Author: Damian Gerber
Publisher: SUNY Press
ISBN: 1438473559
Category : Philosophy
Languages : en
Pages : 246
Book Description
Illustrates how the notion of an ecological society remains a decisively political question. The global ecological crisis is upon us. From global warming to the long-term implications of ocean acidification, air and water pollution, deforestation, and the omnipresent dangers of nuclear technology the future of our planetary home is threatened. Yet in the midst of the unfolding crisis, the conventional ideologies of the twentieth century and their representations of nature remain unchallenged by both the defenders of capitalism and capitalism’s most radical critics. The Distortion of Nature’s Image illustrates how the anti-naturalism of late capitalist society, in which nature is reified into the emptiness of mere matter, simply a thing to be dominated, is subtly complemented by the failure of the Left to go both beyond the historic limitations of Marx’s nineteenth-century viewpoint and beyond anarchism’s blind faith in “natural law.” However, an alternative for comprehending nature and the ecological crisis as historical and socialphenomena remains open in the dialectical naturalism of Western Marxism and Murray Bookchin’s social ecology. By examining in closer detail how Bookchin’s social ecology politicizes the concept of nature, as well as how precursory models in Western Marxist thought provide a foundation for this, Damian Gerber illustrates how the notion of an ecological society remains a decisively political question. “There are very few studies that bring anarchism into conversation with an ecological focus. Gerber’s book does this in extraordinary form, offering a critical but balanced overview.” — Simon Springer, author of The Anarchist Roots of Geography: Toward Spatial Emancipation
The Distortion of Nature's Image
Author: Damian Gerber
Publisher: SUNY Press
ISBN: 1438473559
Category : Philosophy
Languages : en
Pages : 246
Book Description
Illustrates how the notion of an ecological society remains a decisively political question. The global ecological crisis is upon us. From global warming to the long-term implications of ocean acidification, air and water pollution, deforestation, and the omnipresent dangers of nuclear technology the future of our planetary home is threatened. Yet in the midst of the unfolding crisis, the conventional ideologies of the twentieth century and their representations of nature remain unchallenged by both the defenders of capitalism and capitalism’s most radical critics. The Distortion of Nature’s Image illustrates how the anti-naturalism of late capitalist society, in which nature is reified into the emptiness of mere matter, simply a thing to be dominated, is subtly complemented by the failure of the Left to go both beyond the historic limitations of Marx’s nineteenth-century viewpoint and beyond anarchism’s blind faith in “natural law.” However, an alternative for comprehending nature and the ecological crisis as historical and socialphenomena remains open in the dialectical naturalism of Western Marxism and Murray Bookchin’s social ecology. By examining in closer detail how Bookchin’s social ecology politicizes the concept of nature, as well as how precursory models in Western Marxist thought provide a foundation for this, Damian Gerber illustrates how the notion of an ecological society remains a decisively political question. “There are very few studies that bring anarchism into conversation with an ecological focus. Gerber’s book does this in extraordinary form, offering a critical but balanced overview.” — Simon Springer, author of The Anarchist Roots of Geography: Toward Spatial Emancipation
Publisher: SUNY Press
ISBN: 1438473559
Category : Philosophy
Languages : en
Pages : 246
Book Description
Illustrates how the notion of an ecological society remains a decisively political question. The global ecological crisis is upon us. From global warming to the long-term implications of ocean acidification, air and water pollution, deforestation, and the omnipresent dangers of nuclear technology the future of our planetary home is threatened. Yet in the midst of the unfolding crisis, the conventional ideologies of the twentieth century and their representations of nature remain unchallenged by both the defenders of capitalism and capitalism’s most radical critics. The Distortion of Nature’s Image illustrates how the anti-naturalism of late capitalist society, in which nature is reified into the emptiness of mere matter, simply a thing to be dominated, is subtly complemented by the failure of the Left to go both beyond the historic limitations of Marx’s nineteenth-century viewpoint and beyond anarchism’s blind faith in “natural law.” However, an alternative for comprehending nature and the ecological crisis as historical and socialphenomena remains open in the dialectical naturalism of Western Marxism and Murray Bookchin’s social ecology. By examining in closer detail how Bookchin’s social ecology politicizes the concept of nature, as well as how precursory models in Western Marxist thought provide a foundation for this, Damian Gerber illustrates how the notion of an ecological society remains a decisively political question. “There are very few studies that bring anarchism into conversation with an ecological focus. Gerber’s book does this in extraordinary form, offering a critical but balanced overview.” — Simon Springer, author of The Anarchist Roots of Geography: Toward Spatial Emancipation
Ecologies of the Moving Image
Author: Adrian J. Ivakhiv
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589061
Category : Performing Arts
Languages : en
Pages : 433
Book Description
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589061
Category : Performing Arts
Languages : en
Pages : 433
Book Description
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
The physics of the developed photographic image
Author: Frank Elmore Ross
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 228
Book Description
Worlds of Natural History
Author: Helen Anne Curry
Publisher: Cambridge University Press
ISBN: 131651031X
Category : Nature
Languages : en
Pages : 683
Book Description
Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.
Publisher: Cambridge University Press
ISBN: 131651031X
Category : Nature
Languages : en
Pages : 683
Book Description
Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.
Nature Exposed
Author: Jennifer Tucker
Publisher: JHU Press
ISBN: 9780801879913
Category : Art
Languages : en
Pages : 330
Book Description
Jennifer Tucker studies the intersecting trajectories of photography and modern science in late Victorian Britain.
Publisher: JHU Press
ISBN: 9780801879913
Category : Art
Languages : en
Pages : 330
Book Description
Jennifer Tucker studies the intersecting trajectories of photography and modern science in late Victorian Britain.
Nature Through Microscope & Camera
Author: Richard Kerr
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 336
Book Description
Ecosee
Author: Sidney I. Dobrin
Publisher: SUNY Press
ISBN: 9781438425849
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
Examines the rhetorical role of images in communicating environmental ideas.
Publisher: SUNY Press
ISBN: 9781438425849
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
Examines the rhetorical role of images in communicating environmental ideas.
The Ideal of Nature
Author: Gregory E. Kaebnick
Publisher: JHU Press
ISBN: 1421400707
Category : Political Science
Languages : en
Pages : 232
Book Description
In this provocative anthology, scholars consider the meaning and merits of “nature” in debates about biotechnology and the environment. Drawing on philosophy, religion, and political science, this book asks what the term “nature” means, how it should be considered, and if it is—even in part—a social construct. The contributors question if the quality of being “natural” is intrinsically valuable. They also discuss whether appeals to nature can and should affect public policy and, if so, whether they are moral trump cards or should instead be weighed against other concerns. Though consensus on these questions remains elusive, this should not be an obstacle to moving the debate forward. By bringing together disparate approaches to addressing these concepts, The Ideal of Nature suggests the possibility of intermediate positions that move beyond the usual full-throated defense and blanket dismissal found in much of the debate. Scholars of bioethics, environmental philosophy, religious studies, sociology, public policy, and political theory will find much merit in this book’s lively discussion.
Publisher: JHU Press
ISBN: 1421400707
Category : Political Science
Languages : en
Pages : 232
Book Description
In this provocative anthology, scholars consider the meaning and merits of “nature” in debates about biotechnology and the environment. Drawing on philosophy, religion, and political science, this book asks what the term “nature” means, how it should be considered, and if it is—even in part—a social construct. The contributors question if the quality of being “natural” is intrinsically valuable. They also discuss whether appeals to nature can and should affect public policy and, if so, whether they are moral trump cards or should instead be weighed against other concerns. Though consensus on these questions remains elusive, this should not be an obstacle to moving the debate forward. By bringing together disparate approaches to addressing these concepts, The Ideal of Nature suggests the possibility of intermediate positions that move beyond the usual full-throated defense and blanket dismissal found in much of the debate. Scholars of bioethics, environmental philosophy, religious studies, sociology, public policy, and political theory will find much merit in this book’s lively discussion.
Picturing Science and Engineering
Author: Felice Frankel
Publisher: Mit Press
ISBN: 9780262038553
Category : PHOTOGRAPHY
Languages : en
Pages : 451
Book Description
A guide to making scientific photographs for presentations, journal submissions, and covers, featuring step-by-step instructions and case studies, by an award-winning science photographer; illustrated in color throughout. One of the most powerful ways for scientists to document and communicate their work is through photography. Unfortunately, most scientists have little or no training in that craft. In this book, celebrated science photographer Felice Frankel offers a guide for creating science images that are both accurate and visually stunning. Picturing Science and Engineering provides detailed instructions for making science photographs using the DSLR camera, the flatbed scanner, and the phone camera. The book includes a series of step-by-step case studies, describing how final images were designed for cover submissions and other kinds of visualizations. Lavishly illustrated in color throughout, the book encourages the reader to learn by doing, following Frankel as she recreates the stages of discovery that lead to a good science visual. Frankel shows readers how to present their work with graphics--how to tell a visual story--and considers issues of image adjustment and enhancement. She describes how developing the right visual to express a concept not only helps make science accessible to nonspecialists, but also informs the science itself, helping scientists clarify their thinking. Within the book are specific URLs where readers can view Frankel's online tutorials--visual "punctuations" of this printed edition. Additional materials, including tutorials and videos, can be found online at the book's website. Published with the help of funding from Furthermore: a program of the J. M. Kaplan fund
Publisher: Mit Press
ISBN: 9780262038553
Category : PHOTOGRAPHY
Languages : en
Pages : 451
Book Description
A guide to making scientific photographs for presentations, journal submissions, and covers, featuring step-by-step instructions and case studies, by an award-winning science photographer; illustrated in color throughout. One of the most powerful ways for scientists to document and communicate their work is through photography. Unfortunately, most scientists have little or no training in that craft. In this book, celebrated science photographer Felice Frankel offers a guide for creating science images that are both accurate and visually stunning. Picturing Science and Engineering provides detailed instructions for making science photographs using the DSLR camera, the flatbed scanner, and the phone camera. The book includes a series of step-by-step case studies, describing how final images were designed for cover submissions and other kinds of visualizations. Lavishly illustrated in color throughout, the book encourages the reader to learn by doing, following Frankel as she recreates the stages of discovery that lead to a good science visual. Frankel shows readers how to present their work with graphics--how to tell a visual story--and considers issues of image adjustment and enhancement. She describes how developing the right visual to express a concept not only helps make science accessible to nonspecialists, but also informs the science itself, helping scientists clarify their thinking. Within the book are specific URLs where readers can view Frankel's online tutorials--visual "punctuations" of this printed edition. Additional materials, including tutorials and videos, can be found online at the book's website. Published with the help of funding from Furthermore: a program of the J. M. Kaplan fund
Fearless Photographer
Author: David M. Wyman
Publisher: Course Technology
ISBN: 9781435460492
Category : Nature photography
Languages : en
Pages : 0
Book Description
Discover the keys to capturing vibrant, compelling nature photographs with insights, tips and examples from a professional photographer and outdoorsman in FEARLESS PHOTOGRAPHER: NATURE. This unique, captivating book is the ideal reference tool for motivating aspiring, novice or more experienced amateur nature photographers alike. FEARLESS PHOTOGRAPHER: NATURE offers a wealth of powerful yet simple photographic techniques as it explores iconic subjects; surveys the latest relevant cameras, lenses and accessories; and examines composition and exposure. Stunning images from nature and memorable photographic examples and stories inspire readers and encourage a fresh, unique approach to connecting with and photographing today's natural world. Readers learn or review the basics of nature photography and master creative techniques that enable them to successfully photograph subjects in nature, including spectacular landscapes, breath-taking wildlife as well as close-ups and reflections. They will also discover how to evaluate and simplify equipment needs and most effectively use today's post-production technology.
Publisher: Course Technology
ISBN: 9781435460492
Category : Nature photography
Languages : en
Pages : 0
Book Description
Discover the keys to capturing vibrant, compelling nature photographs with insights, tips and examples from a professional photographer and outdoorsman in FEARLESS PHOTOGRAPHER: NATURE. This unique, captivating book is the ideal reference tool for motivating aspiring, novice or more experienced amateur nature photographers alike. FEARLESS PHOTOGRAPHER: NATURE offers a wealth of powerful yet simple photographic techniques as it explores iconic subjects; surveys the latest relevant cameras, lenses and accessories; and examines composition and exposure. Stunning images from nature and memorable photographic examples and stories inspire readers and encourage a fresh, unique approach to connecting with and photographing today's natural world. Readers learn or review the basics of nature photography and master creative techniques that enable them to successfully photograph subjects in nature, including spectacular landscapes, breath-taking wildlife as well as close-ups and reflections. They will also discover how to evaluate and simplify equipment needs and most effectively use today's post-production technology.