Author: James Sully
Publisher:
ISBN:
Category : Delirium
Languages : en
Pages : 424
Book Description
Illusions
Author: James Sully
Publisher:
ISBN:
Category : Delirium
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Delirium
Languages : en
Pages : 424
Book Description
The Oxford Compendium of Visual Illusions
Author: Arthur Gilman Shapiro
Publisher: Oxford University Press
ISBN: 019979460X
Category : Games & Activities
Languages : en
Pages : 833
Book Description
Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world. The Compendium is a collection of over 100 chapters on visual illusions, written by the illusion creators or by vision scientists who have investigated mechanisms underlying the phenomena. --
Publisher: Oxford University Press
ISBN: 019979460X
Category : Games & Activities
Languages : en
Pages : 833
Book Description
Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world. The Compendium is a collection of over 100 chapters on visual illusions, written by the illusion creators or by vision scientists who have investigated mechanisms underlying the phenomena. --
Author:
Publisher: Odile Jacob
ISBN: 2738194575
Category :
Languages : en
Pages : 369
Book Description
Publisher: Odile Jacob
ISBN: 2738194575
Category :
Languages : en
Pages : 369
Book Description
Cercle Chromatique
Author: Charles Henry
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 184
Book Description
Mind
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 640
Book Description
A quarterly review of philosophy.
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 640
Book Description
A quarterly review of philosophy.
The American Journal of Psychology
Author: Granville Stanley Hall
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 236
Book Description
3d Drawing and Optical Illusions
Author: Sophia Williams
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
You don't have to be a magician (David Copperfield, David Blaine, David ... you get the idea) to fool the eye into seeing something that isn't there. In fact, all you need to pull off a mind-bending, look-twice trick is a piece of paper, some colored pencils or markers and the fun op-art technique I'm about to teach you.
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
You don't have to be a magician (David Copperfield, David Blaine, David ... you get the idea) to fool the eye into seeing something that isn't there. In fact, all you need to pull off a mind-bending, look-twice trick is a piece of paper, some colored pencils or markers and the fun op-art technique I'm about to teach you.
Space-Time Geometries for Motion and Perception in the Brain and the Arts
Author: Tamar Flash
Publisher: Springer Nature
ISBN: 3030572277
Category : Mathematics
Languages : en
Pages : 265
Book Description
This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception. Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.
Publisher: Springer Nature
ISBN: 3030572277
Category : Mathematics
Languages : en
Pages : 265
Book Description
This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception. Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.
The Psychological Index
Author: Howard Crosby Warren
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 334
Book Description
Seeing Motion
Author: Romana Karla Schuler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422999
Category : Art
Languages : en
Pages : 304
Book Description
Die avancierten Kunstschaffenden haben seit jeher innovativen Erfindungen aus dem Bereich der Naturwissenschaften zu den Themen Licht und Perspektive für ihre Darstellungen eingesetzt und dabei nachweislich sogenannte Sehapparate verwendet. Seit Anfang der zwanziger Jahre des 20. Jahrhunderts setzten sich Künstler wie Marcel Duchamp mit Scheinbewegungen auseinander. Aufbauend auf diesen frühen Ideen und künstlerischen Experimenten kam besonders die Scheinkontur durch die Beschäftigung mit Scheinräumlichkeit zu neuem Interesse, vor allem vonseiten der Vertreter der kinetischen Kunst und der Op-Art. Seeing Motion gibt einen Überblick entlang einer historischen Linie, die sich zwischen den Theorien der experimentellen visuellen Wahrnehmungsforschung (Hermann Helmholtz, Ernst Mach, Sigmund Exner, Wilhelm Stern, Vittorio Benussi, Max Wertheim, George Stratton, Ivo Kohler) bis hin zur apparativen Kunst (Alfons Schilling) sowie zur elektronisch-digitalen Kunst (Jeffrey Shaw, Peter Weibel) abzeichnet.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422999
Category : Art
Languages : en
Pages : 304
Book Description
Die avancierten Kunstschaffenden haben seit jeher innovativen Erfindungen aus dem Bereich der Naturwissenschaften zu den Themen Licht und Perspektive für ihre Darstellungen eingesetzt und dabei nachweislich sogenannte Sehapparate verwendet. Seit Anfang der zwanziger Jahre des 20. Jahrhunderts setzten sich Künstler wie Marcel Duchamp mit Scheinbewegungen auseinander. Aufbauend auf diesen frühen Ideen und künstlerischen Experimenten kam besonders die Scheinkontur durch die Beschäftigung mit Scheinräumlichkeit zu neuem Interesse, vor allem vonseiten der Vertreter der kinetischen Kunst und der Op-Art. Seeing Motion gibt einen Überblick entlang einer historischen Linie, die sich zwischen den Theorien der experimentellen visuellen Wahrnehmungsforschung (Hermann Helmholtz, Ernst Mach, Sigmund Exner, Wilhelm Stern, Vittorio Benussi, Max Wertheim, George Stratton, Ivo Kohler) bis hin zur apparativen Kunst (Alfons Schilling) sowie zur elektronisch-digitalen Kunst (Jeffrey Shaw, Peter Weibel) abzeichnet.