." Sadly, says theologian H. Ray Dunning, many of Wesley's followers have not maintained that balance. Some have tended toward legalism, some toward a preoccupation with personal holiness, and others toward social activism with little theological grounding. Dunning believes Wesleyanism possesses the resources to help all Christians "reflect the divine image," and to do so holistically, in all aspects of life. His book incisively examines issues of ethical methodology and then shows how an ethic based on the "Imago Dei" shapes our relation to God, to one another and to the earth. This introduction to and overview of ethics will enlighten and benefit Christians in all traditions, not despite but especially because it is written in the true Wesleyan tradition--passionate, profoundly faithful and plainspoken.
Author: Lisa A. Eckenwiler
Publisher: JHU Press
ISBN: 0801892260
Category : Medical
Languages : en
Pages : 352
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Book Description
Stem cell research. Drug company influence. Abortion. Contraception. Long-term and end-of-life care. Human participants research. Informed consent. The list of ethical issues in science, medicine, and public health is long and continually growing. These complex issues pose a daunting task for professionals in the expanding field of bioethics. But what of the practice of bioethics itself? What issues do ethicists and bioethicists confront in their efforts to facilitate sound moral reasoning and judgment in a variety of venues? Are those immersed in the field capable of making the right decisions? How and why do they face moral challenge—and even compromise—as ethicists? What values should guide them? In The Ethics of Bioethics, Lisa A. Eckenwiler and Felicia G. Cohn tackle these questions head on, bringing together notable medical ethicists and people outside the discipline to discuss common criticisms, the field's inherent tensions, and efforts to assign values and assess success. Through twenty-five lively essays examining the field's history and trends, shortcomings and strengths, and the political and policy interplay within the bioethical realm, this comprehensive book begins a much-needed critical and constructive discussion of the moral landscape of bioethics.
Author: Christopher Meyers
Publisher: Oxford University Press
ISBN: 0199708037
Category : Philosophy
Languages : en
Pages : 393
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Book Description
Since the introduction of radio and television news, journalism has gone through multiple transformations, but each time it has been sustained by a commitment to basic values and best practices. Journalism Ethics is a reminder, a defense and an elucidation of core journalistic values, with particular emphasis on the interplay of theory, conceptual analysis and practice. The book begins with a sophisticated model for ethical decision-making, one that connects classical theories with the central purposes of journalism. Top scholars from philosophy, journalism and communications offer essays on such topics as objectivity, privacy, confidentiality, conflict of interest, the history of journalism, online journalism, and the definition of a journalist. The result is a guide to ethically sound and socially justified journalism-in whatever form that practice emerges. Journalism Ethics will appeal to students and teachers of journalism ethics, as well as journalists and practical ethicists in general.
Author: Luise Knah
Publisher: GRIN Verlag
ISBN: 3656015244
Category : Law
Languages : en
Pages : 8
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Book Description
Essay from the year 2011 in the subject Law - Media, Multimedia Law, Copyright, grade: 1,2, University of New South Wales, Sydney, language: English, abstract: Historically, photographs are considered to deliver an accurate description of a shown event as a ‘snapshot of time’. 1 With digital technology and image alteration programs like Photoshop, this natural assumption has changed. Nowadays, every amateur is able to manipulate pictures and a lot of publications use the technology to enhance their photos. The question if photo manipulation is ethical in general is very broad and depends on the situation. The ethical evaluation in this essay focuses on the problematic application in news rooms. Even the slightest alterations can be considered as a violation of the truthful reportage of an event that has taken place. News organisations act by self-regulating policies and are not restricted by law regarding photo manipulation, including those in Australia. The industry standard is to allow the enhancement of photographs for clarity and definition, but altering the composition is to be frowned upon.2 Journalists have to be cautious about their actions, because faked pictures jeopardize their own reputation as well as the credibility of the publication. Cropping out irrelevant details is a legitimate and well-known practise not only in news, but also in fashion, advertisement or even personal photography. The challenge is to evaluate the shift in the perception of the viewer.
