Author: Society of Illustrators
Publisher: Harper Collins
ISBN: 0062004603
Category : Commercial art
Languages : en
Pages : 530
Book Description
This 52nd edition of the prestigious Society of Illustrators' annual presents not only the best illustrations of the past year, but presents the artists' ideas behind the art.
Drawing Lab for Mixed-Media Artists
Author: Carla Sonheim
Publisher: Quarry Books
ISBN: 1610580966
Category : Art
Languages : en
Pages : 145
Book Description
Carla Sonheim is an artist and creativity workshop instructor known for her fun and innovative projects and techniques designed to help adult students recover a more spontaneous, playful approach to creating. Her innovative ideas are now collected and elaborated on in this unique volume. Carla offers a year's worth of assignments, projects, ideas, and techniques that will introduce more creativity and nonsense into your art and life. Drawing Lab for Mixed-Media Artists offers readers a fun way to learn and gain expertise in drawing through experimentation and play. There is no right or wrong result, yet, the readers gain new skills and confidence, allowing them to take their work to a new level.
Publisher: Quarry Books
ISBN: 1610580966
Category : Art
Languages : en
Pages : 145
Book Description
Carla Sonheim is an artist and creativity workshop instructor known for her fun and innovative projects and techniques designed to help adult students recover a more spontaneous, playful approach to creating. Her innovative ideas are now collected and elaborated on in this unique volume. Carla offers a year's worth of assignments, projects, ideas, and techniques that will introduce more creativity and nonsense into your art and life. Drawing Lab for Mixed-Media Artists offers readers a fun way to learn and gain expertise in drawing through experimentation and play. There is no right or wrong result, yet, the readers gain new skills and confidence, allowing them to take their work to a new level.
Art and Anarchy
Author: Edgar Wind
Publisher: Northwestern University Press
ISBN: 9780810106628
Category : Architecture
Languages : en
Pages : 184
Book Description
Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and--perhaps the fundamental weakness of our age--the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.
Publisher: Northwestern University Press
ISBN: 9780810106628
Category : Architecture
Languages : en
Pages : 184
Book Description
Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and--perhaps the fundamental weakness of our age--the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.
Art for a New Understanding
Author: Mindy N. Besaw
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
For the Very Joy of Art
Author: Nigel Corlett
Publisher: Lulu.com
ISBN: 1445715007
Category : Art
Languages : en
Pages : 190
Book Description
In 1880 a small group of people formed a society of artists which flourished and grew and which still exists today. Although a shared interest in art was what bound these particular friends together, such common bonds can always be strained by the differing views on how the society should be run. We see the difficulties of holding things together during two world wars; the often alarming confrontations between strong characters with strongly held opinions; the amusing and quirky personalities without whom no group is ever truly complete.
Publisher: Lulu.com
ISBN: 1445715007
Category : Art
Languages : en
Pages : 190
Book Description
In 1880 a small group of people formed a society of artists which flourished and grew and which still exists today. Although a shared interest in art was what bound these particular friends together, such common bonds can always be strained by the differing views on how the society should be run. We see the difficulties of holding things together during two world wars; the often alarming confrontations between strong characters with strongly held opinions; the amusing and quirky personalities without whom no group is ever truly complete.
Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1202
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1202
Book Description
Louise Moillon
Author: Lesley Stevenson
Publisher: Getty Publications
ISBN: 1606069020
Category : Art
Languages : en
Pages : 112
Book Description
The life and career of Louise Moillon (1609/10–1696) offers a fascinating case study of a supremely talented artist whose posthumous reputation has been mired in invisibility. Born and raised in Paris, Moillon was the sole woman in a circle of Calvinist Protestant émigrés who brought their tradition of still-life painting with them from Flanders. During her lifetime, she was able to enjoy a degree of professional independence and attract enough recognition to be regarded as on a level with her male counterparts, yet her exquisite work and enigmatic story are little known today. This illustrated biography examines some of the ways in which Moillon’s story has been represented since the revival of interest in her work and draws on recent scholarship to situate the painter in her rightful place. Offering a sweeping exploration of the genre of still life, this book also chronicles how a woman in early modern France was able to capture the attention of the artistic world while dissecting why her prominence waned in the centuries following her death.
Publisher: Getty Publications
ISBN: 1606069020
Category : Art
Languages : en
Pages : 112
Book Description
The life and career of Louise Moillon (1609/10–1696) offers a fascinating case study of a supremely talented artist whose posthumous reputation has been mired in invisibility. Born and raised in Paris, Moillon was the sole woman in a circle of Calvinist Protestant émigrés who brought their tradition of still-life painting with them from Flanders. During her lifetime, she was able to enjoy a degree of professional independence and attract enough recognition to be regarded as on a level with her male counterparts, yet her exquisite work and enigmatic story are little known today. This illustrated biography examines some of the ways in which Moillon’s story has been represented since the revival of interest in her work and draws on recent scholarship to situate the painter in her rightful place. Offering a sweeping exploration of the genre of still life, this book also chronicles how a woman in early modern France was able to capture the attention of the artistic world while dissecting why her prominence waned in the centuries following her death.
The Art of Eastern India
Author: Frederick M. Asher
Publisher: U of Minnesota Press
ISBN: 1452912254
Category : Art, Indic
Languages : en
Pages : 274
Book Description
Publisher: U of Minnesota Press
ISBN: 1452912254
Category : Art, Indic
Languages : en
Pages : 274
Book Description
The Dictionary of British Women Artists
Author: Sara Gray
Publisher: Lutterworth Press
ISBN: 0718840038
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
The most comprehensive volume of its kind, Gray's Dictionary of British Women Artists offers extensively-researched biographies of some of the most significant female contributors to British art.This volume will make a valuable contribution to the study of art history. It will also provide readers with significant insight into a long-neglected aspect of history - the lives and achievements of women artists. Each entry provides key biographical information, as well as (where possible) commentaryon the artist's studies, lifestyle, travels and family. Entries also detail significant works, exhibitions and membership of societies. Gray's introduction provides a useful context to the biographies.
Publisher: Lutterworth Press
ISBN: 0718840038
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
The most comprehensive volume of its kind, Gray's Dictionary of British Women Artists offers extensively-researched biographies of some of the most significant female contributors to British art.This volume will make a valuable contribution to the study of art history. It will also provide readers with significant insight into a long-neglected aspect of history - the lives and achievements of women artists. Each entry provides key biographical information, as well as (where possible) commentaryon the artist's studies, lifestyle, travels and family. Entries also detail significant works, exhibitions and membership of societies. Gray's introduction provides a useful context to the biographies.
Art Subjects
Author: Howard Singerman
Publisher: Univ of California Press
ISBN: 0520921437
Category : Art
Languages : en
Pages : 306
Book Description
Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a "professional" and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the "fine arts" to the "visual arts"; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.
Publisher: Univ of California Press
ISBN: 0520921437
Category : Art
Languages : en
Pages : 306
Book Description
Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a "professional" and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the "fine arts" to the "visual arts"; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.
Women Art Dealers
Author: Véronique Chagnon-Burke
Publisher: Bloomsbury Publishing
ISBN: 1350292443
Category : Art
Languages : en
Pages : 333
Book Description
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets – through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.
Publisher: Bloomsbury Publishing
ISBN: 1350292443
Category : Art
Languages : en
Pages : 333
Book Description
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets – through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.