Image and Meaning in Islamic Art PDF Download
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Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Maryam D. Ekhtiar
Publisher: Metropolitan Museum of Art
ISBN: 1588396304
Category : Art
Languages : en
Pages : 159
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Book Description
"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Yasser Tabbaa
Publisher: New Age International
ISBN: 9781850433927
Category : Architecture
Languages : en
Pages : 234
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Book Description
Momentous developments occurred in the field of Islamic art during the 11th and 12th centuries - developments that were to affect its aesthetic direction for centuries to come, but which sprang from deep within a political and religious clash at the heart of the Muslim world. Iran, Iraq and Syria were to see the flourishing of such devises as proportional calligraphy, vegetal and geometric arabesque and muqarnas (stalactite) vaulting, but these innovations were propagated in a highly confrontational atmosphere that pitched the traditional Sunnism of the Abbasid Caliphate against the heterodox Fatimids of Egypt.
Author: Erica Cruikshank Dodd
Publisher: Syracuse University Press
ISBN:
Category : Architecture
Languages : en
Pages : 108
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Book Description
Volume I is designed to be read by itself, but it presents the arguments and conclusions drawn from the Indexes in Volume II. Volume II presents the documentation for the arguments: a collection of published inscriptions decorating Islamic monuments. They are organized under three headings: 1) according to the number of the Sura and verse; 2) according to the geographical area, the city and the building where the verses occur; 3) according to the location within the buildings, over doors, for example, or on minarets.
Author: Titus Burckhardt
Publisher: World Wisdom, Inc
ISBN: 1933316659
Category : Art
Languages : en
Pages : 258
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Book Description
Islam.
Author: Eric Broug
Publisher:
ISBN: 9780500516959
Category : Art
Languages : en
Pages : 0
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Book Description
Combines wide-ranging research with the author's artistic skills to reveal the techniques used to create the patterns adorning buildings in the Islamic world
Author: Balafrej Lamia Balafrej
Publisher: Edinburgh University Press
ISBN: 147443746X
Category : Art
Languages : en
Pages : 327
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Book Description
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.
Author: Jamal J. Elias
Publisher: Harvard University Press
ISBN: 0674070666
Category : Religion
Languages : en
Pages : 395
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Book Description
Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.
