Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487534752
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.
Making Pictorial Print
Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487534752
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.
Publisher: University of Toronto Press
ISBN: 1487534752
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.
Illustrated Catalogue of the Royal Photographic Society's International Exhibition at the Crystal Palace, 1898
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 370
Book Description
Journal of the Photographic Society of London
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 632
Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 632
Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
The Art Journal
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 882
Book Description
The British Journal of Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 644
Book Description
Sessional Papers Read at the Royal Institute of British Architects
Author: Royal Institute of British Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
List of members separately paged, bound at end of [v. 18-19] 1867/68-1868/69; also, various brief reports, papers, etc., separately paged, bound at end of [v. 16-19, 22-24] 1965/66-1868/69, 1871/72-1873/74.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 312
Book Description
List of members separately paged, bound at end of [v. 18-19] 1867/68-1868/69; also, various brief reports, papers, etc., separately paged, bound at end of [v. 16-19, 22-24] 1965/66-1868/69, 1871/72-1873/74.
Papers Read at the Royal Institute of British Architects
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 618
Book Description
The Spectator
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1302
Book Description
A weekly review of politics, literature, theology, and art.
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1302
Book Description
A weekly review of politics, literature, theology, and art.
Photographic Monthly
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description