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Author: Charlotte Williams
Publisher: Rodopi
ISBN: 9042027916
Category : Art
Languages : en
Pages : 261
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Book Description
Evelyn A. Williams, a former teacher of art and design, is a practising painter with a recently established studio in Guyana, where she applies the principles of Mbari. Current research interests include Denis Williams's artworks and the vernacular architecture of the Village Movement. --Book Jacket.
Author: Charlotte Williams
Publisher: Rodopi
ISBN: 9042027916
Category : Art
Languages : en
Pages : 261
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Book Description
Evelyn A. Williams, a former teacher of art and design, is a practising painter with a recently established studio in Guyana, where she applies the principles of Mbari. Current research interests include Denis Williams's artworks and the vernacular architecture of the Village Movement. --Book Jacket.
Author: Denis Williams
Publisher:
ISBN:
Category : African literature
Languages : en
Pages : 48
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Book Description
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1135039755
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity. For this third edition over thirty new entries have been added including: Cosmopolitanism Development Fundamentalism Nostalgia Post-colonial cinema Sustainability Trafficking World Englishes. Post-Colonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.
Author: Bill Ashcroft
Publisher: Psychology Press
ISBN: 0415153042
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
An essential guide to understanding the issues which characterize post-colonialism. A comprehensive glossary has extensive cross-referencing, a bibliography of essential writings and an easy-to-use A-Z format.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134556950
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In his new book, Bill Ashcroft gives us a revolutionary view of the ways in which post-colonial societies have responded to colonial control. The most comprehensive analysis of major features of post-colonial studies ever compiled, Post-Colonial Transformation: * demonstrates how widespread the strategy of transformation has been * investigates political and literary resistance * examines the nature of post-colonial societies' engagement with imperial language, history, allegory, and place * offers radical new perspectives in post-colonial theory in principles of habitation and horizonality. Post-Colonial Transformation breaks new theoretical ground while demonstrating the relevance of a wide range of theoretical practices, and extending the exploration of topics fundamentally important to the field of post-colonial studies.
Author: K. Campbell
Publisher: Springer
ISBN: 1137056134
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. This study focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 113446505X
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture. The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language. This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.
Author: Gareth Griffiths & Helen Tiffin Bill Ashcroft
Publisher: Psychology Press
ISBN: 0415243602
Category : Colonies
Languages : en
Pages : 259
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Book Description
An essential guide to understanding the issues which characterize post-colonialism. A comprehensive glossary has extensive cross-referencing, a bibliography of essential writings and an easy-to-use A-Z format.
Author: Natalie Hopkinson
Publisher: The New Press
ISBN: 1620971259
Category : Art
Languages : en
Pages : 149
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Book Description
Longlisted for the PEN/Diamonstein-Spielvogel Award “Powered by masterful writing and storytelling, A Mouth Is Always Muzzled is an instant classic that grapples with the essential questions for artists and all societies that profess to be democratic.” —Sheryll Cashin, author of Loving: Interracial Intimacy in America and the Threat to White Supremacy A meditation in the spirit of John Berger and bell hooks on art as protest, contemplation, and beauty in politically perilous times As people consider how to respond to a resurgence of racist, xenophobic populism, A Mouth Is Always Muzzled tells an extraordinary story of the ways art brings hope in perilous times. Weaving disparate topics from sugar and British colonialism to attacks on free speech and Facebook activism and traveling a jagged path across the Americas, Africa, India, and Europe, Natalie Hopkinson, former culture writer for the Washington Post and The Root, argues that art is where the future is negotiated. Part post-colonial manifesto, part history of British Caribbean, part exploration of art in the modern world, A Mouth Is Always Muzzled is a dazzling analysis of the insistent role of art in contemporary politics and life. In crafted, well-honed prose, Hopkinson knits narratives of culture warriors: painter Bernadette Persaud, poet Ruel Johnson, historian Walter Rodney, novelist John Berger, and provocative African American artist Kara Walker, whose homage to the sugar trade Sugar Sphinx electrified American audiences. A Mouth Is Always Muzzled is a moving meditation documenting the artistic legacy generated in response to white supremacy, brutality, domination, and oppression. In the tradition of Paul Gilroy, it is a cri de coeur for the significance of politically bold—even dangerous—art to all people and nations.
Author: Joseph Hankinson
Publisher: Springer Nature
ISBN: 3031187768
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book compares the Victorian British poet Robert Browning and the twentieth-century Ghanaian poet and novelist Kojo Laing—two writers whose texts frequently foreground multi-scalar transregional cartographies, points of connection and translation, and imaginative kinships between different linguistic and cultural communities. Starting from the numerous and surprising points of connection and resemblance between both authors’ texts, this book puts pressure on critical practices that would keep writers like Laing and Browning separate, positing instead the importance of paying attention to the transnational, cross-cultural, and cross-temporal imaginative relationships texts themselves generate. By comparing two writers whose texts represent different points of view on a number of shared and congruent contexts, this book seeks an original way of understanding the relationship between texts and (post-) colonial contexts, texts and other texts. Browning’s and Laing’s shared tendency to foreground trans- and post-national cartographies of relation and difference, and their similarly translational aesthetics, both demand a probing of the disciplinary separation between ‘English Literature’ and ‘Comparative Literature’, as well as ‘literature’ and ‘comparison’, and a fresh awareness of the ways in which literature itself makes comparisons and affiliations. It also involves a version of ‘world literature’ intent on accentuating the relational worlds (linguistic, imaginative, ethical) that texts themselves generate; a criticism sensitive to the ways in which writers from different times and places can still be seen to overlap.
